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Full-Text Articles in History of Art, Architecture, and Archaeology

The Dance Of Domesticity: How Gender Constructs Obscure Lived Experience At Museums, Marcy J. Botwick Nov 2022

The Dance Of Domesticity: How Gender Constructs Obscure Lived Experience At Museums, Marcy J. Botwick

Museum Studies Theses

My thesis focuses on Mary Shepard Greene Blumenschein and Ernest L. Blumenschein, married artists born in the late 1860s. Ernest Blumenschein was an important regional artist and member of the Taos Society of Artists (TSA). Paintings by Blumenschein and other TSA members promoted tourism in the Southwestern United States through annual exhibitions and their use in advertising the Atchison, Topeka and Santa Fe Railway (AT&SF). Mary Greene Blumenschein was an award-winning painter and illustrator whose work focused on images of women at the beginning of the twentieth century, however, she is now a secondary and obscure figure in art history. …


Beauty, Real Or Apparent: Christian Kings, Muslim Artisans, And The Development Of An Imperial Image Through The Silk And Horticulture Industries In Sicily. (Ca. 1090-1190), Casey K. Brown Nov 2021

Beauty, Real Or Apparent: Christian Kings, Muslim Artisans, And The Development Of An Imperial Image Through The Silk And Horticulture Industries In Sicily. (Ca. 1090-1190), Casey K. Brown

History ETDs

In the wake of the Norman conquest of Sicily in the second half of the eleventh century, the Mediterranean island housed a diverse collection of Greek, Latin, and Muslim communities. Norman kings chose Palermo to become the seat of Latin-Christian Sicilian government for its productivity and strategic location and included the island into the complex world of self-fashioning politics and exchange. For Sicilian and ‘foreign’ Muslims alike, the imperious pose Roger II and his successors held created a precarious balancing act between the real and imagined worlds of Sicily. The content of this thesis is primarily concerned with the impact …


Pilgrimage To The Virgin Of Juquila: The Negotiation Of Catholic Institutional Power In Colonial Oaxaca, Paloma Barraza Apr 2020

Pilgrimage To The Virgin Of Juquila: The Negotiation Of Catholic Institutional Power In Colonial Oaxaca, Paloma Barraza

Art & Art History ETDs

Despite the contemporary popularity of the pilgrimage site of the Sanctuary of Santa Catarina of Juquila, the statuette of Oaxaca’s Virgin of Juquila is often eclipsed by the more well-known tilma image of the Virgin of Guadalupe in Mexico City. The limited art historical scholarship has failed to address the statuette of the Virgin of Juquila as an icon that signifies both Indigenous and Catholic power dating back to the seventeenth century. Dominican missionaries used the statuette as a mediator for religious conversion practices in the local Chatino community. Furthermore, the moment the Virgin of Juquila gained significant Indigenous popularity …


Paper Presented At The National Council Of Preservation Education Conference, Samuel E. Sisneros Jan 2019

Paper Presented At The National Council Of Preservation Education Conference, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

Historic preservation’s principles and practices directly correlate and support the charge of librarians and archivists to provide resources for the public and contribute to scholarship and community building. This paper, presented at the National Council of Preservation Education conference in Denver, Colorado (Oct. 10-12, 2019), will discuss the research methodologies, historical context and preservation issues of a recovery project of an historic site in New Mexico.


Testimonies Of Violence: Images Of Franciscan Martyrs In The Provinces Of New Spain, Emmanuel Ortega Jul 2017

Testimonies Of Violence: Images Of Franciscan Martyrs In The Provinces Of New Spain, Emmanuel Ortega

Art & Art History ETDs

In the middle of the eighteenth century, Franciscan martyr portraits became popular in monastic spaces of the Spanish viceroyalties of central Mexico. To visually construct the meritorious life of these martyrs, artists drew inspiration from hagiographic chronicles that described various Native rebellions, which featured the graphic depiction of the gruesome deaths of friars. The prospect of martyrdom enticed novices to follow in their footsteps in service to God, but also to the Crown, whose presence in the northern territories of New Spain intensified during the period of the Bourbon reforms. In my dissertation I explore this propagandistic approach to martyr …


The Professionalization Of Artists: A New Approach To The Social History Of Art, Mcclelland Jan 1996

The Professionalization Of Artists: A New Approach To The Social History Of Art, Mcclelland

History Faculty Publications

Perhaps because of the somewhat inchoate and seemingly disorganized nature of the world of the arts, most students of modern social history and professions have steered clear of engagement with this fascinating crowd. Yet further acquaintance with the subject reveals that artists did in fact attempt to professionalize, and -- even if their efforts were not as successful as those of some others -- these efforts left a clear record of articulated demands and statements.


The Problem Of Artists As Professionals In Germany, Mcclelland Jan 1995

The Problem Of Artists As Professionals In Germany, Mcclelland

History Faculty Publications

The social history of art, or more precisely, the social history of artists, has until fairly recently been an abused stepchild of both art history and "mainstream" history. Yet historians have at their disposal from the nineteenth century on increasingly rich material on both individual and collective artistic life. These sources have not been fully exploited.


Nationalism: A Search For Unity, The Role Of The Mexican Government In Sponsoring Contemporary Fine Arts, Katharine Ferris Nutt May 1951

Nationalism: A Search For Unity, The Role Of The Mexican Government In Sponsoring Contemporary Fine Arts, Katharine Ferris Nutt

History ETDs

The following discussion is in part the history of nationalism in the fine arts of Mexico, as a spontaneous expression and as one artificially stimulated. Of equal concern, however, are the State's endeavors to channel nationalism by controlling the bellas artes through subsidy, decree, and law, and finally by the creation of a national institute or theater. The writer has endeavored to reveal both the advantageous and disadvantageous aspects of the government's control and to render some idea as to the extent to which cultural nationalism may forge permanent unity among the Mexicans.