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Full-Text Articles in History of Art, Architecture, and Archaeology
Invites Only: Exploring Social Dynamics And Self-Image Through Oil Paint, Mara Cressey
Invites Only: Exploring Social Dynamics And Self-Image Through Oil Paint, Mara Cressey
MSU Graduate Theses
My thesis work depicts the events of a fictional party. Using oil paint, I create multi-figure works that feature recurring characters, various narratives, complex relationships, and emotions associated with this fictitious evening. Within this painted realm, I portray a more confident, powerful version of myself; an alter ego, who exists alongside these various characters. Drawing inspiration from compositional strategies from Renaissance art history and Christian altarpieces, I paint on large-scale, shaped canvas and paper to suggest doors, windows, and other domestic, interior spaces. Additionally, these shapes allow me to juxtapose suggestions of prominence and divinity with satire, irreverence, and profanity. …
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Publications and Research
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …
"The Christ Chosen Emperor": Representation Of Emperors As Divine Figures In Byzantine Art, Aly Hutchinson
"The Christ Chosen Emperor": Representation Of Emperors As Divine Figures In Byzantine Art, Aly Hutchinson
BYZANTIUM: Trade, Treasure, Tradition
The concept of power has been evident throughout Byzantine culture, whether in its aristocratic and bureaucratic politics, textiles, architecture, or minted coinage. Consequently, the arts were frequently utilized to represent imperial and religious power with various renderings of symbols, colors, and icons. In addition, images portrayed significant visual and spiritual value as the viewers looked to them for knowledge, guidance, and prayer. The ruling emperors were held in high regard, and imperial families were dominant over Byzantine society. The emperor was created in God's image, given the responsibility to rule on earth and carry out the ten commandments. This essay …
The Vienna Genesis And The Evolution Of Christian Book Illumination, Samantha Castro
The Vienna Genesis And The Evolution Of Christian Book Illumination, Samantha Castro
BYZANTIUM: Trade, Treasure, Tradition
In this essay, I argue that the Vienna Genesis influenced future Christian manuscripts by pushing the idea that higher status and holiness were linked. The Vienna Genesis' expensive creation and classically-influenced illustrations, which were seen by some as conspicuous, would be imitated by the Paris Psalter, only differentiating in the subject matter. The Melisende Psalter would take a turn in its style, mimicking Byzantine icons rather than classical works, but it continued the high-cost production and ruler-appealing narrative of King David. And unlike the other two, the Melisende Psalter cements the initial bias, with signs hinting at possible royal/imperial ownership.
Sacred Blood And Burning Coal: The Garnet Carbuncle In Early Medieval Europe, Sinead L. Murphy
Sacred Blood And Burning Coal: The Garnet Carbuncle In Early Medieval Europe, Sinead L. Murphy
Theses and Dissertations
The social and religious symbolism of garnets are examined in the context of the Merovingian period. Garnet jewelry was worn by early medieval Christians as symbols of their faith, and after death garnets took on additional religious significance.
The Edict Of King Gälawdéwos Against The Illegal Slave Trade In Christians: Ethiopia, 1548 -- Featured Source, Habtamu M. Tegegne
The Edict Of King Gälawdéwos Against The Illegal Slave Trade In Christians: Ethiopia, 1548 -- Featured Source, Habtamu M. Tegegne
The Medieval Globe
This study explores the relationship between documentary-legal prescriptions of slavery and actual practice in late medieval Ethiopia. It does so in light of a newly discovered edict against the enslavement of freeborn Christians and the commercial sale of Christians to non-Christian owners, issued in 1548 by King Gälawdéwos. It demonstrates that this edict emerged from a dramatic and violent encounter between the neighboring Sultanate of Adal, which was supported by Muslim powers, and the Christian kingdom of Ethiopia, which had the support of expanding European powers in the region. The edict was therefore issued to reaffirm and clarify the principles …
Mutilation And The Law In Early Medieval Europe And India: A Comparative Study -- Open Access, Patricia E. Skinner
Mutilation And The Law In Early Medieval Europe And India: A Comparative Study -- Open Access, Patricia E. Skinner
The Medieval Globe
This essay examines the similarities and differences between legal and other precepts outlining corporal punishment in ancient and medieval Indian and early medieval European laws. Responding to Susan Reynolds’s call for such comparisons, it begins by outlining the challenges in doing so. Primarily, the fragmented political landscape of both regions, where multiple rulers and spheres of authority existed side-by-side, make a direct comparison complex. Moreover, the time slippage between what scholarship understands to be the “early medieval” period in each region needs to be taken into account, particularly given the persistence of some provisions and the adapatation or abandonment of …
A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai
A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai
Theses and Dissertations
This thesis will explore the relationship between Venice and the Islamic Near East. By examining works from various media, this paper argues that Venetians viewed the Islamic Near East as being ‘awesome,’ and that this view was twofold, as Venetians were both enamored with and fearful of this rising power.
Development And Dissemination: Deliberations On Spanish Renaissance Music, Lindsey E. Pfeifer
Development And Dissemination: Deliberations On Spanish Renaissance Music, Lindsey E. Pfeifer
The Research and Scholarship Symposium (2013-2019)
Throughout history, every musical culture grew and developed under a specific set of influences, whether political, philosophical, or geographical. Varying sets of influences created likewise varying types of music. Spanish music, in particular, enjoyed an especially unique array of influences during the fifteenth century. My presentation explores these influences. How did the interaction of Spain’s three major religions—Christianity, Islam, and Judaism—affect musical development? How did the newly unified government, ruled by Ferdinand II of Aragon and Isabella I of Castile, influence the musical culture? How did Spain’s discovery and conquest of the New World facilitate the spread of Spanish music …
Tundale’S Vision: Socialization In 12th Century Ireland, Michael W. Deike
Tundale’S Vision: Socialization In 12th Century Ireland, Michael W. Deike
Undergraduate Honors Theses
The purpose of this project is to explore the historical image of Hell in Medieval Europe as an agent of socialization for illiterate Christian communities. The project focuses on a literary work, Tundale’s Vision, written in 1149 C.E in Cashel, Ireland. Tundale’s Vision came from a genre of vision literature derived from popular oracular folk tradition surrounding the image of Hell that served the purpose of socializing Christian communities to certain social norms and stigmas presented by the author. Vision literature would be used by preachers in vernacular sermons throughout the Medieval period in order to reinforce moral and social …
The Proclamation Of The New Covenant: The Pre-Iconoclastic Altar Ciboria In Rome And Constantinople, Jelena Bogdanović
The Proclamation Of The New Covenant: The Pre-Iconoclastic Altar Ciboria In Rome And Constantinople, Jelena Bogdanović
Jelena Bogdanović
No abstract provided.
8. The Gothic Cathedral, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart
8. The Gothic Cathedral, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart
Section III: The Medieval Church
The Gothic cathedral, like the Summa of Aquinas, the University of Paris, and the Christendom of Innocent III, stands as one of the major expressions of the spirit of the High Middle Ages. The word "Gothic," coined by the Renaissance as a term of disparagement, has come recently to have more favorable and appreciative connotations. Such a reevaluation may be due not only to the better perspective that a longer period of time offers us, but also to a deeper understanding of the cultural role of artistic and spiritual symbolism. The artistic expression of the Middle Ages found its supreme …