History Commons^™

Meanings: Where This Is All Headed, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Human tragedy, human triumph and continuing struggle, each of its own epic proportions. One convoluted war holds inside the tripartate meanings of sorrow for 620,000 lost, joy for 4 million saved and the uneasiness that the struggle for freedom would still continue 150 years later. [excerpt]

Inside The Resource: Interpreting Is Pointing At Things, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

We preserve the places of the past for a very specific reason: they are places. They are physical manifestations of the past, either landscapes where that past was played out or the remnants of the people who made that past happen.

That was clear to me last week as I watched David Fox, one of Harpers Ferry's premier interpreters, twiddle a shaving mirror in the sunlight and shine a twinkling beam on the gravestone of Rev. Alexander Morrell in the cemetery at the end of Fillmore Street. [excerpt]

Born In Slavery: One Grave In Chambersburg, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A simple epitaph with amazing impact: "Born in Slavery, Died Feb 15 1908." Those words speak and speak loudly. Thomas Burl wanted it to be known for eternity that he was a slave. And he wanted it to be known that he wasn't when he died. That label defined his whole life. It defined who he was when he had the name "slave" forced on him when he was born. And it again defined him through its absence after 1863. [excerpt]

Fire On The Mountain: A Forest Fire Ignored?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There was a massive forest fire on the South Mountain at the edge of Adams County. It ripped through thousands of acres of woodland along the crest of the ridge. The undergrowth went up like a match. The spring up to this point had been unusually dry. And a fire started. [excerpt]

Rewind: Good Morning To The Night, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Today is a special day, a momentous day. It's a day I've thought about for a long time. A day for beginnings and a day for looking back. So I'm looking back for today's blog, to one of my favorite posts. It's simple and meaningful to me. It's about a place that has changed my life so much. And today the ripples from that place are changing it again. And it's wonderful. [excerpt]

Hearing His Voice: What Does "War" Have To Say?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Lee is formulating his plan to move northward, to invade Federal territory once again and lean on the United States' popular will to fight. And War will see the fruits of that decision. He'll see it all. And we're still working to tell his tale, bit by bit. [excerpt]

Sockdologizing: Finally Laughing At The Lincoln Assassination, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I've taken solace in the fact that Abraham Lincoln died laughing. Sarah Vowell, in her riveting and powerful Assassination Vacation, speaks about how, "it is a comfort of sorts to know that the bullet hit Lincoln mid-guffaw. Considering how the war had weighed on him, at least his last conscious moment was a hoot." [excerpt]

From A Place Of Fear: Death, Slavery & Stonewall, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Earlier this spring, I sat in Gettysburg at the "Future of the Civil War" conference and listened to an intern talk about how he had been scared to interpret. He was afraid of his visitors, afraid to tell them about a place. [excerpt]

The Semester Ends, The Semester Begins, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

It's finals week at Gettysburg College, but in another time, it was just the beginning of the oddest session of college just over 100 students would ever experience. Some would join the 26th PEMR, some would run home from the oncoming rebel hordes, and others would remain in Gettysburg, sitting in the cross-hairs of the war as the slowly rested on Adams County. [excerpt]

Virtual Sesquicentennial: #Invasion63 Goes Live, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I teased this project a short while ago, and now that May has arrived history has begun coming back to life. Over the next three months, the men and women who walked Gettysburg's streets and crossed the Pennsylvania College campus will reenact their lives in the last few moments before Gettysburg changed irrevocably. As May creeps along, more characters will rise from the grave and begin reliving the past. [excerpt]

Pennsylvania At Chancellorsville, But Headed Back Home, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

With the anniversary of the battles around Fredericksburg this week, the Civil War world's eyes seem to be turned toward Chancellorsville and the battles there. Almost as a reflex, my mind has gone there too. I've been thinking about Simon Stein Wolf, the Gettysburgian who faced death at Chancellorsville only to find it terribly displayed in the days after. So today another excerpt from my manuscript, to start re-conceptualizing Chancellorsville through the eyes of a Pennsylvania College dropout. [excerpt]

Gettysburg's Other Unknown Soldier, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

We all know the name Amos Humiston. We know he was found on the first day's field. We know he clutched the image of his three children, an unknown soldier until his wife Philinda Humiston saw her children peering back at her from a copy of that picture. We know his drama and the agony of Philinda, we know the heartbreak and horror.

But who's buried next to him? [excerpt]

Loyalty: Democracy And Gettysburg's Union League, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"The ball is rolling," the Sentinel crowed, "and it is no time now to faint or falter in the good and noble work of crushing rebels and traitors abroad and at home, and bringing back to its original glory our time-honored Union."

The Union would be saved, the Sentinel was sure, by the pure and sustained love and loyalty of her people. Gettysburg was showing her mettle in that department in the waning days of April 1863, as citizens gathered to follow the lead of others to the east in forming a Loyal Union League in the Adams county seat. …

Building The War One Brick At A Time, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I've been waiting for this moment since 1996. Back then, when I was 11, My favorite toy came out with figures from my favorite era. The LEGO Western line was an amazing crossover of my love for history and my love for tiny ABS building blocks. [excerpt]

Big Interp: Processing Massive Meaning, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's been this term bandied about in the historical circles I've been running in of late: Big Data. As far as I've gathered, it's the byproduct of our information age, when more and more data gets fed into more and more machines and is accessible at the fingertips of more and more inquiring minds. [excerpt]

Dark Town's Wealth: A 150-Year-Old Rock-And-Roll Concert Review, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I have a lot of odd things scattered around my house, weird ephemera and bric-a-brac that I've picked up here and there as I've studied history.

Some of them are treasures, like CDVs of long-dead College professors and original pieces of decking from the USS North Carolina. Some are less treasures and more, well, junk. Most folks toss old newspapers within a few days of reading. In the Civil War Era, I'm sure many a page of newsprint went to start an honest mother's hearth in the morning or a pile of moist kindling in some godforsaken camp. [excerpt …

On The Battleground At Gettysburg: A Journey To Remember, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I was very pleased to be one of the two speakers at Sunday night's inaugural "Journey to Remember" event sponsored by Gettysburg College. A group of students and community members trekked up the hill from the campus, resting on Oak Hill at the base of the Eternal Light Peace Memorial to hear myself and Janet Riggs, the college's President and a fellow alum. The student organizers asked me to place that place into historical context. [excerpt]

We're Not Important: Historian In An Operating Room, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Sometimes, historians (both public and academic) seem to have this oddly overblown sense of self-worth. I'll admit that I'm prone to this every so often. I'm wont to note that historic sites are temples of democracy, that interpreters ultimately are in the business of creating citizens and saving America and that in defining the past we find the present and chart the course for the future. [excerpt]

Wilmington: A World Turned Upside Down, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's an old myth that, as he ordered the flag brought down and the post at Yorktown surrendered, General Cornwallis ordered his fife and drum corps to play The World Turned Upside Down a traditional British Christmas song written in protest of the aristocracy outlawing raucous celebration. In its lyrics, the paupers are made kings and the kings made paupers. The song was more than likely not played during the surrender. But myths are often potent and always telling.

Tool Of Revolution, Piece Of The True Cross, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

One of my former students, brilliant researcher and Gettysburg College Senior Lauren Roedner has been pulling together an exhibit from the private collection of Angelo Scarlato, displayed in the display cases in Gettysburg College's Special Collections. The exhibit,Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era opens officially on Monday. But I was able to sneak a quick peak on Wednesday night of the exhibit-in-progress. [excerpt]

Choice Poetry: Valiant Manhood's Flinch, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Throughout the war, the front page of Gettysburg's newspapers, regardless of your political stripe, had an evergreen column. Poetry graced the upper left corner each week. Sometimes raucous, often love-lorn, chiefly patriotic, the poems must have buoyed many a Pennsylvanian spirit as America floundered in the depth of Civil War.

Most of the poems were mainstream schmaltz, passed from paper to paper as each editor read a line or two he liked and thought his readers might appreciate. The poems spread like a particularly odd malignant cancer from organ to organ. [excerpt]

Loading Chekhov’S Gun In 9-Times: The Fundamental Disconnect In Historical Interpretation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Thursday night brings into Gettysburg an avalanche of historians (both public and academic) to discuss the Future of Civil War History for a whole weekend. That means I'll be taking some annual leave from work and participating in a working-group investigating "Training Seasonal Historians in the Age of Holding the High Ground." It's still unclear who will be able to attend our panel thanks to sequestration and a moratorium on NPS travel. Still, those of us who can make it will soldier on. [excerpt]

Shattered By War: The Huber Family, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The tale of Sergent Frederick Huber is relatively well known. The young man, fighting at the battle of Fair Oaks, was struck by three rounds, the final a bullet through his breast that quickly sapped him of his life. The Adams Sentinel reported the incident in the early summer days of 1862, underlining Frederick's bravery in the face of the great beyond. "Tell Father," he reportedly said with his dying breath, according to the Sentinel, "I have died for my country." [excerpt]

Food, Fuel And Fodder: Civil War Carbon Footprints, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Thursday morning finds me presenting to a group of fellow NPS folks on the possibilities of the interpretive futures. So I've dragged out some older, weirder interpretive dreaming from a few years back. It's something I worked up for my friend and boss David Larsen to prove that topics like Climate Change can be discussed from any perspective and in any context. But this sort of dreaming can't stay locked in drawers, left on the backs of envelopes and stuffed away in digital filing cabinets back at work. So here's a peek at what I'm presenting. It's a way of …

“A Time To Be Born, And A Time To Die.”, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"While surgeons were well acquainted with the horrors of a field hospital in the aftermath of a grand battle like Gettysburg, the civilians of the North were woefully unprepared for the carnage at play in the halls of their local institutions and homes until it presented itself in full-colored glory in front of their very eyes. Senior Michael Colver finally picked his way down the long slope of Cemetery Hill, across the borough and onto the campus of his alma mater on Monday the 6th of July. “On our arrival,” he recalled, “we found in and around the building, according …

Consumptive Use History, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

It's been five years since I was living in DC and working at the Lincoln Cottage. I don't often talk about my short stint in DC at American University (let's just say that the University and I didn't quite mesh philosophically) and working with the National Trust for Historic Preservation at President Lincoln's Cottage right as the site was opening. My time at the cottage was a blip on the radar; barely any digital footprints still exist from then. [excerpt]

In Plain Black And White: Race & Gettysburg, Winter 1863, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"Kinkyheads," the Gettysburg Compiler gleefully quipped at the bottom of a column in its February 23rd edition, "is the new title used for Abolitionists." This was, of course, "in contradiction to 'Copperheads.'"

Race was the live wire of Gettysburg's political scene. For the roughly 10% of the borough's population that was black, that live wire must have shocked daily. [excerpt]

Presidents' Day In A Land At War, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Monday is Presidents' Day, our modern conglomeration of the celebrations of Washington's and Lincoln's Birthdays. Of course, no one but Mary Todd, Tad and some friends were celebrating Lincoln's birthday in 1863. Dying has a way of making special family events into cherished national holidays. Hence Washington, father of the nation who was already cold in the ground, warranted celebration and accolades on his birthday. [excerpt]

Two Kosciuszkos: Fighting For Liberty, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I got in trouble down in the District of Columbia before Christmas. I made the mistake of asking friend and fellow blogger Aaron Urbanski why I should care who Thaddeus Kosciuszko was. He went mildly ballistic. Aaron has a soft spot in his heart for the old Polish general, partially because his last name is Urbanski. I can't begrudge him that.

So the name "Kosciuszko" has been rattling violently around in my head since December. Recently it broke free. And it was because of the Civil War, Gettysburg and a Pennsylvanian general that I found out why Thaddeus Kosciuszko might …

Downwind From Gettysburg, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Go find a copy of I Sing the Body Electric, Ray Bradbury's collection of short stories from which this chunk comes. Check it out of the library. Go buy it, you won't regret it.

Bradbury, in his short story, tells the tale of a man whose obsession is to bring the dead to life. Phipps wishes to make a film about Gettysburg, the film outlined in the passage above. A boy on his father's shoulders translates the Gettysburg Address from it's wind-borne course. [excerpt]