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Articles 1 - 3 of 3
Full-Text Articles in German Literature
Of Method: A Propaedeutic To Coleridge's Prose Works, Michael A. Granger
Of Method: A Propaedeutic To Coleridge's Prose Works, Michael A. Granger
Dissertations, Theses, and Capstone Projects
Coleridge’s prose works, published and unpublished, demonstrate a thorough and critical testing and understanding of British and German philosophical responses to skepticism and the ability of philosophy to progress by maintaining a double-minded and conflicted suture of both the practical or imaginative eclipse of knowledge and theorizing the hypothetical epistemological absolute that explains the relativity of facticity. Any inadequate method of inquiry stagnates within attempting a purely figurative or purely demonstrative solution to skepticism. Thus, the appropriate way to approach Coleridge’s understanding of philosophy is the struggle to make inquiry adequate though progression. Coleridge’s methodological impulse originates explicitly in a …
Everyone And No One: Freedom, Politics And God In Hegel's Philosophy Of Freedom, Samuel J. Copeland
Everyone And No One: Freedom, Politics And God In Hegel's Philosophy Of Freedom, Samuel J. Copeland
Senior Projects Spring 2018
This senior project is an exploration of G.W.F. Hegel's philosophy of freedom. It draws primarily on Hegel's texts The Phenomenology of Spirit, Encyclopedia of the Philosophical Sciences, Elements of the Philosophy of Right, and Lectures on the Philosophy of History. The exploration of Hegel's concept of freedom brings in an analysis of Hegel's Lordship and Bondage Dialectic, his critique of Kantian morality, his philosophy of the State and his philosophy of Religion and God.
Beginning In Heidegger, Nietzsche, And Mallarmé, Austen H. Hinkley
Beginning In Heidegger, Nietzsche, And Mallarmé, Austen H. Hinkley
Senior Projects Spring 2016
This project is focused on the theme of beginning. The first chapter is a reading of Martin Heidegger’s Being and Time as an attempt at beginning a new ontology that understands itself as a construct that must be, to quote Heidegger, “critical against itself.” The second chapter is a reading of three of Nietzsche's metaphors as a way of both examining and enacting a beginning. The third chapter is concerned with Mallarmé’s revolution of poetic form in Un coup de Dés, which enacts a new beginning on which the poem reflects through its images and form. Through an understanding of …