History of Art, Architecture, and Archaeology Commons^™

The Mosaic Programs Of The Basilica Of San Vitale And The Great Palace Of Constantinople: A Unique Reinvention Of Roman Pasts, Justine R. Spencer

University Honors Theses

The Church of San Vitale and the Great Palace of Constantinople offer remarkable examples of artistic productions in early Byzantine mosaics. Bridging from the same Roman past they reinvented a classical medium with their unique interpretations of earlier traditions. They exemplify the diversity of Byzantine artistic productions that could coexist within the same medium and era. The mosaics of the Great Palace were part of a secular governmental public space and found deep in the heart of the Eastern Roman Empire. The mosaics of the Church of San Vitale were made for the domain of the newly reconsecrated Orthodox church …

Artemisia Gentileschi: A Deeper Look Into Burghley House Susanna, Emma M. Rochlin

University Honors Theses

In this article Emma Rochlin investigates the debated topic amongst art historians regarding Artemisia Gentileschi's Susanna and the Elders of 1622. References to the research of Mary Garrard, stated in her book Artemisia Gentileschi Around 1622 encouraged this discussion. Rochlin examines expressions, landscapes, and signatures while referencing other paintings during this period of Gentileschi's career, along with the discoveries of Garrard, in order to decipher the authenticity of this painting.

The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla

Extra-Textual Elements

The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.

A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …

11, The Three-Faced Representation Of The Holy Trinity, Zoe Goedecke

Kerver Book of Hours: 2018 Senior Capstone

In the thirteenth century, artists began depicting the Holy Trinity as a single tricephalic figure, likely in an attempt to convey that the Father, the Son, and the Holy Spirit are One. This essay discusses the three-faced image of the Trinity in the Book of Hours and the history of tricephalic imagery in Christian representations, from its early appearances to eventual condemnation by the papacy.

Book Review: Baroque Naples And The Industry Of Painting: The World In The Workbench, Jesse Locker

School of Art + Design Faculty Publications and Presentations

A brief review of Christopher Marshall's "Baroque Naples and the Industry of Painting: The World in the Workbench," published by Yale University Press in 2016.

Skyscrapers Of Rome, Elizabeth B. Condie

Young Historians Conference

After the death of his mentor, Julius Caesar, in 27 B.C.E., Caesar Augustus scrambled to establish his power over the people. One of the tactics he used to exert his power was architecture. Throughout the years, succeeding emperors followed his example to use architecture as a means to control public image, maintain military and political authority, and display their divine power. The Roman forum, the Coliseum, and the Arch of Titus give insight into the control of the Roman Emperors. From these buildings sprang many different types of architecture, that are still used to display the power of states and …

Fictions Of Abundance In Early Modern Madrid: Hospitality, Consumption, And Artistic Identity In The Work Of Juan Van Der Hamen Y Leon, Carmen Ripollés

School of Art + Design Faculty Publications and Presentations

This article examines how still-life painting contributed to the creation of a distinct urban aristocratic culture in seventeenth-century Madrid. Focusing on a group of paintings by Juan van der Hamen, the article situates these images within the context of the picture gallery and the practice of aristocratic hospitality. By giving visual form to this new urban mode of magnificence, Van der Hamen’s still lifes created a fiction of abundance that glossed over Madrid’s economic realities. At the same time, Van der Hamen concealed signs of manual craftsmanship and commercial interest in order to advance and ennoble his own artistic identity.

"The New Kingdom: The Wealth Of Empire (Egypt Of The Pharaohs)", Cynthia May Sheikholeslami

Special Collections: Oregon Public Speakers

This is the third of three lectures given by Professor Sheikholeslami at PSU on January 13-14, 1978. The second lecture, "The Middle Kingdom," was not recorded.

"The Old Kingdom: The Age Of The Pyramids", Cynthia May Sheikholeslami

Special Collections: Oregon Public Speakers

No abstract provided.