History of Art, Architecture, and Archaeology Commons^™

Priestesshoods As Expressions Of Civic Identity, Isabella Kershner

Undergraduate Honors Theses

This thesis offers a comprehensive examination of the role of priestesshoods in shaping the civic identity of women in Classical Athens. It challenges the traditional narrative that confines Athenian women to the domestic sphere by highlighting their public and influential roles in religious practices. Through a meticulous analysis of archaeological, literary, and epigraphic evidence, the study traces the journey of Athenian females from childhood rituals to the esteemed positions of the High Priestess of Athena Nike and Athena Polias, revealing how these religious roles served as both a spiritual passage and a civic curriculum.

The thesis argues that these priestesshoods …

Pompeiian Mill-Bakeries: Spatial Organization And Social Interaction, Madeleine Rubin

Undergraduate Honors Theses

This thesis examines bread production and the daily lives of those who worked in mill-bakeries during the first century CE. Bread was the staple food across the ancient Mediterranean; however, there is little textual evidence about those who produced the bread that fed the Roman Empire. The most significant body of evidence relating to the lives of mill-bakers is the archaeological remains of mill-bakeries from the city of Pompeii, preserved by the eruption of Mt. Vesuvius in 79 CE. This thesis analyzes the spatial organization of bread production within these mill-bakeries and applies the methodologies of spatial syntax – a …

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

The Reproductive Politics Of Maiolica: Birth, Abortion, And Gendered Authority During The Italian Renaissance, Rose Brookhart

Honors Projects

In the aftermath of several plagues that decimated the population of the Italian peninsula since 1348, men and women from all socioeconomic backgrounds safeguarded their individual corporeal health and collective societal well-being through a variety of routines and rituals, which were prescribed but at the same time extremely personalized. This increased attention in personal and civic health promoted new trends in both literal and material consumption during the fifteenth and sixteenth centuries. Purgative drugs and medicines were a common facet of medicine during the Italian Renaissance and were ingested regularly to alleviate commonplace bodily discomforts in addition to more serious …

Building The Church Of San Vitale In Ravenna, Italy, Sally S. Morgan

LSU Master's Theses

This thesis uses the evidence concerning the design and building of the Church of San Vitale in Ravenna to reconstruct, as far as it is possible, the sequence of decisions, activities, and methods that led to the construction of the church, made of bricks and mortar, and whose interiors are covered by glorious colored mosaics and marbles. The historiography on the Church of San Vitale begins with the historian Agnellus, who wrote the Liber pontificalis ecclesiae Ravennatis in the 830s to 840s. According to Agnellus and other sources, the Church of San Vitale was founded by Bishop Ecclesius around 525, …

The Mosaic Programs Of The Basilica Of San Vitale And The Great Palace Of Constantinople: A Unique Reinvention Of Roman Pasts, Justine R. Spencer

University Honors Theses

The Church of San Vitale and the Great Palace of Constantinople offer remarkable examples of artistic productions in early Byzantine mosaics. Bridging from the same Roman past they reinvented a classical medium with their unique interpretations of earlier traditions. They exemplify the diversity of Byzantine artistic productions that could coexist within the same medium and era. The mosaics of the Great Palace were part of a secular governmental public space and found deep in the heart of the Eastern Roman Empire. The mosaics of the Church of San Vitale were made for the domain of the newly reconsecrated Orthodox church …

Future-Proofing The Past: Artificial Intelligence In The Restoration Of Andalusian Architectural Heritage: A Case Study Of The Alhambra Palace, Granada, Spain, Kholoud Bader Hasan Ghaith

Theses

This thesis explains the contribution of artificial intelligence in heritage restoration as an icon of Andalusian architecture by using the Alhambra as an example. The task of sustaining heritage is increasing dramatically due to the accumulation of heritage assets and the need for modern and innovative operations to cope with preservation tasks. Therefore, this thesis reviews the role of artificial intelligence in improving the restoration operation to improve accuracy and efficiency. I applied the case study as a scientific methodology to explain this work to overcome scientific and subjective obstacles, such as scarce data and software integration while explaining the …

Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis

Dissertations, Theses, and Capstone Projects

This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …

Stourhead In Arcadia Ego: The English Countryside And The Expanding British Empire In Eighteenth-Century, Rachel C. Sherr

Theses and Dissertations

Stourhead Gardens, an emblematic eighteenth-century landscape, reflects Britain's socio-cultural and imperial changes. Owned by the Hoare family, it melds classical influences and Enlightenment ideals. Existing research deciphers its iconography, but this thesis broadens the perspective, placing Stourhead in its era's socio-cultural context. It's a narrative rich in cultural and historical significance, shedding light on identity, art, and culture, past and present.

Warhol Uncovered: From Byzantium To Pop, Kassandra Ibrahim

MA Theses

Despite being one of the most extensively researched artists of the twentieth century, Andy Warhol’s identity as a Carpatho-Rusyn Byzantine Catholic is often omitted by a majority of sources. Inspired by the 2020-2021 exhibition Andy Warhol: Revelation, this thesis examines the aesthetic influence that the artist’s religious upbringing had on his oeuvre. By examining Eastern Christian icons and church interiors, I define key characteristics of the Byzantine aesthetic — gold grounds, stylized frontal figures, flattening of depth, seriality, excessive decoration, etc. — and identify its usage in Warhol’s Pop Art. I also explore the Carpatho-Ruysn folk art tradition of pysanky …

Invites Only: Exploring Social Dynamics And Self-Image Through Oil Paint, Mara Cressey

MSU Graduate Theses

My thesis work depicts the events of a fictional party. Using oil paint, I create multi-figure works that feature recurring characters, various narratives, complex relationships, and emotions associated with this fictitious evening. Within this painted realm, I portray a more confident, powerful version of myself; an alter ego, who exists alongside these various characters. Drawing inspiration from compositional strategies from Renaissance art history and Christian altarpieces, I paint on large-scale, shaped canvas and paper to suggest doors, windows, and other domestic, interior spaces. Additionally, these shapes allow me to juxtapose suggestions of prominence and divinity with satire, irreverence, and profanity. …

Dark As Day, Rachel Keady

CMC Senior Theses

“All works, no matter what or by whom painted, are nothing but bagatelles and childish trifles... unless they are made and painted from life, and there can be nothing... better than to follow nature." - Caravaggio

In the fall of 2021, I registered to take “Italian Baroque Art” with Professor Gorse at Pomona College, for the spring of 2022. Professor Faggen, one of my advisors, encouraged this and piqued my interest in the characters of this world. After some casual online research, I was transfixed by one artist in particular: Michelangelo Merisi da Caravaggio. How could I not be struck …

From Donatello To Michelangelo: A Franciscan Angel, Kayla M. Bruce

Institute for the Humanities Theses

During the Italian Renaissance, images of angels and of the Virgin Mary were incredibly commonplace and were often used to denote the Virgin in her role as prophetess. The Virgin was often shown surrounded by angels in the background or flanking her on either side. However, in the fifteenth century, a motif appeared where an angel head was depicted on either the Virgin’s diadem or on her chest as a decorative brooch. This specific motif only appeared in images of the Virgin and the Christ Child. It was also only employed by Florentine artists and began with the Florentine sculptor, …

Perspective, Invention, And Metatheater In Renaissance Literature, William Roudabush

English Theses and Dissertations

This dissertation challenges the misconception of post-Reformation England as iconophobic. On the contrary, it argues that early modern English poets and playwrights adapt Continental theories and techniques from painting, translating them into their own poetic and dramatic forms. It explores how allusions to contemporary perspectival images serve as governing metaphors and structural devices for the works in which they appear. Particularly in the genre of the Elizabethan epyllion and in works by Shakespeare, it suggests that texts are designed to be read “perspectively,” to borrow Shakespeare’s coinage, so that they are open to ambiguity and multiplicity, and capable of being …

Androgynous Figures On Etruscan Cista Handles From Praeneste, Melanie Naples

LSU Master's Theses

Muscular women and effeminate men adorn the lids of Etruscan Cistae found in Praeneste (modern Palestrina, 23 miles southeast of Rome, Italy). Cistae (Latin plural of cista) are storage containers used by the Etruscans for women’s beauty items. This thesis focuses on the androgynous, mostly nude, figures that serve as handles and are often displayed in pairs. These pairs frequently depict a man and a woman together and androgynous qualities are usually emphasized on the female figures. Discussions of the androgynous body in the ancient world have centered around Greece and Rome. Only recently (Sandhoff 2007, 2009, 2011), scholarship has …

Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb

MFA in Illustration & Visual Culture

This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …

Complexity Of Perfection, Ayanna M. Johnson

Honors Capstones

Many of the first art galleries and museums existed in places where elite individuals were allowed. The constant pursuit of achieving perfection in many circumstances may stem from a white supremacist narrative that often stagnates creativity from achieving its full potential. This sends a series of alarming messages to artists as they tend to lose the initial interest they have for their medium by attempting to achieve a level of perfection that is unattainable. As a result, this notion can shed light on the social impact art can have in society and the relationship with the type of artwork displayed. …

Simone Martini's St. Louis Altarpiece: Materiality, Franciscan Propaganda, And Sacral Angevin Dynastic Object, Charles Morrow

Theses and Dissertations

Simone Martini makes lavish use of gold, silver, gilt glass, paste pearls and gems in the St. Louis Altarpiece, and these materials carry underlying meanings that support the panel’s sacred, dynastic and Franciscan elements. Actor Network Theory is used to present visualizations of the networks in which the altarpiece participates.

The Lives And Afterlives Of The Arenberg Gospels: Materializing Medieval Oaths, Sarah Ganzel

Theses and Dissertations

The “social life” of the Arenberg Gospels, a gospel book later used as an oath book in ecclesiastical officiation ceremonies, illuminates the impact and meaning of oath books in medieval Europe. This thesis traces the manuscript’s materiality throughout its life, showing why both words and flesh mattered to oath rituals.

Tractatus De Herbis, Botanical Guide To The Universe: A Case Study For Morgan Ms M.873, Darya Badikova

Theses and Dissertations

This thesis investigates the development of the late medieval pharmacopoeial treatise Tractatus de herbis illustrated in M.873, a fourteenth-century manuscript from the collection of the Morgan Library in New York. Particularly, the thesis considers the use and reception of this encyclopedic work by elite contemporary audiences of the Venetian Republic through material and medical history.

Building The Egyptian Canon In Early 20th-Century Germany: The Case Study Of Georg Steindorff’S Excavations, Darby Linn

Art History Theses and Dissertations

This thesis is a historiographic study of Germany Egyptology in the late 19th and early 20th centuries, with particular focus on how the different stakeholders involved in that academic environment – scholars, curators, donors and financiers, the German museum-going public, as well as Egyptian people who worked on archaeological excavations – influenced the development of the scholarly canon of ancient Egyptian art. The “canon” is an art historical concept from designating certain objects, styles, and forms as representative of a culture, time period, or artistic movement. Consequently, the canon establishes an artistic hierarchy according to European aesthetic standards that excludes …

A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson

School of Art Undergraduate Honors Theses

Manuscript and print scholars of the fifteenth and sixteenth centuries have deemed Rouen a ‘poor third’ to the workshops in Paris and Lyon. Lacking the cultural status and political influence of these two major centers of book production, Rouen’s manuscript tradition has been coined an “eclectic” group of illuminators who were limited to a local, discontinuous demand for books and whose regional role hardly even bears examination. However, Between 1419 and 1449, Rouen was an epicenter of political and economic exchange between Normandy and England. The city’s manuscript ateliers experienced a period of unparalleled patronage from an international, elite clientele, …

Of Word And Stone: The History Of Medieval Spain Through The Lens Of Architecture And Language, Samantha Hernandez

Architecture Undergraduate Honors Theses

Medieval Spain is a unique summation of religious and cultural communities. Through the built forms of Al-Andalus, there is unique preservation of societal imprints that parallel the formation of the Castilian language. These two mediums—architecture and language—are a telling of the culture and history of the region. By first observing the historical formation of Spanish, and in turn the various communities which inhabited the Iberian Peninsula, one may find many correlations with architecture created at the same time. After understanding the historical making of the Spanish language, it is important to analyze the language itself and how it differs from …

The Cult Of The Nymphs: Identity, Ritual, And Womanhood In Ancient Greece, Ivana Genov

Undergraduate Honors Theses

Examining archeological and epigraphic evidence in its historical context, in this thesis I explore the Cult of the Nymphs venerated across ancient Greek poleis. I analyze the nymph’s profound cultural and historical impact that is often overlooked in the study of ancient Greece. Nymphs were female deities thought to embody ecological sites, such as fountains and springs, and became fundamental to polis identity. Their locations were often central to city plans, and their faces, depicted on coinage, became representative of the city itself. In the community, nymphs were integral to rituals for major life events, most often in the lives …

Procedural City Generation With Combined Architectures For Real-Time Visualization, Griffin Poyck

All Theses

The work and research of this paper sought to build upon traditional city generation and simulation in creating a tool that both realistically simulates cities and their prominent features and also creates aesthetic and artistically rich cities using assets that combine several contemporary or near contemporary architectural styles. The major city features simulated are the surrounding terrain, road networks, individual buildings, and building placement. The tools used to both create and integrate these features were created in Houdini with Unreal Engine 5 as the intended final destination. This research was influenced by the city, town, and road networking of Ghost …

Demythologizing Homer: Investigating Religion In Minoan Crete, Elizabeth Rybarczyk

Student Research Submissions

The Minoan civilization of Bronze-Age Crete has, until recently, been obscured in mythological uncertainty. As a prehistoric civilization, the available evidence for historic analysis is sparse and ambiguous. This paper evaluates the material evidence for ritual activity to chart the religious developments of Minoan Crete. In the earliest periods of their civilization, the Minoans practiced animism, which reflected their ideals towards survival and cooperation. As their prosperity grew due to technological advancements, a social hierarchy formed. The emerging elite employed religion to justify their claim to power by appropriating religion, which culminated in a dual-monotheistic Knossian theocracy. This lasted until …

Salzburg's Baroque Architecture: A Historical Analysis And Poetic Response, Rebecca Malzer

Honors Projects

Salzburg, Austria is a city full of history. During the Baroque era from about the mid sixteenth century to the end of the eighteenth century, the Prince-Archbishops of Salzburg designed and modeled the city with Rome, Italy in mind. Their loyalty to the Holy Roman Empire and with the Reformation in full swing, these Italian influences helped to build a pro-Roman Catholic style throughout the city. The Prince-Archbishops and their architects demonstrated Salzburg’s loyalty to Rome through the structures of Schloss Mirabell, Schloss Hellbrunn, and the Franziskannerkirche. In addition, these structures make for great inspiration for creative work, to which …

The Art Of Patron Sainthood: St. Teresa, Santiago, And The Early Modern Spanish Empire, Laura Martin

Art History Theses and Dissertations

In 1618 and 1626, the Castilian Cortes, supported by the Spanish Crown, named Spaniard St. Teresa of Ávila as Spain’s co-patron saint. This declaration, supported by many cities in the empire, including Ávila, Salamanca, Valladolid, and Mexico City, was still opposed by many who saw this as an insult to the standing patron, St. James, called Santiago in Spanish. Historians have studied this period because it helps explain social, cultural, and political conflicts within the empire. However, the art of this period has not been studied in depth. This thesis examines the artistic production related to the so-called co-patronage, including …

From Mouth To Mind: A Close Examination Of Two Carved Boxwood Peapods Through Print, Paint, And Sculpture & References To Fertility, Amanda Jane Mason

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

The following three chapters consider the boxwood peapods against the context gathered from different sources. In chapter one, I look at the inspiration for the shape of the carvings: the peapod. Today, peapods like snap peas and snow peas, are common throughout the world, and while the medieval world had more seasonal access to the plant, peapods and similar legumes were often still a staple food throughout Europe and the Mediterranean, so much so that they were mentioned in the Old Testament. Chapter two turns to representations of peapods …

I Femminiellə: Unearthing Sanctified Queerness, Francesca Stone Houran

Senior Projects Spring 2023

This project serves as an unearthing, in the figuratively archeological sense, of the religious roots and foundations of queerness, often overlooked in contemporary gender discourses, through the exposing of pre and post-modern queer religious iconography specific to the Neapolitan third-gender community of the femminiellə. Although the femmininellə have origins in a long lineage of non-binary forms and figures throughout global and Italian history, they have been more recently brought to the surface of gender discourses through the avenue of photography, showcased in digital and physical exhibition spaces.