Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art Practice (2)
- Fine Arts (2)
- History of Art, Architecture, and Archaeology (2)
- History of Religion (2)
- Latin American Languages and Societies (2)
-
- Latina/o Studies (2)
- Race, Ethnicity and Post-Colonial Studies (2)
- Social and Behavioral Sciences (2)
- Theatre and Performance Studies (2)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (1)
- Caribbean Languages and Societies (1)
- Chicana/o Studies (1)
- Christianity (1)
- Contemporary Art (1)
- Cultural History (1)
- Fiber, Textile, and Weaving Arts (1)
- International and Area Studies (1)
- Latin American History (1)
- Latin American Studies (1)
- Other History of Art, Architecture, and Archaeology (1)
- Other Languages, Societies, and Cultures (1)
- Painting (1)
- Performance Studies (1)
- Political History (1)
- Printmaking (1)
- Psychology (1)
- Religion (1)
- Keyword
-
- 3-channel video (1)
- Altars (1)
- American (1)
- Chaos (1)
- Chihuahua Mexico (1)
-
- Community engagement (1)
- Culture (1)
- Diaspora (1)
- Empathy (1)
- Family Traditions (1)
- History (1)
- Immigrants (1)
- Installation (1)
- Latin American Art (1)
- Latino community (1)
- Memory (1)
- Mexican culture (1)
- Overstimulation (1)
- Painting (1)
- Performance (1)
- Refugees (1)
- Simultaneousness (1)
- Social issues in Latino Communities (1)
- Socially engaged art (1)
- Surrealism (1)
- Venezuelan (1)
- Washington State (1)
Articles 1 - 3 of 3
Full-Text Articles in History
La Cultura Que No Cambia, Karina Arreola-Gutierrez
La Cultura Que No Cambia, Karina Arreola-Gutierrez
MFA in Visual Art
In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …
The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith
The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith
MFA in Visual Art
Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …
Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont
Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont
MFA in Visual Art
This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …