History of Art, Architecture, and Archaeology Commons^™

Salzburg's Baroque Architecture: A Historical Analysis And Poetic Response, Rebecca Malzer

Honors Projects

Salzburg, Austria is a city full of history. During the Baroque era from about the mid sixteenth century to the end of the eighteenth century, the Prince-Archbishops of Salzburg designed and modeled the city with Rome, Italy in mind. Their loyalty to the Holy Roman Empire and with the Reformation in full swing, these Italian influences helped to build a pro-Roman Catholic style throughout the city. The Prince-Archbishops and their architects demonstrated Salzburg’s loyalty to Rome through the structures of Schloss Mirabell, Schloss Hellbrunn, and the Franziskannerkirche. In addition, these structures make for great inspiration for creative work, to which …

Sacred Flame: Meditative Mysticism In The Works Of Georges De La Tour, Elizabeth Carleton

Scripps Senior Theses

Georges de La Tour is famous for his Mary Magdalene paintings, but he remains one of the most mysterious figures in 17th Century French art. In my thesis, I elaborate the ways in which La Tour's unique painting style was impacted by Counter-Reformation meditation theology and contemporary French mystical literature. While La Tour's artistic inspirations include Caravaggio, the Caravaggisti, and French and Lorrainese Mannerists, his late-career nocturne style is a striking departure from his early career, demonstrating an intense, reflective spirituality. In his use of light and flame to symbolize holiness, La Tour positions himself as spiritual intercessor to the …

Emotion And The Seduction Of The Senses, Baroque To Neo-Baroque, Lisa Beaven, Angela Ndalianis

Studies in Medieval and Early Modern Culture

Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. It asks the question: "Is the baroque a recurring phenomenon that has returned in aspects of contemporary global culture, or is it something specific to the early modern period?" It argues one of the common and central features of both styles is their appeal to emotion. This volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle …

How To Look At Monsters: Staging Female Bodies From The Periphery Of The Seventeenth-Century Spanish World In Baroque Portraiture And Hapsburg Collections, Risa A. Puleo

Theses and Dissertations

This inquiry examines portraits of “monsters”—an early modern term describing those whose bodies challenged socially-constructed categories by deviating from the social norm through differences of race, gender and physical or mental capacity, painted for Hapsburg royals across Europe, who collected specimens, including people, representing the scope of their territories.

«"Une Proclamation De Foi : Les Retables Commandés Au Xvii Siècle Par Le Prieur Vincent Royer Pour L'Abbaye Prémontrée De Beauport" /A Proclamation Of Faith : The 17th-Century Altarpieces Commissioned By Prior Vincent Royer For The Premonstratensian Abbey Of Beauport», Harriet M. Sonne De Torrens Dr.

Harriet M Sonne de Torrens Dr.

No abstract provided.

Reflections On Canvas: Caravaggio And The Development Of Optical Stype, Eleanor Rae Harper

Journal of Undergraduate Research at Minnesota State University, Mankato

At the height of his career, Baroque painter Michaelangelo de Mersi Caravaggio was revered for his ability to foster a heightened sense of realism never before seen upon the canvas. However as recent scholarship and a renewed interest in the history of artistic methodology reveal, the artist may have utilized optical devices such as a single lens to project reflections of his subjects upon the canvas. Due to the limitations of such devices, spatial discontinuity and unnatural proportion are just two of the discrepancies which have affected the realism and overall unity of his artwork. Caravaggio worked with naturalism in …

The Western Façade Of Santiago De Compostela: Christian Dominion And Ecclesiastical Rivalry From The Medieval To The Baroque Period, Louisa M. Raitt

Summer Research

As a prominent world power through much of western history, Spain was a fundamental player in creating several western cultural establishments especially regarding the realm of Christianity. As the culminating shrine of the Pilgrimage Road to Santiago de Compostela, the shrine to Saint James in the northwest corner of Spain boasts a rich history of religious, political and cultural significance. Through a visual and contextual analysis, this paper asserts that the two primary renovations of the western façade at Santiago de Compostela (the Portico of Glory in the 12^th-13^th century and the Façade of Obradoiro in the …

The Science Behind Francesco Borromini's Divine Geometry, John G. Hatch

Visual Arts Publications

No abstract provided.

The Science Behind Francesco Borromini's Divine Geometry, John Hatch

John G. Hatch

No abstract provided.

The Development Of Structural Form In Franconian Rococo, Michael Warmington Earls

School of Architecture - All Scholarship

Earl discusses the development and use of structural forms at the time of the late Baroque and early Rococo, referencing many German examples of architecture.

Salton Collection : Renaissance & Baroque Medals & Plaquettes, Bowdoin College. Museum Of Art

Museum of Art Exhibition Catalogues

"The present collection ... belongs to Mr. and Mrs. Mark Salton of New York."

"One thousand five hundred copies of this catalogue have been printed ... Composiiton by the Anthoensen Press, Portland, Maine. Photography by John McKee. Design by Leonard Baskin. January MCMLXX"--Colophon

A revised edition of this catalogue published in 1969 is also available.