History Commons^™

James Mahony (C.1816-1859): The Illustrated London News, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Imaging The Great Irish Famine: Representing Dispossession In Visual Culture, Preface & Introduction, Niamh Ann Kelly

Books/Book Chapters

‘Niamh Ann Kelly's lavishly illustrated book throws new light on the visual culture commemorative of hunger, famine and dispossession in mid-nineteenth-century Ireland. Located within the discipline of International Memorial Studies, the text and images both challenge and extend our understanding of Famine history. Examining the visual culture since the time of the Famine until the present, Kelly asks, how do we view, experience and represent the past in the present? To what extent does the viewer insert themselves in this complex process? Is there such a thing as ethical spectatorship? Kelly’s sophisticated yet sympathetic study of the “grievous history” …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Throwing Off The "Draggling Dresses": Women And Dress Reform, 1820-1900, Laura J. Ping

Dissertations, Theses, and Capstone Projects

In 1851 a group of woman’s reformers adopted a radical garment called the bloomer costume and thus launched a dress reform movement. During this era women typically wore corsets and layers of underclothes beneath dresses with tight bodices and voluminous skirts. In contrast, the bloomer costume included a loose dress, shortened to the knee, and harem style trousers. Underclothes, including corsets, were discouraged. The purpose of adopting such clothing was twofold; social reformers believed that women were in need of comfortable garments and they also hoped that by rejecting fashion woman’s rights activists could cast off the stereotype that women …

Visual Culture Analysis Of "The Last Ditch Of The Chivalry, Or A President In Petticoats", Sarah A. Hansen

Student Publications

This lithograph is a Northern depiction of the capture of former Confederate President Jefferson Davis. Titled "The Last Ditch of the Chivalry, or a President in Petticoats", and picturing Davis in a woman’s dress and bonnet, the Northern press painted Davis as a coward. Rather than being a man and standing up to the Union troops, Davis disguised himself as a woman and attempted to cowardly escape. Although in actuality Davis was wearing a rain jacket and shawl rather than a full dress and bonnet, the Northern press mocked him. This piece demonstrates the prominence of male Southern honor, and …

Ultimate Witnesses - The Visual Culture Of Death, Burial And Mourning In Famine Ireland, Extract, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

For All The World To See: Visual Culture And The Struggle For Civil Rights Program Booklet, Booth Library

For All the World to See: Program Booklet

No abstract provided.

For All The World To See: Visual Culture And The Struggle For Civil Rights, Booth Library

Booth Library Programs

Photo galleries and supporting exhibits can be found on the FOR ALL THE WORLD TO SEE: VISUAL CULTURE AND THE STRUGGLE FOR CIVIL RIGHTS exhibit page.

Exhibit Dates

This exhibit was displayed at Booth Library September 1 - October 20, 2016

Cutting Out Worry: Popularizing Psychosurgery In America, Antonietta Louise Iannaccone

Antonietta Louise Iannaccone

Contemporary Americans think of the lobotomy as an utterly primitive and brutal form of psychosurgery. The film One Flew Over the Cuckoo’s Nest, especially, popularized the image of it as a violent form of suppression and mind control. But when it was first introduced, the procedure was considered compassionate, effective, and so delicate it was compared to “cutting through butter.” The therapeutic effect was described as “cutting out worry.” Between 1936 and 1978 it is estimated that 40,000 psychiatric patients received lobotomies in the United States; the procedure was not only tolerated, it was popular. How did it ever gain …

Cutting Out Worry: Popularizing Psychosurgery In America, Antonietta Louise Iannaccone

Scripps Senior Theses

We think of the lobotomy as utterly primitive and brutal; we shudder at the idea of it. The archetypal image of creepiness, violence, and unnecessary brutality was expressed in the book and movie One Flew Over the Cuckoo’s Nest. This procedure weighs heavy on America’s conscience but in 1945 the procedure was characterized as being as gentle as ‘cutting through butter’ and the therapeutic effect was described as ‘cutting out worry’. How did the lobotomy gain such widespread acceptance? One part of the answer is that Walter Freeman advocated for it not just among his colleagues, but through the popular …

Mapping Latin America: A Cartographic Reader, Jordana Dym, Karl Offen

Jordana Dym

360 pages | 118 color plates, 12 halftones, 1 line drawing | 8-1/2 x 11 | © 2011

For many, a map is nothing more than a tool used to determine the location or distribution of something—a country, a city, or a natural resource. But maps reveal much more: to really read a map means to examine what it shows and what it doesn’t, and to ask who made it, why, and for whom. The contributors to this new volume ask these sorts of questions about maps of Latin America, and in doing so illuminate the ways cartography has helped …

The "New Woman" On The Stage: The Making Of A Gendered Public Sphere In Interwar Iran And Egypt, Fakhri Haghani

History Dissertations

During the interwar period in Iran and Egypt, local and regional manifestation of tajadod/al-jidida (modernity) as a “cultural identity crisis” created the nationalist image and practice of zan-e emrouzi-e shahri/al-mar’a al-jidida al-madani (the urban/secular “New Woman”). The dynamics of the process involved performance art, including the covert medium of journalism and the overt world of the performing arts of music, play, and cinema. The image of the “New Woman” as asl/al-asala (cultural authenticity) connected sonnat/al-sunna (tradition) with the global trends of modernism, linking pre-nineteenth century popular forms of performing arts to new genres, forms, and social experiences of the space …