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Articles 1 - 9 of 9
Full-Text Articles in History of Art, Architecture, and Archaeology
(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo
(Review) A Memorial To Those Who Mourn: Marie Watt’S Untitled (Mother, Mother) And Correlating Sewing Circle, Angie Rizzo
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Counter-Mapping As Display: Unfolding, Revealing, And Concealing Intermediary Spaces, Larson Ellen
Counter-Mapping As Display: Unfolding, Revealing, And Concealing Intermediary Spaces, Larson Ellen
Hemisphere: Visual Cultures of the Americas
No abstract provided.
(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza
(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza
Hemisphere: Visual Cultures of the Americas
No abstract provided.
The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros
The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros
University Libraries & Learning Sciences Faculty and Staff Publications
Working paper and timeline about the nomination and listing process of the UNM Zimmerman Library “Three Peoples” paintings to the National Register of Historic Places.
Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez
Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez
American Studies ETDs
New Mexican visual art and culture, as molded by state-sanctioned endeavors, is often casted in order to conceal the tension, conflict, and violence of settler colonialism and imperialism. Widely known myths of empire, such as the Tricultural myth, create a visualizing enterprise through which settler colonial logics transit and create political material reality. This thesis explores the following questions: How do New Mexican Hispanos and queer Chicanxs position themselves in relation to the logics of settler colonialism and empire? How are they positioned in relation to settler colonialism and empire? On the one hand, I argue that the state of …
The Origins And Development Of Textile Writing In Peru, William M. Cheek
The Origins And Development Of Textile Writing In Peru, William M. Cheek
Art & Art History ETDs
Scholars once considered Inka khipus (14th-16th CE) to be a technological development unique to the Inka Empire. We now know that the earlier central Andean Wari (6th-11th CE) also made use of khipus, calling into question the Inka primacy of the technology. Understanding the origins and transformation of khipu notation in the Andes sheds light on the ways that information technologies figured into Andean state formation and administration, and impacts larger understandings of how tactile notational systems develop into writing and information storage. This study articulates how, just as the Inka inherited khipu technology …
"Maa-Multh-Nii" People Who Came Floating In: Analogues Between Nuu-Chah-Nulth And Tlingit With Spanish Colonial Expeditions In The Eighteenth Century, Suzanne R. Mcleod
"Maa-Multh-Nii" People Who Came Floating In: Analogues Between Nuu-Chah-Nulth And Tlingit With Spanish Colonial Expeditions In The Eighteenth Century, Suzanne R. Mcleod
Art & Art History ETDs
Spanish explorers first navigated the 2,400-kilometer stretch of the Pacific Northwest Coast in the latter part of the eighteenth-century, largely in response to rumors that Russian traders had established a presence in lands north of Alta California (then considered Spanish territory). Spain launched a series of expeditions to the region, the first in 1774 under Juan Josef Pérez Hernández, and the final, in 1792, under Alejandro Malaspina. The Spanish remained in the area until 1794 when political and territorial tensions with the incoming British forced a negotiation known historically as the Nootka Convention. By 1795, the empire abandoned its aspirations …
Pilgrimage To The Virgin Of Juquila: The Negotiation Of Catholic Institutional Power In Colonial Oaxaca, Paloma Barraza
Pilgrimage To The Virgin Of Juquila: The Negotiation Of Catholic Institutional Power In Colonial Oaxaca, Paloma Barraza
Art & Art History ETDs
Despite the contemporary popularity of the pilgrimage site of the Sanctuary of Santa Catarina of Juquila, the statuette of Oaxaca’s Virgin of Juquila is often eclipsed by the more well-known tilma image of the Virgin of Guadalupe in Mexico City. The limited art historical scholarship has failed to address the statuette of the Virgin of Juquila as an icon that signifies both Indigenous and Catholic power dating back to the seventeenth century. Dominican missionaries used the statuette as a mediator for religious conversion practices in the local Chatino community. Furthermore, the moment the Virgin of Juquila gained significant Indigenous popularity …
Contemporary Alaska Native Identities: Creation And Curation By Sonya Kelliher-Combs, Tess Mccoy
Contemporary Alaska Native Identities: Creation And Curation By Sonya Kelliher-Combs, Tess Mccoy
Art & Art History ETDs
I focus on contemporary Alaska Native artist, Sonya Kelliher-Combs (Iñupiaq, Athbaskan, Irish, German), her works of art, exhibitions, and her curatorial practices to explain the presentation history of Native American people and how this affects present-day exhibitions. Through her work, I explore the importance of agency of Native people through identity, depictions of themselves, and their people in museum spaces. I examine the history of museum culture as the way in which indigenous agency is removed and reconstructed to fit the needs of interest groups. In contrast, Kelliher-Combs and other advocates attempt to intervene and interrogate the persistence of archaic …