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Pois Dompna S'Ave/D'Amar: Na Castellosa's "Cansos" And Medieval Feminist Scholarship, Alison Langdon
Pois Dompna S'Ave/D'Amar: Na Castellosa's "Cansos" And Medieval Feminist Scholarship, Alison Langdon
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
Pois Dompna S'Ave/D'Amar: Na Castellosa's "Cansos" And Medieval Feminist Scholarship, Alison Langdon
Pois Dompna S'Ave/D'Amar: Na Castellosa's "Cansos" And Medieval Feminist Scholarship, Alison Langdon
English Faculty Publications
Despite the rapidly spreading popularity of troubadour poetry throughout Western Europe (to northern France, Italy, Spain, Germany), only in Occitania do we find significant numbers of women poets participating in the tradition alongside their male counterparts-about twenty known by name, with another seventeen mentioned by other medieval writers but whose compositions have evidently been lost.1 Of all the trobairitz, it is Na Castelloza who most closely aligns herself with the"self-consciousness of the early troubadours and the self-effacing humility of the troubadour lover in general."2 she situates her female speaker in the same rhetorical position occupied by the …
Reading Ability: Negotiating Academe On Crutches, Tammy Gravenhorst
Reading Ability: Negotiating Academe On Crutches, Tammy Gravenhorst
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.