History of Art, Architecture, and Archaeology Commons^™

Re-Evaluating Egalitarian Design In Contemporary Danish Society, Alice Baughman

Undergraduate Honors Theses

This study examines the discourses and practices of egalitarian architecture in contemporary Denmark. Denmark’s long standing comprehensive welfare system promotes, for all citizens, equal access to education, healthcare, and public services, and other opportunities. Similarly, its own brand of socially progressive, egalitarian architecture encourages spatial designs intended for use by all people regardless of social disparities. Drawing on a range of sources from government documents to architectural magazines to design projects themselves, this study defines the historical development of this discourse going back to Modernist and Functionalist movements in the 1930s. By revealing the cultural and demographic assumptions on which …

Asking For Forgiveness: Negotiating The Creation Of Memory Through Public Memorialization, Alyssa Castronuovo

Undergraduate Honors Theses

The practice of spatializing culture, or “examining space through theories of embodiment, discourse translocality, and effect,” localizes the global and separates hegemonic narratives of space from how it is actually utilized by the people who interact with it. Setha Low argues that this perspective is especially useful to the anthropologist committed to challenging the discipline’s historically eurocentric approach to studying culture. She writes that a spatial focus “[draws] on the strengths of studying people in situ, producing rich and nuanced sociospatial understandings.” This project began with an interest in theorists such as Edward Soja, Michel de Certeau, and Henri Lefebvre, …

The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons

Undergraduate Honors Theses

Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.

Much of my analysis focuses on the ways Truitt makes her intentions visible through form, …

Pin-Up Art, Interpreting The Dynamics Of Style, Linda K. Derry

Dissertations, Theses, and Masters Projects

No abstract provided.