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History of Art, Architecture, and Archaeology Commons™

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Ancient, Medieval, Renaissance and Baroque Art and Architecture

Student Publications

Articles 1 - 8 of 8

Full-Text Articles in History of Art, Architecture, and Archaeology

Hidden Secrets And Private Moments In Vermeer’S Paintings Of Women And Letters, Lauren C. Mcveigh Apr 2022

Hidden Secrets And Private Moments In Vermeer’S Paintings Of Women And Letters, Lauren C. Mcveigh

Student Publications

This paper discusses the visual details and symbols in Johannes Vermeer's paintings of women and letters that allude to secret affairs going on behind the scenes.

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Androgyny In The Ancient World: The Intersection Of Politics, Religion And Gender In The Art Of Hatshepsut, Megan N. Reimer Apr 2022

Androgyny In The Ancient World: The Intersection Of Politics, Religion And Gender In The Art Of Hatshepsut, Megan N. Reimer

Student Publications

The Pharaoh Hatshepsut is one of the most well-known rulers of ancient Egypt and she has fascinated historians for decades. She ruled Egypt during the 15th century BCE, coming to power after the death of her husband, Thutmose II. Hatshepsut is particularly interesting to historians due to how she was portrayed in her art. Due to how far in the past she ruled, not many pieces of her art have survived; however, in the objects that we do have she is often shown very androgynously or even in came cases distinctly masculine. My research focuses on the many theories as …

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Lucretia's Hand: The Influence Of Myth And Sexual Violence On Artemisia Gentileschi's Lucretia, Sarah Paul Apr 2022

Lucretia's Hand: The Influence Of Myth And Sexual Violence On Artemisia Gentileschi's Lucretia, Sarah Paul

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Artemisia Gentileschi, a female Baroque Artist from the 17th century, was an exceptional artist who dealt with difficult themes and female subjects. While there has been a plethora of analysis of her Judith series, there has been less focus on her Lucretia. I look at Artemisia Gentileschi's "Lucretia" (c. 1621), through the various narratives of Lucretia and the history of sexual violence to analyze the strength and female agency that is emphasized. I argue that the strength and musculature in the hands of Lucretia emphasize her female agency and autonomy to make a choice following her sexual assault. I highlight …

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Sub Lege To Sub Gratia: An Iconographic Study Of Van Eyck’S Annunciation, Christopher J. Condon Oct 2018

Sub Lege To Sub Gratia: An Iconographic Study Of Van Eyck’S Annunciation, Christopher J. Condon

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When the Archangel Gabriel descended from heaven to inform the Virgin Mary of her status as God’s chosen vehicle for the birth of Jesus Christ, she was immediately filled with a sense of apprehension. Gabriel’s words, “...invenisti enim gratiam apud Deum [you have found favor with God],” reassured the Virgin that she would face no harm, and the scene of the Annunciation (what this moment has come to be called) has forever been immortalized in Christian belief as a watershed moment in the New Testament. While many Byzantine icons of the Medieval period sought to depict this snapshot in time …

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An Iconographical Analysis Of The Madonna And Child With Saints In The Enclosed Garden, Paige L. Deschapelles Oct 2018

An Iconographical Analysis Of The Madonna And Child With Saints In The Enclosed Garden, Paige L. Deschapelles

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The Madonna and Child with Saints in the Enclosed Garden, created approximately between the 1440s and 1460s, is a perfect representation of the highly iconographical images produced during the Renaissance. Although it continues to remain unknown as to who the specific artist responsible for this painting is, it has been attributed to either Robert Campin or one of his many followers. Nevertheless, the depiction of the Virgin Mary holding baby Christ on her lap is heightened as the scene takes place within an enclosed garden, otherwise known as hortus conclusus. Throughout the image itself, one is able to understand how …

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Artemis: Depictions Of Form And Femininity In Sculpture, Laura G. Waters Oct 2017

Artemis: Depictions Of Form And Femininity In Sculpture, Laura G. Waters

Student Publications

Grecian sculpture has been the subject of investigation for centuries. More recently, however, emphasis in the field of Art History on the politics of gender and sexuality portrayal have opened new avenues for investigation of those old statues. In depicting gender, Ancient Greek statuary can veer towards the non-binary, with the most striking examples being works depicting Hermaphroditos and ‘his’ bodily form. Yet even within the binary, there are complications. Depictions of the goddess Artemis are chief among these complications of the binary, with even more contradiction, subtext, and varied interpretation than representations of Amazons. The numerous ways Artemis has …

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Between Secular And Sacred: The Trade Windows' Depictions Of Food In Chartres Cathedral, Zachary A. Wesley Apr 2017

Between Secular And Sacred: The Trade Windows' Depictions Of Food In Chartres Cathedral, Zachary A. Wesley

Student Publications

Medieval artists often blended sacred and secular imagery in their works, though especially stained glass windows. The stained glass windows of Chartres Cathedral, for example, use images of commoners at work and depictions of food to convey religious messages. This paper discusses three such examples and their significance to both the lay community of Chartres and the teachings of the Church.

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Cosimo De’ Medici: Patron, Banker, And Pater Patriae, Jessie E. Martin Oct 2014

Cosimo De’ Medici: Patron, Banker, And Pater Patriae, Jessie E. Martin

Student Publications

This paper investigates the connection between art, money, and power in the life of Cosimo de' Medici. It discusses several important art works commissioned by Cosimo, including the Medici Palace and Donatello's bronze David. It also examines Cosimo's life as a businessman and a political figure.

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