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History of Art, Architecture, and Archaeology Commons™
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Articles 1 - 3 of 3
Full-Text Articles in History of Art, Architecture, and Archaeology
Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish
Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish
Art & Art History ETDs
Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …
(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza
(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Cultural Imprint: A History Of Northwest Coast Native And First Nations Prints, India Rael Young
Cultural Imprint: A History Of Northwest Coast Native And First Nations Prints, India Rael Young
Art & Art History ETDs
Cultural imPRINT provides the first substantive art historical investigation into Northwest Coast Indigenous prints. Since the 1960s, Northwest Coast artists have employed the print medium to share their histories, heritage, and culture amongst each other and with the larger world. Because print artists number in the hundreds, and print editions in the thousands, this dissertation takes a socio-cultural approach to understanding the purposes for the medium’s production and circulation. First, it analyzes the deep histories of reproduction in the North American art world and in Northwest Coast Indigenous communities, asserting that reproduction within coastal communities serves to perpetuate history from …