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Articles 1 - 11 of 11
Full-Text Articles in History of Art, Architecture, and Archaeology
Cartographier L’Essor D’Un Modèle : Le Chapiteau Ionique De Michel-Ange De L’Invention Au Début Du Xviie Siècle, Federica Vermot
Cartographier L’Essor D’Un Modèle : Le Chapiteau Ionique De Michel-Ange De L’Invention Au Début Du Xviie Siècle, Federica Vermot
Artl@s Bulletin
This study proposes to map the propagation of an alternative type of ionic capital invented by Michelangelo in 1563. We proceed to a comparative analysis of the new buildings erected in Rome from the invention of the new capital to the beginning of the 17th century, in order to highlight spatial and temporal correlations peculiar to its diffusion. The study of this issue allows to understand the perception of the capital that the next generation of roman architects developed, which is a less known aspect of Michelangelo's reception. Overall, it invites to shape the stylistic evolution of an architectural motif.
Buying Time: Consuming Urban Pasts In Nineteenth-Century Britain, Dory Agazarian
Buying Time: Consuming Urban Pasts In Nineteenth-Century Britain, Dory Agazarian
Dissertations, Theses, and Capstone Projects
This dissertation is about how historical narratives developed in the context of a modern marketplace in nineteenth-century Britain. In particular, it explores British historicism through urban space with a focus on Rome and London. Both cities were invested with complex political, religious and cultural meanings central to the British imagination. These were favorite tourist destinations and the subjects of popular and professional history writing. Both cities operated as palimpsests, offering a variety of histories to be “tried on” across the span of time. In Rome, British consumers struggled when traditional histories were problematized by emerging scholarship and archaeology. In London, …
Veduta Del Tempio Di Antonino E Faustino In Campo Vaccino, Emma J. Conant-Hiley
Veduta Del Tempio Di Antonino E Faustino In Campo Vaccino, Emma J. Conant-Hiley
Wonders of Nature and Artifice
Giovanni Battista Piranesi is one of history’s best etchers and architects. His two main series of copper etchings, I Carceri (The Prisons) and Vedute (The Views) spread out across the European continent and beyond both during his life and after his death. The “Wonders of Nature and Artifice” exhibition at Schmucker Art Gallery is lucky to have one of his original prints from the Vedute series generously on loan, from the Collection of Professor Charles F. Emmons, Professor of Sociology here at Gettysburg College. The print sizes in at 35 inches by 25 and a half inches, depicting a temple-church …
"Moving Mortals To Tears And Devotion": Cinzio Passeri Aldobrandini, Torquato Tasso, And The Sorrowing Virgin, Karen J. Lloyd
"Moving Mortals To Tears And Devotion": Cinzio Passeri Aldobrandini, Torquato Tasso, And The Sorrowing Virgin, Karen J. Lloyd
Art Faculty Articles and Research
Torquato Tasso was inspired to pen his Stanze per le lagrime di Maria Vergine santissima e di Giesù Cristo nostro (Rome, 1593) by a painting of the sorrowing Virgin belonging to Cardinal Cinzio Passeri Aldobrandini (1551–1610). A nephew of Pope Clement VIII by his sister, Cinzio took on the Aldobrandini name in a practice known as an “aggregation.” The publication of Tasso’s Lagrime allowed Cinzio to promote himself as a devout prelate favored by the pope, but it did not ensure his influence and a true “blood” nephew, Pietro Aldobrandini, successfully challenged his authority. This essay examines the status of …
"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff
"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff
History Faculty Publications
From the Intro: “Arms and the Man I sing…” So Vergil begins his epic tale of Aeneas, who overcomes tremendous obstacles to find and establish a new home for his wandering band of Trojan refugees. Were it metrically possible, Vergil could have begun with “Cities and the Man I sing,” for Aeneas’ quest for a new home involves encounters with cities of all types: ancient and new, great and small, real and unreal. These include Dido’s Carthaginian boomtown (1.419–494), Helenus’ humble neo-Troy (3.349–353) and Latinus’ lofty citadel (7.149–192). Of course, central to his quest is the destiny of Rome, whose …
Severan Marble Plan Of Rome Data Files, Justin St. P. Walsh
Severan Marble Plan Of Rome Data Files, Justin St. P. Walsh
Art Faculty Data Sets
In its original state, the Severan Marble Plan of Rome, placed on the wall of the Temple of Peace between 203 and 211 CE, showed viewers the locations of buildings throughout Rome, and even the groundplan of each of those buildings. It is today an extraordinary piece of evidence for understanding the city in that time period, despite its ruinous state. It survives in over 1,100 fragments, representing only about 10% of its original surface area. To date, scholars have successfully placed only about 100 of those fragments with respect to the buildings they depict. Using GIS and CAD software, …
Mapping Jews: Cartography And Topography In Rome's Ghetto, Samuel D. Gruber Dr.
Mapping Jews: Cartography And Topography In Rome's Ghetto, Samuel D. Gruber Dr.
Samuel D. Gruber Dr.
This paper examines how the Ghetto of Rome was represented in the many view-plans and maps of Rome from the 16th through 18th centuries, and how this mapping both tells us much about the physical appearance of the Ghetto and also how it was perceived by others in particular and presented to others more generally.
Spoliation In Medieval Rome, Dale Kinney
Spoliation In Medieval Rome, Dale Kinney
History of Art Faculty Research and Scholarship
No abstract provided.
Being Seen: An Art Historical And Statistical Analysis Of Feminized Worship In Early Modern Rome, Olivia J. Belote
Being Seen: An Art Historical And Statistical Analysis Of Feminized Worship In Early Modern Rome, Olivia J. Belote
History Honors Projects
Female saints in early Christianity found their place in public veneration often through violent means, martyrdom. These saints, while publicly suffering in the imitation of Christ, were the original agents to navigate the gendered hierarchy within the religion. Female saints created an avenue for later female worshippers to understand Christianity on a strictly feminine level. Through the frescoed depictions of these female saints in 18 churches throughout Rome, this paper historically and statistically analyzes how the artistic representations of female saints added to or created a space for feminized worship.
The Discourse Of Columns, Dale Kinney
The Discourse Of Columns, Dale Kinney
History of Art Faculty Research and Scholarship
No abstract provided.
The Column And Coinage Of C. Duilius: Innovations In Iconography In Large And Small Media In The Middle Republic, Eric Kondratieff
The Column And Coinage Of C. Duilius: Innovations In Iconography In Large And Small Media In The Middle Republic, Eric Kondratieff
History Faculty Publications
"[From the conclusion]: This discussion presents a linked series of hypotheses, each one suggested in its turn by evidence relating directly to C. Duilius (cos. 260), and contextualized by near-contemporary precedents wherever possible, or relevant-seeming analogues from slightly later periods. Taken together, these hypotheses support a plausible scenario in which the elogium on Duilius’ rostral column may be read not only as an account of a cunning and audacious commander whose pioneering efforts in naval warfare destroyed the myth of Carthaginian supremacy at sea, but also as an encomium on a generous benefactor to Rome’s citizenry. The inscription’s redactor has …