History of Art, Architecture, and Archaeology Commons^™

Priestesshoods As Expressions Of Civic Identity, Isabella Kershner

Undergraduate Honors Theses

This thesis offers a comprehensive examination of the role of priestesshoods in shaping the civic identity of women in Classical Athens. It challenges the traditional narrative that confines Athenian women to the domestic sphere by highlighting their public and influential roles in religious practices. Through a meticulous analysis of archaeological, literary, and epigraphic evidence, the study traces the journey of Athenian females from childhood rituals to the esteemed positions of the High Priestess of Athena Nike and Athena Polias, revealing how these religious roles served as both a spiritual passage and a civic curriculum.

The thesis argues that these priestesshoods …

Re-Evaluating Egalitarian Design In Contemporary Danish Society, Alice Baughman

Undergraduate Honors Theses

This study examines the discourses and practices of egalitarian architecture in contemporary Denmark. Denmark’s long standing comprehensive welfare system promotes, for all citizens, equal access to education, healthcare, and public services, and other opportunities. Similarly, its own brand of socially progressive, egalitarian architecture encourages spatial designs intended for use by all people regardless of social disparities. Drawing on a range of sources from government documents to architectural magazines to design projects themselves, this study defines the historical development of this discourse going back to Modernist and Functionalist movements in the 1930s. By revealing the cultural and demographic assumptions on which …

Pompeiian Mill-Bakeries: Spatial Organization And Social Interaction, Madeleine Rubin

Undergraduate Honors Theses

This thesis examines bread production and the daily lives of those who worked in mill-bakeries during the first century CE. Bread was the staple food across the ancient Mediterranean; however, there is little textual evidence about those who produced the bread that fed the Roman Empire. The most significant body of evidence relating to the lives of mill-bakers is the archaeological remains of mill-bakeries from the city of Pompeii, preserved by the eruption of Mt. Vesuvius in 79 CE. This thesis analyzes the spatial organization of bread production within these mill-bakeries and applies the methodologies of spatial syntax – a …

The Cult Of The Nymphs: Identity, Ritual, And Womanhood In Ancient Greece, Ivana Genov

Undergraduate Honors Theses

Examining archeological and epigraphic evidence in its historical context, in this thesis I explore the Cult of the Nymphs venerated across ancient Greek poleis. I analyze the nymph’s profound cultural and historical impact that is often overlooked in the study of ancient Greece. Nymphs were female deities thought to embody ecological sites, such as fountains and springs, and became fundamental to polis identity. Their locations were often central to city plans, and their faces, depicted on coinage, became representative of the city itself. In the community, nymphs were integral to rituals for major life events, most often in the lives …

The Architecture Of Clothing: Notions Of Public And Private Space, Savannah Orsak

Undergraduate Honors Theses

Space, as defined as a three dimensional extent in which objects and events have relative position and direction, is conversely bound through clothing, architecture, and other margins that organize humanhood for everyday purpose. Continually, clothing imposes and extends itself into everyday experiences and dictates notions of interaction between both people and objects. In this written body of work, my intention is to explore public and private spatial influences within clothing and the ways in which these influences can be curated to reflect and evoke notions of interaction and identity. Following three related studies on space, form, and curation, a survey …

The Apocalyptic Mode In Contemporary Environmental Art, Victoria Erisman

Undergraduate Honors Theses

Apocalyptic themes make up a growing trend in contemporary Western environmental art, especially art concerned with climate change. From art that revives the apocalyptic sublime of the nineteenth century Romantic and Hudson River School movements to photojournalism of current end-of-days disasters, apocalyptic motifs and subject matter have become significant in visual responses to and depictions of present environmental crises. This thesis examines the apocalyptic mode in contemporary environmental art, arguing that the apocalyptic mode ultimately creates more problems instead of spurring solutions to environmental injustices. Through engagement with existing scholarship on the history and efficacy of apocalypticism and catastrophism, as …

Asking For Forgiveness: Negotiating The Creation Of Memory Through Public Memorialization, Alyssa Castronuovo

Undergraduate Honors Theses

The practice of spatializing culture, or “examining space through theories of embodiment, discourse translocality, and effect,” localizes the global and separates hegemonic narratives of space from how it is actually utilized by the people who interact with it. Setha Low argues that this perspective is especially useful to the anthropologist committed to challenging the discipline’s historically eurocentric approach to studying culture. She writes that a spatial focus “[draws] on the strengths of studying people in situ, producing rich and nuanced sociospatial understandings.” This project began with an interest in theorists such as Edward Soja, Michel de Certeau, and Henri Lefebvre, …

“Garden-Magic”: Conceptions Of Nature In Edith Wharton’S Fiction, Jonathan Malks

Undergraduate Honors Theses

I situate Edith Wharton’s guiding idea of “garden-magic” at the center of my thesis because Wharton’s fiction shows how a garden space could naturalize otherwise inadmissible behaviors within upper-class society while helping a character tie such behavior to a greater possibility for escape. To this end, Wharton situates gardens as idealized touchstones within the built environment of New York City, spaces where characters believe they can reach self-actualization within a version of nature that is man-made. Actualization, in this sense, stems from a character’s imaginative escape that is enabled by a perception of the garden as a kind of natural …

"Epic Poems In Bronze": Confederate Memorialization And The Old South's Reckoning With Modernity In The Nineteenth And Twentieth Centuries, Grace Ford-Dirks

Undergraduate Honors Theses

Scholars of the American South generally end their studies of Confederate memorization just before World War 1. Because of a decline in the number of physical monuments and memorials to the Confederacy dedicated in the years immediately following the war, scholars appear to regard the interwar era as a period separate from the Lost Cause movements of the late nineteenth and early twentieth centuries. However, to fully understand the complexity of developing Southern identities in the modern age, it is essential to expand traditional definitions of Confederate memorialization and the time period in which it is studied. This paper explores …

The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons

Undergraduate Honors Theses

Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.

Much of my analysis focuses on the ways Truitt makes her intentions visible through form, …

Archaeology Saves The Bay: The Sustainability Of The Chesapeake Bay Oyster Fishery, Mary Young

Undergraduate Honors Theses

This paper addresses the progression of oyster harvesting practices in the Chesapeake Bay watershed through three distinct periods—the Late Archaic, Middle Woodland, and Historic—framed within ideas derived from historical ecology, resilience theory, and sustainability. A critical examination of approximately 4000 oyster shells from Site 44YO0797, an archaeological site located along the York River, indicates that Native fishers harvested Chesapeake oysters sustainably on a millennium timescale. Common resource management practices allowed Native oysterers to actively foster resilience within the fishery through harvest habitat variation over time (i.e., focus shifting from offshore to nearshore reefs). The Chesapeake oyster fishery thrived until the …

Abraham Hondius's Dog Market: Early Modern Animal Imagery In Transition, Sarah Roberts

Undergraduate Honors Theses

Though today animal painting is frequently associated with English painters like George Stubbs and Sir Edwin Henry Landseer, its foundations lie in the earlier work of Dutch and Flemish painters. The work of these earlier artists marks an important (if little recognized) transitional phase in popular attitudes and understandings of animals. By the 1670s, the Rotterdam-born painter Abraham Hondius had immigrated to London, leaving the Dutch Republic and its declining art market for England where the market for paintings was rapidly expanding in the late seventeenth century. Abraham Hondius’s 1677 painting The Dog Market, which entered a museum collection …