History of Art, Architecture, and Archaeology Commons^™

“Garden-Magic”: Conceptions Of Nature In Edith Wharton’S Fiction, Jonathan Malks

Undergraduate Honors Theses

I situate Edith Wharton’s guiding idea of “garden-magic” at the center of my thesis because Wharton’s fiction shows how a garden space could naturalize otherwise inadmissible behaviors within upper-class society while helping a character tie such behavior to a greater possibility for escape. To this end, Wharton situates gardens as idealized touchstones within the built environment of New York City, spaces where characters believe they can reach self-actualization within a version of nature that is man-made. Actualization, in this sense, stems from a character’s imaginative escape that is enabled by a perception of the garden as a kind of natural …

"Epic Poems In Bronze": Confederate Memorialization And The Old South's Reckoning With Modernity In The Nineteenth And Twentieth Centuries, Grace Ford-Dirks

Undergraduate Honors Theses

Scholars of the American South generally end their studies of Confederate memorization just before World War 1. Because of a decline in the number of physical monuments and memorials to the Confederacy dedicated in the years immediately following the war, scholars appear to regard the interwar era as a period separate from the Lost Cause movements of the late nineteenth and early twentieth centuries. However, to fully understand the complexity of developing Southern identities in the modern age, it is essential to expand traditional definitions of Confederate memorialization and the time period in which it is studied. This paper explores …

The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons

Undergraduate Honors Theses

Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.

Much of my analysis focuses on the ways Truitt makes her intentions visible through form, …

W&M’S Memorials To Benjamin S. Ewell, Terry L. Meyers

Arts & Sciences Articles

"As far as I can tell, Benjamin S. Ewell, the College’s sixteenth president (1854-1888), has been memorialized at William and Mary more than any other person. That is not surprising given his long tenure as president, his dedication to the College, and his titanic efforts on its behalf, especially in the decades after the Civil War..."

Speculations On Structures Once Near The Site Of Lemon Hall, Terry L. Meyers

Arts & Sciences Articles

"One of the most intriguing views of Williamsburg in antebellum days depicts a series of large and small structures along Jamestown Road, roughly between where Barrett Hall and Lemon Hall stand today.

Made between 1859 and 1862 by James Austin Graham (1814/15-1878), the panorama presents Williamsburg as viewed roughly from where the law school is today and sweeps along the entire southern edge of town, from the Capitol on the east to, on the west, about the site of the College’s Lemon Hall..."