History Commons^™

Friends Of Musselman Library Newsletter Fall 2016, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library Exhibits

GettDigital: Sports Reels

Research Reflections: The Gettysburg Superstar (Devin McKinney)

Remembering 9/12

Will Power: 400 Years After the Bard

Treasure Island (Robin Wagner)

Margin of Error

A Call to Activism in the Summer of '65 (Richard Hutch '67)

Digital Scholarship: The New Frontier (Julia Wall '19, Lauren White '18, Keira Koch '19)

Scrapbooks and Photo Albums: Snapshots of History (Clara A. Baker '30)

Soldiers' Scrapbooks (Laura Bergin '17)

A Book of Dreams (Alexa Schreier)

Who Do You Think You Are? (Timothy Shannon)

From Professor-Student to Collaborators (Jesse Siegel '16)

The Mysterious Easel Monument …

A Thaddeus Stevens Musical: A 19th Century Hamilton?, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

If you read my last post on the Broadway musical Hamilton, you’ve already read my waxing admiration of the show and might also remember that I listen to the soundtrack non-stop. The musical has shown the world the power that music has as a teaching tool. As someone interested in nineteenth century American history, I long for a Hamilton-esque musical regarding the Civil War era. One of the reasons Hamilton is so successful is its ability to draw connections between past and present issues, and that can be done easily for nineteenth century America. Women’s rights, slavery, immigration, …

Hamilton: Musical Theater, Public History’S New Frontier?, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

Hamilton is one of Broadway’s newest musicals and it’s the hottest thing to hit the stage in a long time. The show, a rap-opera, follows the life of Alexander Hamilton, the nation’s ‘forgotten Founding Father.’ The show has had immense success since it opened in August 2015, with thousands of followers on the show’s Twitter, Instagram, and YouTube pages. It has exploded from the stage into a cultural phenomenon, but what makes the story of this Founding Father so compelling for audiences? Previous productions of historical musicals and plays have failed on the stage, while Hamilton thrives. What is its …

Artifacts As Ambassadors: Sharing Special Collections Through Collaboration With Student Curators, Carolyn Sautter

All Musselman Library Staff Works

Special Collections and College Archives at Musselman Library, Gettysburg College, regularly collaborates with various academic departments to conduct class visits utilizing the primary sources in Special Collections Reading Room. In the last two years, some of these opportunity have grown into semester long student curation experiences both inside Special Collections and in collaboration with Schmucker Art Gallery at Gettysburg College.

The exhibits discussed included:

Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era

Slow to Heal: The Evolution of Medicine from the Civil War Era to WWI

Owl & Nightingale Players, 1914-2014: One Hundred Years of Drama

Art …

Friends Of Musselman Library Newsletter Fall 2014, Musselman Library

Friends of Musselman Library Newsletter

Table of Contents: From the Director: Gettysburgreat: The Campaign for Our College (Robin Wagner); Popular Middle East Series Continues; Letter from Edgar Rice Burroughs Explains Origin of Tarzan's Name; Library Celebration Owl & Nightingale's 100th Anniversary (Chelsea Bucklin '10, Chris Kauffman '92, Elyse Bennett '10); Encore! Owl & Nightingale Players Take Center Stage at Homecoming (Paul Di Salvo '13, Chelsea Bucklin '10, Aliena J. (Fischer) Garnard '93, Kelsey Lamagdeleine '09, Sean Valentine '05); Research Reflections: Shakespeare Folio (Chris Kauffman '92); GettDigital- The Story Continues: Professor Visits Italy and Recreates WWII Photos (Alan Perry, Catherine Perry); Don't Be Antisocial; Obama Awards …

Ms-159: Robert Pomponio ’88 Theatre Arts Scrapbook, Chelsea M. Bucklin

All Finding Aids

Robert Pomponio assembled this scrapbook while a student at Gettysburg College in the 1980’s. The scrapbook primarily focuses on the Owl & Nightingale Players production of “Happy End” by Bertolt Brecht and Kurt Weill, directed by Emile O. Schmidt in the spring of 1986. It includes production photographs taken by Pomponio, who was a member of the production crew, as well as captions and annotations provided by Pomponio. Also included in the scrapbook are photographs of campus events including performances by The Johnny White & Elite Band on November 1st, 1985, The DB’s in November 1985 and The Neats. Additional …

Theater Of War: Booth And Beyond, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Lastly, we come upon perhaps the best known actor of the Civil War era, John Wilkes Booth. Of course, the reason memory allows us to recall the name is not because of the merits achieved through his profession, but rather because he murdered the elected executive official – United States President Abraham Lincoln. Booth, a product of a theater family, was a dramatic, eccentric, and impatient being. He wanted the leading roles, did not want to prepare the role, but to simply play the role. His brother, Edwin Booth, a talented poetical performer, one might deduce, did prepare for his …

Theater Of War: Combining Entertainment And Art, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Did the theater work to benefit the causes for north or south, dependent upon region? Sautter stated that this phenomenon was less common than many might expect. Many actors stated their neutrality, or as one Civil War era actor said, “I am neither northerner nor southerner.” Still others simply responded to the war by leaving the country. One must consider the “clannish nature” of theater of the time in order to understand how actors could have taken the neutral role during a war of ideals: many actors were born into theater life, therefore did not grow up in any one …

Theatre Of War: A Witness To Love, Tragedy, And Parody, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Central to American nineteenth century life was the theater. As the fratricidal fighting of the American Civil War broke out and divided the nation, this centrality remained, and audiences crowded into the theaters. For both north and south, the theater provided an outlet through which Americans could enjoy plays, performances, music, and variety shows that appealed to all social classes of American society. However, in order to understand the operations of theater companies during the war itself, it is first essential to examine the state of the theater as a concept during the mid-nineteenth century, and in the pre-war years. …

Ms-139: Jerome O. Hanson Collection, Chelsea M. Bucklin

All Finding Aids

This collection consists of photograph slides of theatrical productions and projects produced at Gettysburg College and in the town of Gettysburg. The majority of this collection has been digitized and can be accessed upon request to Special Collections.

Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. Finding aids include historical and biographical information about each collection in addition to inventories of their content. More information about our collections can be found on our website http://www.gettysburg.edu/special_collections/collections/.

Ms-138: Emile O. Schmidt Collection, Chelsea M. Bucklin

All Finding Aids

This collection represents an interesting variety of research materials in the area of theatre arts. The majority of the play books in Series I are from Owl & Nightingale productions directed by Emile Schmidt. Series II contains plays written by Emile Schmidt, and Series III consists of a costume sketch created by Emile Schmidt.

Special Collections and College Archives Finding Aids are discovery tools used to describe and provide access to our holdings. Finding aids include historical and biographical information about each collection in addition to inventories of their content. More information about our collections can be found on our …

"The Tenter-Hooks Of Temptation": The Debate Over Theatre In Post-Revolutionary America, Meredith Bartron

The Gettysburg Historical Journal

In Royall Tyler’s 1787 play The Contrast, the innocent and simple Yankee Jonathan unknowingly attends a playhouse, mistaking it for a hocus pocus show. The historian and eighteenth-century theatre manager, William Dunlap, later criticized Tyler’s play because his hero was a clown who misrepresented the new nation that the Revolutionary War created. Tyler’s satirical portrait of his hero, however, is not an attack on the Yankee, but rather a symbol of the ideological conflicts within America. Jonathan repeats the religious charges against theatre, but he also joins in the fun at the playhouse. He is simple and honest, but he …

Ms-037: The Papers Of Richard A. Arms, Jennifer Chesney

All Finding Aids

This collection represents an interesting variety of research materials in the area of theatre arts. The majority of the plays in Series I date to the midnineteenth century and include details from professional productions of the time. Series II contains playbills from numerous Broadway shows, many from the original productions, as well as souvenir books from famous turn-of-the-century actors. Series III consists of the promptbooks of shows produced in the 1970's by the Players Repertory Theatre of Harrisburg, PA, of which Anthony Arms, a nephew of Richard Arms, was a member.

Special Collections and College Archives Finding Aids are discovery …

A Majestic Presence: A Study Of The Development Of The Majestic Theater In Gettysburg, Jay Gallagher, Kelly Burnham, Nancy Moll

The Gettysburg Historical Journal

In an era of collective entertainment, before private home entertainment systems, people sought amusement within their communities. One aspect of this community entertainment, the theater, offered a social gathering place. Theaters provided an important dual role for the community—both for entertainment and also a certain amount of public service. Theaters in the 1920s and 1930s, in small towns such as Gettysburg, Pennsylvania, served a much different purpose than they do today, with a more prominent and more important role within society. In the 1920s and 1930s, Gettysburg had several theaters. The two most prominent were the Majestic and the Strand …