Fine Arts Commons^™

Fragments And Transcendence, David Hill

All Theses

The fragmented figure is a compelling image. To present the figure in fragments is to place the viewer in a position of recognizing their own mortality and fragility, eliciting an emotional response that goes beyond an aesthetic appreciation of the body as form. The Venus de Milo, arguably one of the most well recognized works of art in all of history illustrates this idea perfectly. There are plenty of complete sculptures of the goddess from the same period, but the armless Venus de Milo stands as the epitome of grace and beauty above the rest, and any attempts to restore …

Art As "Night": An Art-Theological Treatise, Gavin W. Keeney

Gavin W Keeney

Art as “Night” proposes a type of a-historical dark knowledge (a-theology and theology, at once) crossing painting since Velázquez, but reaching back to the Renaissance, especially Titian and Caravaggio. As a form of formalism, this “night” is also closely allied with forms of intellection that come to reside in art as pure visual agency or material knowledge while invoking moral agency, a function of art more or less bracketed in modern art for ethical and/or political agency.

Not a theory of meta-painting, Art as “Night” restores coordinates arguably lost in painting since the separation of natural and moral philosophy in …

Fiction Fix 08, April E. Bacon, Anthony Bell, Scott Neuffer, Tom Wagner, Thomas Karst, Cody Pearce, Jacqueline May, Dan Crawley, Jim Fuess, Joshua Learn, Mathias B. Freese, Anthony Aiuppy, Traci Burns, Francis Raven, Brian Alan Ellis, Naná Howton

Fiction Fix

No abstract provided.

Rainbows And Sunshine: Experiencing Life And Art, Matthew Rink

All Theses

In this body of work I create temporary public-interstices that provide enjoyment, respite and reflection within the everyday experience. These projects are living-breathing events where I act as the facilitator of pleasure or comfort to encourage the viewer to consider valuable moments in the present. These are alive with real-time tactility; something that can be eaten, witnessed, physically felt or shared.
Within this series, I challenge the ordinary by splicing in comfort, gratification and excitement at random to provide a temporary moment outside of the norm. These moments oppose the rampant drive for commodity; fueled by under-compensated over-working by offering …

Ua68/5/1 Senior Art Show Catalog, Wku Art

WKU Archives Records

Exhibition catalog showcasing senior art students work in a variety of mediums.

Taking In: The Best Of Aib Photography 2010, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography, 2010. The book in your hand is the end result of a collective effort by those in the class.

Fiction Fix 07, April E. Bacon, Marianne Mckey, Louise Freshman-Brown, Devin Balara, David Greenwood, Dan Buyanovsky, Malcolm Murray, Harmony Neal, Russell Gift, Chad Senesac, Travis Wildes, Stephen Williams, Tim Gilmore

Fiction Fix

No abstract provided.

Similarity And Difference: The Appearance Of Suffering At The Strokestown Famine Museum, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

Mfa10 (Mfa 2010), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Robert Gero, Patricia J. Olynyk, Clyde Ashby, Aaron Bos-Wahl, Andrew Cozzens, John Early, Ryan James Fabel, Joel Fullerton, Mary Beth Hassan, Wenting Hsu, John Nicholas Hutchings, Dani Kantrowitz, Larry Keaty, Mamie Korpela, Paola Laterza, Mad Mohre, Emily Moorhead, Jonathan Muehlke, Jessa Richardson, Nicolette Ross, Carlie Trosclair

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum in 2010. Content includes Foreword / Buzz Spector -- Thinking as making / Robert Gero -- A new set of conversations / Patricia Olynyk -- MFA 2010 graduates. Clyde Ashby / Aaron Bos-Wahl / Andrew Cozzens / John Early / Ryan James Fabel / Joel Fullerton / Mary Beth Hassan / Wenting Hsu / John Nicholas Hutchings/ Dani Kantrowitz / Larry Keaty / Mamie Korpela / Paola Laterza / Mad Mohre / Emily Moorhead / Jonathan Muehlke / Jessa Richardson / Nicolette Ross / Carlie Trosclair …

Pensively, Kenneth L. Lantz

LSU Master's Theses

Pensively, uses toys and solar powered drawing machines to present elements of movement, time, and scale. Each of the works in this exhibition invites or implies action through automation or viewer interaction. The works in this exhibit creates an environment of wonder and excitement that triggers memories of childhood and the pleasure of learning. The works investigate and discuss the responsibilities attained through maturation that keep us from recovering the sense of accomplishment we achieved with play.

Believing Is Seeing, Robin Akkerman

LSU Master's Theses

Fantasy art is often described as being connected to the imagination. My work defines fantasy themes in combination with modern culture and real life experiences. During the creative process I have overcome a struggle with composition development and color relationships. Paintings mimic a puzzle strategy. I come up with a basic idea by inserting and taking away imagery in order for the whole image to be cohesive. Subject matter includes women of different cultures in dress, animals, pattern, sweets, and childhood experiences from the 80’s. My characters are a personification of myself as I often dream of being dressed up …

Inspire: The Confluence Of Art & Design, John Mark Lawler

LSU Master's Theses

Inspire: The Confluence of Art & Design seeks to untangle the inextricable link between graphic design and art. Graphic design has always been seen simply as an informational or sales tool; rarely is it seen as art. The work presented in this show illustrates that works created with typography can, in fact, be one and the same.