History of Art, Architecture, and Archaeology Commons^™

York Art: A Subject List Of Extant And Lost Art, Clifford Davidson, David O'Connor

Clifford Davidson

A list, classified by subject, of extant and lost art from pre-Reformation York originally compiled by Clifford Davidson and David E. O'Connor in 1978 and updated by Clifford Davidson, apparently in 2003. This digital reprint was created in 2014 for ScholarWorks at WMU.

Iconography: A Checklist Of Some Useful Sources For Scholars And Students Of Medieval Art And Drama, Clifford Davidson

Clifford Davidson

A classified bibliography of scholarship on medieval drama, art, and music compiled by Clifford Davidson in 2002. This reprint was created in 2014 for ScholarWorks at WMU, with some corrections to the content and the formatting of the 2002 version.

The Early Drama, Art, And Music Project: Publications 1977-2002, Timothy Christiansen, Clifford Davidson

Clifford Davidson

A bibliography of publications of the Early Drama, Art, and Music project at Western Michigan University, originally compiled by Timothy Christiansen and updated in 2002 by Clifford Davidson. This digital reprint was created in 2014 for ScholarWorks at WMU, with an addendum, an update, and a few corrections to the formatting of the 2002 publication.

Furnishing The Soul: Medieval Maps, Meditation, And Metaphor, Daniel Terkla

Daniel Terkla

Professor Dan Terkla with Illinois Wesleyan University provides a new context in which to think about how some world maps from the twelfth and thirteenth centuries were used. He argues that these maps worked in concert with the architectural layouts and furnishings of Gothic churches—especially tableau, painted and lettered informational tablets—to guide visitors through the terrestrial realm while pointing them toward its celestial counterpart.

Nietzsche And Lou, Eros And Art : On Lou’S Triangles And The « Exquisite Dream » Of Sacro Monte, Babette Babich

Babette Babich

No abstract provided.

Stammheim Missal, Elizabeth Teviotdale

Elizabeth C Teviotdale

Restricted Access.

Einsiedeln, Stiftsbibliothek Ms 199 (638), Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Einsiedeln, Stiftsbibliothek Ms 281 (886), Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Review Of Catherine Johns, The Hoxne Late Roman Treasure: Gold Jewellery And Silver Plate. London: British Museum Press, 2009, Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Stammheim Missal, Elizabeth Teviotdale

Elizabeth C Teviotdale

Restricted access.

Typology, Elizabeth Teviotdale

Elizabeth C Teviotdale

Restricted access.

Eadwine Psalter, Elizabeth Teviotdale

Elizabeth C Teviotdale

Restricted access.

Historic Photos Of Ernest Hemingway, James Plath

James Plath

A Painting, A Poem And A Controversy About Women And Love In Paris In The 1530'S, George Beech, Beatrice Beech

George T. Beech

No abstract provided.

The Science Behind Francesco Borromini's Divine Geometry, John Hatch

John G. Hatch

No abstract provided.

Review Of The Exhibition 799: Kunst Und Kultur Der Karolingerzeit, Melanie Holcomb, Elizabeth Teviotdale

Elizabeth C Teviotdale

A review of the exhibition mounted at three venues in Paderborn in 1999, contrasting it with the exhibition Karl der Grosse, mounted in 1965 in Aachen, and assessing the integration of objects traditionally regarded as artifacts with those considered to be high art.

The Stammheim Missal, Elizabeth Teviotdale

Elizabeth C Teviotdale

A study of Los Angeles, Getty Museum, MS 64, a deluxe liturgical manuscript made at and for the monastery of St. Michael's at Hildesheim, probably in the 1170s, with a sketch of the antecedent tradition of illuminated manuscripts for the liturgy of the mass and a discussion of early medieval typological art. All of the manuscript's major illumination is reproduced in color.

Latin Verse Inscriptions In Anglo-Saxon Art, Elizabeth Teviotdale

Elizabeth C Teviotdale

This article identifies the corpus of surviving Anglo-Saxon works of art with newly composed Latin verse inscriptions: 19 paintings and drawings in seven manuscripts, one carved stone, and one engraved portable altar. A significant flourishing of the practice of including verse in works of art is associated with the Benedictine monastic reform movement of the mid-10th century. The nature of the relationship, both denotative and spatial, between the inscriptions and the images they accompany is explored through the examination of selected representative examples. It is proposed that the Anglo-Saxons understood this poetry to be an essentially written and visual art …