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Full-Text Articles in History of Gender
Macnaughton, Daniel, Wendy Chapkis
Macnaughton, Daniel, Wendy Chapkis
Querying the Past: LGBTQ Maine Oral History Project Collection
Dan MacNaughton was born in 1955 in Bangor, Maine, and raised in Hampden, Maine with his mother, father, and older brother. He came out as gay in high school with supportive teachers and classmates who were either supportive or indifferent. However, he had deeply internalized homophobic attitudes and believed that being gay meant he had very limited employment options. In college at the University of Maine Orono, MacNaughton became active in the newly formed Wilde Stein student group where he became the first Vice-Chair of the club, met Sturgis Haskins, and became involved in educational efforts on campus. He also …
Ward, Jeffrey, Benjamin Cornwall
Ward, Jeffrey, Benjamin Cornwall
Querying the Past: LGBTQ Maine Oral History Project Collection
Jeffrey Ward, from Northern Maine, talks about his experience interacting with the Portland LGBTQ community and his experience coming out as a gay man at the age of 47. Some subjects include: his experience with the Casco Gay Men group, Portland Pride Parade, The Front Porch, Blackstones, his involvement in the Methodist Church, his family life, and how he met his partner of 16 years.
Citation
Please cite as: Querying the Past: LGBTQ Maine Oral History Project Collection, Lesbian, Gay, Bisexual, Transgender, and Queer+ Collection, Jean Byers Sampson Center for Diversity in Maine, University of Southern Maine Libraries.
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Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari
Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari
Theses and Dissertations
In The God of Small Things and The Ministry of Utmost Happiness novels, the author Arundhati Roy is not only attempting to give feminist weight to the multiplicity of locations in which gender is articulated by recasting her female characters in their quest for selfhood, she is also focusing on women and women-identified characters as agents of history, thereby contributing to an ongoing project of feminist historiography.