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Art & Art History ETDs

1972

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Full-Text Articles in History of Art, Architecture, and Archaeology

Surrealism As Propaganda: American Social Surrealist Painters, 1930-1945, Michael Regan Jul 1972

Surrealism As Propaganda: American Social Surrealist Painters, 1930-1945, Michael Regan

Art & Art History ETDs

The purpose of this thesis is to examine a number of American painters who combined surrealism and social consciousness in their paintings. These “social surrealists” attempted to join a modern style of art with political and social content in paintings done between the years 1930 and 1945, with a peak of activity from about 1934 to 1940. Peter Blume, James Guy, Walter Quirt, and O. Louis Guflielmi were the chief practitioners of social surrealism. There were a number of other artists whose paintings reflected similar concerns with surrealism and social consciousness, but neither as clearly nor as consistently as those …


Photography Thesis, Andrea West Hecht May 1972

Photography Thesis, Andrea West Hecht

Art & Art History ETDs

Crystalline beauty which fades and reappears with each slight turn of the band; frozen faces whose every wrinkle and subtle curve of the lips can be examined; a watch or necklace or lace dress seen with utmost clarity: this is the beauty of daguerreotypes. Long exposure, careful development on a polished surface, and the absence of an intervening negative contribute to the timeless quality of these tiny pictures which awakened the world to a whole new visual medium. Little touching up as done and tinting was used with great gentleness. Composition was direct and simple, perhaps bordering on monotony, but …


From Visigothic To Gothic:A Study Of Styles In The Church Of The Divine Saviour; Vejer De La Frontera (Cadiz), Spain., Dolores Coppel Bogard May 1972

From Visigothic To Gothic:A Study Of Styles In The Church Of The Divine Saviour; Vejer De La Frontera (Cadiz), Spain., Dolores Coppel Bogard

Art & Art History ETDs

Because all records have been destroyed, a comparative study is necessary in order to date the various building programs which have taken place in the Church of the Divine savior of Vejer de la Frontera. The different styles within the church range from Visigothic to Gothic, and individual discussions of each follow a general historical background of the area. Concomitantly, it is shown that Spanish architecture had a significance and a style of its own much earlier that is normally recognized.

The Visigothic element is confine to a study of four capitals, their column shafts, and their bases found in …


Le ThéAtre PoéTique De ThéOdore De Banville, Christina Candelaria GutiéRrez May 1972

Le ThéAtre PoéTique De ThéOdore De Banville, Christina Candelaria GutiéRrez

Art & Art History ETDs

Theodore de Banville is known to most students of French literature as a Parnassian poet. He was also a dramatic author. With the exception of one or two plays his dramatic work remains relatively unknown. None the less his theatre merits study as an expression of his time in that it does not reflect his time. Banville drew the subjects for his plays from history and from mythology. He remained faithful to the "art for art’s sake" movement in his dramatic work as well as in his poetry. Banville’s plays do not paint French life of his day nor do …


Charlotte Buell Coman, American Impressionist, Louise M. Lewis May 1972

Charlotte Buell Coman, American Impressionist, Louise M. Lewis

Art & Art History ETDs

Abstract

In the study of past movements in American art, there has been a trend to discuss more what is distinctly American while not denying European influences. As with other movements, Impressionism in the United States has recently received considerable attention, not so much for its European origins as for its native qualities.

While the late American Impressionists such as Twachtman, Robinson, Weir and Prendergast followed more closely the scientific tenets of the French Impressionists, there were other American Impressjonists who incorporated only the color formulas and compositional formats of the Impressionists. Retaining the poetic mood and brush techniques of …