History of Art, Architecture, and Archaeology Commons^™

Constantino Escalante's Lithographs In La Orquesta And The National Legacy Of The Mexican Constitution Of 1857, Steven V. Cary

Art & Art History ETDs

ABSTRACT

An examination of the lithographic prints of Constantino Escalante in the Mexican publication, La Orquesta, was undertaken for the years 1861 through 1868. Foremost among La Orquesta’s concerns and repeatedly appearing in Escalante’s work, is the importance of the Constitution of 1857 as the Liberal instrument for Mexico’s journey to become a sovereign, modern state. During a tumultuous period of 19^th century Mexican history, Escalante and La Orquesta dealt with sustained threats and censorship, causing frequent and intermittent shutdowns. An early supporter of Benito Juárez, La Orquesta radically amended its positive view of Juárez following the unsuccessful …

Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish

Art & Art History ETDs

Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …

“By Order Of The Commandant General”: Eighteenth-Century Bourbon Reforms And The Architecture Of Mission San Francisco De La Espada, San Antonio, Texas, James E. Ivey

Art & Art History ETDs

The effects of Bourbon reforms on mission architecture of the northern frontier of New Spain have not been examined in the surprisingly limited historiography of the San Antonio, Texas missions. The few existing architectural studies overlook major structural and developmental changes at the missions. Using the construction history of Mission San Francisco de la Espada, I argue that most of these changes are the result of the application of the Bourbon-revised mission administrative method, the método nuevo, made possible by the Patronato Real Universal of 1753 that gave the King of Spain temporal control over the Catholic Church within …

Living Between The Lines: How Japanese Crafts Taught Frank Lloyd Wright, Adolf Loos, And Eileen Gray To See Modern Domestic Space, Regina Nabil Emmer

Art & Art History ETDs

Histories of European and U.S. modernism conventionally accept that Enlightenment rational thought set modern architecture’s terms and criteria in the late-nineteenth and early-twentieth centuries. Rationalism privileges visual and material properties; distinguishes between art, architecture, and craft; and identifies space with the structure that frames it. It normalized the view that buildings stand fixed, independent of our interaction with them, and perpetuates assumptions about what physically defines domestic space. Consequently, Japan’s significance for modern domestic space in Europe and the U.S. has been interpreted as structurally evident. Simultaneously, the architecture of European and U.S. modernists who did not think like rationalists …