History Commons^™

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Imaging Her Selves: Black Women Artists, Resistance, Image And Representation, 1938-1956, Heather Zahra Caldwell

Doctoral Dissertations

This dissertation focuses specifically on dancer Katherine Dunham (1909-2006), pianist Hazel Scott (1920-1981), cartoonist Jackie Ormes (1911-1985), singer Lena Horne (1917-2010), and graphic artist, painter, and sculptor Elizabeth Catlett (1915-2012). It explores the artistic, performative, and political resistance deployed by these five African-American women activists, artists, and performers in the period between 1937 and 1957. The principal form of resistance employed by these women was cultural resistance. Using a mixture of archival research, first person interview, biography, as well as other primary and secondary sources, I explore how these women constructed personas, representations, and media images of African-American women to …

Dreamcatcher From Mao's Last Revolution: My Venture Into Creative Social Documentary Video, Christopher Shea Howard

Student Publications

Dreamcatcher From Mao’s Last Revolution is a filmmaking venture into creative social documentary production undertaken by this filmmaker as his own experimental departure from narrative feature film production and the fiction genre. This thesis report not only describes aspects of this film production that are specific to the methodology of documentary film production, but also describes the film’s cinematic expression of memory and the filmmaker’s telling of the story. Some cinematic and conceptual aspects of the story are related to the film’s influences, specifically to those theoretical concepts and techniques employed by documentary filmmaker, Werner Herzog.

The documentary story is …

Artemisia In The Metro, Emily A. Francisco

Student Publications

The “art poem” is an intriguing form of poetry. In writing about something that is inherently visual, a poet must remold a work of art into new material, drawing upon the work’s elements of form such as color, line, use of light, contrast, and composition to make his or her own reflective statement, beyond simply describing the artwork’s own content. In my poetry I aim to take this model of the “art poem,” and, through extended experimentation with this idea of ekphrasis (writing about art in a poetic context), intend to suggest a more intimate connection between art and language. …

Martin, Lanna Gayle, B. 1961 (Sc 1023), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 1023. Paper titled “Sadie F. Price: Artist, Botanist, Author, and Naturalist,” written by Lanna Gayle Martin for a Western Kentucky University class.

Silent Subversions, Derek Dubois

Derek M Dubois

Explores the concept of spectatorship in relation to gender in the earliest period of film history in the United States known as the silent era. Argues that a new mode of spectatorship emerges for women during the 1920s, which employs to advantage the extra-diegetic components of spectacle in theater design, new customized genres for female filmgoers, fandom, and exotic male film stars, such as Rudolph Valentino. Focuses primarily on feminist film theory and on cultural studies as methodological models.

Silent Subversions, Derek Dubois

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the concept of spectatorship in relation to gender in the earliest period of film history in the United States known as the silent era. Argues that a new mode of spectatorship emerges for women during the 1920s, which employs to advantage the extra-diegetic components of spectacle in theater design, new customized genres for female filmgoers, fandom, and exotic male film stars, such as Rudolph Valentino. Focuses primarily on feminist film theory and on cultural studies as methodological models.

Maine Now Times (Fall 1992), National Organization For Women - Maine Chapter Staff

Maine Women's Publications - All

No abstract provided.

Warm Journal: Special Issue On Competition Volume 1 Issue 3, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

WARM’s focus in this issue is on competition and its impacts on personal and professional life. Within this issue is a conversation between the women on the WARM Journal Committee entitled “Dividing the Pie” which discusses women and societal images. There were compositions on competition, artwork, and poems followed by a calendar of events. Also found is information on WARM Exhibitions and a piece about Jaci Schacht’s work authored by Fran Addington. This issue concludes with reviews of local displays, an open letter to Sam Sachs, and details about WARM members and membership.

Warm Journal Volume 1 Issue 2, 1972-2021 Women's Art Registry Of Minnesota

WARM Journal

This issue contains two interviews, one with Pat Olson about her graphic design work and life as an artist, and one with B.J. Shigaki about her life and being the director of the Rochester Art Center. There is a collection of poetry by Jill Breckenridge-Haldeman, and a review of Obstacle Race by Germaine Greer, a book on women’s “fine art” from the Middle Ages to the mid-20th century. Also included in the issue were submissions of artistry with descriptions from members of WARM.

Warm Journal Volume 1 Issue 1, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

The main articles of this issue concern Julia Barkley’s trip to China, Taiwan, and Japan, an interview with Sally Brown, an art instructor in the Twin Cities, and a review of the Women’s Art Weekend by Roseanne Sullivan. Barkley’s travelogue, although it contains language dated by modern standards, is an insightful exposé of what life was like for female artists in East Asia at the start of the 1980s. Brown’s interview provides a window into the development of women’s artistry in the 1960s. The Women’s Art Weekend documented women speaking about their struggles against racism and sexism at MCAD, and …

Warm Newsletter 1978 January-March, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

WARM provides a newsletter for January-March of 1978. Its contents include meetings, announcements, openings, and membership information. The coordinator provides congratulations to grant winners, grants given for Women Invite Women and Visiting Artist Program, and thanks for work on grant proposals. Readers are given information about membership fees, the annual meeting, and an invitation to the open discussion during the annual meeting. Article 1: Membership amendment (includes levels of membership) to the by-laws of WARM has been revised and clarified within this newsletter. The letter concludes with upcoming events of Joan Snyder and Marcia Tucker, a Wild Rice television date, …

0023: Theeta Searcy Lyon Papers, 1923-1941, Marshall University Special Collections

Guides to Manuscript Collections

Marshall College home economics professor. Papers consist of prints and original drawings of costumes and dress from Grecian times to 1941. Includes student drawings executed for classes in applied arts at Marshall and a typescript copy of 'History of American Dress as Affected by Politcial, Social, and Economic Conditions,' by Anna C. Wilson.

Maine Federation News Vol. Xxxiii, No. 4 (May 1958), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxxiii, No. 3 (March 1958), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxxiii, No. 2 (December 1957), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxxiii, No. 1 (October 1957), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxxi, No. 2 (January 1955), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxxi, No. 4 (May 1955), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxx, No. 1 (January 1954), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxx, No. 3 (March 1954), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxix, No. 4 (May 1953), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxix, No. 3 (March 1953), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxix, No. 2 (Jan 1953), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxix, No. 1 (Nov 1952), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxviii, No. 3 (Jan 1952), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxviii, No. 5 (May 1952), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxviii, No. 4 (March 1952), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.

Maine Federation News Vol. Xxviii, No. 2 (Nov 1951), Maine Federation Of Women's Clubs Staff

Maine Women's Publications - All

No abstract provided.