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"No Piece, No Peace": Class Contradictions In The Resurging Black Freedom Movement, Sundiata K. Cha-Jua
"No Piece, No Peace": Class Contradictions In The Resurging Black Freedom Movement, Sundiata K. Cha-Jua
Sundiata K Cha-Jua
In the shadow of the St. Louis Arch (commemorating "western expansion"), the Black Freedom Movement is being forced forward by the dynamic interaction between racial commonalities and class contradictions. Two things are important about the I-70 demonstrations? First, tactically by pushing contemporary protest beyond symbolic demonstrations this entrepreneur-led coalition has rehabilitated the march as a militant offensive weapon. Second, from the perspective of the Black working class and poor, the current settlement seems a sellout. The agreement highlights the need for poor and working class Blacks to pursue their own class interests. The I-70 actions deserved united Black community support, …
The New Cambridge History Of India: Iv: 3 By Susan Bayly: Review For The South Asia Newsletter, Ananya Vajpeyi
The New Cambridge History Of India: Iv: 3 By Susan Bayly: Review For The South Asia Newsletter, Ananya Vajpeyi
Ananya Vajpeyi
No abstract provided.
A Plan For The Abolition Of Slavery, Consistently With The Interests Of All Parties Concerned (London, 1828), C. S. Monaco
A Plan For The Abolition Of Slavery, Consistently With The Interests Of All Parties Concerned (London, 1828), C. S. Monaco
C. S. Monaco
Published anonymously during the resurgence of the antislavery campaign in Britain, Moses E. Levy's pamphlet, "A Plan for the Abolition of Slavery," stands without parallel. The appearance of this publication in 1828 London, established Levy as the first and only Jewish abolitionist author amid a plethora of mostly Evangelical stalwarts. The scope and magnitude of Levy's ideas exceeded the more modest attempts by a small cohort of Jewish antislavery advocates who appeared much later in the United States. The entire pamphlet is reproduced here and, for the first time, extensive annotations by C. S. Monaco places this work into historical …