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Articles 1 - 6 of 6

Full-Text Articles in Fine Arts

Fragments And Transcendence, David Hill Dec 2010

Fragments And Transcendence, David Hill

All Theses

The fragmented figure is a compelling image. To present the figure in fragments is to place the viewer in a position of recognizing their own mortality and fragility, eliciting an emotional response that goes beyond an aesthetic appreciation of the body as form. The Venus de Milo, arguably one of the most well recognized works of art in all of history illustrates this idea perfectly. There are plenty of complete sculptures of the goddess from the same period, but the armless Venus de Milo stands as the epitome of grace and beauty above the rest, and any attempts to restore …


Alterations, Michael Marks Ii May 2010

Alterations, Michael Marks Ii

All Theses

My work is an investigation into the physical and cognitive spaces that painting occupies as both image and object. By transplanting fragments of mechanical and digital reproductions into formal and conceptual participation, I seek to disrupt the significations of culturally accepted iconography and probe the locations of acceptance they normally inhabit. I employ strategies of manipulation, framing, and juxtaposition to visually suggest the presence of the original object through the parameters of the reproduced composite and implicate the presence of the institution by incorporating the gallery wall directly into a number of my compositions. By utilizing imagery from the art …


Rainbows And Sunshine: Experiencing Life And Art, Matthew Rink May 2010

Rainbows And Sunshine: Experiencing Life And Art, Matthew Rink

All Theses

In this body of work I create temporary public-interstices that provide enjoyment, respite and reflection within the everyday experience. These projects are living-breathing events where I act as the facilitator of pleasure or comfort to encourage the viewer to consider valuable moments in the present. These are alive with real-time tactility; something that can be eaten, witnessed, physically felt or shared.
Within this series, I challenge the ordinary by splicing in comfort, gratification and excitement at random to provide a temporary moment outside of the norm. These moments oppose the rampant drive for commodity; fueled by under-compensated over-working by offering …


Image-Based Modeling Techniques For Artistic Rendering, Bynum Murray Iii May 2010

Image-Based Modeling Techniques For Artistic Rendering, Bynum Murray Iii

All Theses

This thesis presents various techniques for recreating and enhancing two-dimensional paintings and images in three-dimensional ways. The techniques include camera projection modeling, digital relief sculpture, and digital impasto. We also explore current problems of replicating and enhancing natural media and describe various solutions, along with their relative strengths and weaknesses. The importance of artistic skill in the implementation of these techniques is covered, along with implementation within the current industry applications Autodesk Maya, Adobe Photoshop, Corel Painter, and Pixologic Zbrush. The result is a set of methods for the digital artist to create effects that would not otherwise be possible.


Pensively, Kenneth L. Lantz Jan 2010

Pensively, Kenneth L. Lantz

LSU Master's Theses

Pensively, uses toys and solar powered drawing machines to present elements of movement, time, and scale. Each of the works in this exhibition invites or implies action through automation or viewer interaction. The works in this exhibit creates an environment of wonder and excitement that triggers memories of childhood and the pleasure of learning. The works investigate and discuss the responsibilities attained through maturation that keep us from recovering the sense of accomplishment we achieved with play.


Site Unseen, David Christopher Carpenter Jan 2010

Site Unseen, David Christopher Carpenter

LSU Master's Theses

Site Unseen is a large-scale installation of seventy-three brightly screen-printed and painted house forms. The houses stack and interlock with one another, creating clusters of towers and archways. The forms appear to grow into one another, physically connecting the homes. Each house is printed with images of materials in various states: raw, processed and waste. These materials represent the cycle of community’s rise and fall. Beyond examining the construction of community, Site Unseen explores a moment when trust or foundation is lost in a community. In the center of the community is a gaping, spherical void. This void represents the …