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History of Art, Architecture, and Archaeology Commons™

Open Access. Powered by Scholars. Published by Universities.®

University of New Mexico

2010

Articles 1 - 5 of 5

Full-Text Articles in History of Art, Architecture, and Archaeology

Conquest, Consequences, Restoration: The Art Of Rebecca Belmore, Kathleen Deblassie Dec 2010

Conquest, Consequences, Restoration: The Art Of Rebecca Belmore, Kathleen Deblassie

Art & Art History ETDs

Rebecca Belmore (Ojibwa/Anishinabe, b. 1960 in Upsala, Ontario), embraces three themes in her oeuvre: conquest, consequences and restoration.Through the mediums of performance art, installation, video and photography, Belmore confronts Indigenous issues regarding land theft, identity, gender, racism, stereotypes,memory, contested histories, and the recovery and reclamation of a decolonized self. All of these themes are sub-categories that fall under the larger theme of the consequences of conquest. The most significant component of Belmores work, however, is restoration, which embraces themes of healing, self-determination and sovereignty. Traditional art-historical methodologies can and have been used to analyze Indigenous art. This thesis proposes that …

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The Reception Of Autos-De-Fe In 18th Century New Spain: Image, Text And Practice, Emmanuel Ortega Jul 2010

The Reception Of Autos-De-Fe In 18th Century New Spain: Image, Text And Practice, Emmanuel Ortega

Art & Art History ETDs

In 18th century New Spain, autos-de-fé were publicly performed as a way to openly confront the sins of heretics and to announce their penance. Paintings of these events are among the rarest scenes ever depicted on both sides of the Atlantic. Paintings, such as Un auto de f\xe8 en el pueblo de San Bartolomé Otzolotepec ca.1716, emphasize the impressive display of power enacted by the inquisition through autos-de-fé. However, they downplay the presence of the indigenous spectator-participant in lieu of the organizers and elite invitees. In terms of content, however, this painting represents a unique example of auto images since …

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Three Case Studies Of National Narratives In Central American Art, Gustavo Larach Jul 2010

Three Case Studies Of National Narratives In Central American Art, Gustavo Larach

Art & Art History ETDs

This thesis explores the ways in which two Central American artists of the 20th century conceived of their own emerging nations through works of art that present national narratives. The first artist discussed is the Nicaraguan Armando Morales (b. 1927). This discussion centers on Moraless lithographic portfolio of seven images titled La saga de Sandino, which recounts the rebellion led by Augusto César Sandino (1895-1934) between 1926 and 1933. The second artist discussed is the Honduran Arturo López Rodezno (1908-75), who set out to produce, between the 1940's and 1960's, murals that focused on the figures of ancient Maya rulers …

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The Interrelationship Of Identities: How Artistic Practice Informs Teaching In The Visual Arts, Karen G. Adams Edwards May 2010

The Interrelationship Of Identities: How Artistic Practice Informs Teaching In The Visual Arts, Karen G. Adams Edwards

Art & Art History ETDs

This research is an investigation into the relationship between artistic practice and art teaching in secondary art teachers. After an examination of various perspectives on this relationship that have appeared in scholarly journals over the last several decades, some of which argue that artistic practice is essential to the quality of an art teacher's teaching, and some of which regard the two practices as separate, I interviewed five secondary art teachers to find out more about this relationship. I conducted the interviews in a semi open-ended fashion, asking questions that invited participants to discuss teaching preferences and priorities as well …

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The Once And Future King: A New Approach To Ancient Maya Mortuary Monuments From Palenque, Tikal, And Copan, Elizabeth Olton May 2010

The Once And Future King: A New Approach To Ancient Maya Mortuary Monuments From Palenque, Tikal, And Copan, Elizabeth Olton

Art & Art History ETDs

This dissertation examines the Temple of the Inscriptions, Temple I, and Temple 26 and explores what could have motivated the Maya to construct these large monuments and how they might have been meaningful. Traditional art historical methods of comparative and formal analyses are employed as tools for discussing patterns of meaning among these temples. The structural and decorative programs shared by all three temples signal that they are part of a separate genre of architecture that is specifically mortuary and interactive. Furthermore, these features are also a mode of communication. Messages depicted in the offerings, sculpture, and spaces of the …

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