Fine Arts Commons^™

Raisin Fingers, Sophia Hatzikos

Graduate School of Art Theses

I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.

Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …

This Is A Present From A Small, Distant World, Samantha Slone

MFA in Visual Art

I make toxic pastoral paintings in the style of the Dutch and Old Masters, and media installations which depict natural landscapes as distanced, deconstructed forms. What I explore most in my practice is our damaged relationship with land and nature, and our capitalist and media ecologies as artificial landscapes which suspend us from the natural. In a dissection of the dualisms of man and nature, and progress and sustainability, I create microcosms of our detached condition.

Emotional Landscapes, Jin Young Jeong

Theses and Dissertations

“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintings on linen of abstracted bodily forms. The imagery in the works generates an atmosphere where one can feel rooted and anxiety-free. The paintings invite a close read of the complexities of compounded affects.

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Echoes Of Home, Hanna Traynham

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition, Echoes of Home, held at the Tipton Gallery in Johnson City, Tennessee on display March 15 through April 8, 2022. The author provides insight into concepts and influences relating to the creation of the exhibition with perspective on her intimate connection with place and memory.

The exhibit features five installations addressing home, elusive memory, and the change and continuity of cultural traditions over time. The works consist of a series of large-scale wild clay vessels, gestural clay bookends, a wall installation of cups with a line drawing, suspended porcelain slabs, …

Blue-Collar Backroads, Hannah Taylor

Electronic Theses and Dissertations

The photographer discusses work in Blue-Collar Backroads, a Master of Fine Arts thesis exhibit held at downtown Tipton Gallery from February 1st through February 18th, 2022. The exhibit consists of 17 archival inkjet prints selected from the artist’s two-year exploration of rural backroads as a vehicle for creating images. Using aesthetic traditions of large-format film photography, the photographer poses questions of identity, place, memory, and the intentional pursuit of meditative practices in art. Non-photographic influences are listed, including Claire Wellesley-Smith and Elizabeth Catte. Photographic influences include Joel Sternfeld, Rachel Boillot, William Christenberry, and Mike Smith.

A catalog of the exhibit …

Always Running At Sunset, Amelia O'Neill

Theses and Dissertations

My thesis show includes paintings that depict scenes of the trails that my dog and I frequent in Utah. These paintings are a response to experiences I have in nature and explore my relationship with my dog and the surrounding flora and fauna along the local trails. The paintings include images of rocks, sticks, dirt, trails, dogs, clouds, and dried sunflowers in the wind. In addition to realistic depictions of nature, my paintings reflect on the psychological and emotional state of being in nature. The title of the show is Always Running at Sunset, which is meant to be taken …

Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit

Masters Theses

As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …

An Infinite Horizon: Space, Time, & Mind In The American Imaginary From Thomas Cole To Agnes Pelton, 1825-1961, Jason Friedman

Theses and Dissertations

This thesis examines how artists, intellectuals, spiritual seekers, and industrialists represented the American horizon across the nineteenth and twentieth centuries. The purpose of this inquiry is to show how art transmuted ideological and religious beliefs across time and to demonstrate the interdependence of esoteric self-perceptions and American hegemonic power.

Erratic Space, Johan V. Orellana

Senior Projects Spring 2021

Orellana's vision in this work, Erratic Space, is to document life as an immigrant that exits in a country and society that attempts to maintain normalcy through the symbolic containment and erasure of marginalized groups and their narratives. He uses the relationship between the domestic and public spaces as a way to evoke an intimate, oneiric and, mutually, crude visual language that puts into context how these two environments intertwine.

In/Visible, Raymond Thompson Jr

Graduate Theses, Dissertations, and Problem Reports

My MFA thesis and supporting exhibition focus on challenging the United States’ photographic archive that often left out African-American people. The work, through the use of appropriation and alternative photographic processes, disrupts America’s historical visual archive and notions that surround the white gaze. Through the unsettling of this visual space, new speculative narratives can be created to help imagine new futures. This work is the beginning of a process of mourning histories I have never known and reclaiming a place for myself and my family in the American landscape that is free of racial trauma.

What Sound Reveals To Our Eyes: The Intersection Between Subconscious Thought And Real Imagery In Experimental Film And Sound Design, Mireille G. Heidbreder

Theses and Dissertations

The impetus for making films that conjure up atemporal, interconnected spaces suggestive of a unique reality has been influenced in large part by Michel Foucault’s idea of heterotopia, or the creation of a new world by joining together discursive spaces. As such, my practice begins with the collection and re-imagination of these discursive spaces through a combination of an in-depth exploration of little-known landscapes and the organic observation of the natural realm in relation to the human world. By combining various mixed media including digital, film print, as well as re-purposed archival footage, I alter the filmic quality of the …

Pissing In The Pleasure Garden, Ellen Hanson

Theses and Dissertations

In this paper I will discuss self-representation and how my paintings refer to self-sexualization on the internet and depictions of muses in art history, allowing me to occupy the joint role of artist and muse through the repetition of my own image. My thesis exhibition, Pissing in the Pleasure Garden, uses freestanding canvases to imitate the form of a Hortus Conclusus. I use the closed garden to contend with the contradictions of control, eroticism, and voyeurism. Similar to the landscape of the early internet created by blogs and camgirl sites, the closed garden is both public and private.

The Branch On Which The Blossom Hangs, Thomas Sterling Coffey

Graduate Theses and Dissertations

The Branch on Which the Blossom Hangs is a body of paintings which address the relationship between landscape or physical presence and the primary experiences of emotion and perception. Through this examination of phenomenology and the malleability of the perceptual apparatus, the paintings express my feeling of dislocation caused by a cycle between depression, dissociation, and mental well-being. They question how an individual relates to their environment. The paintings seek to elicit the allusive and embodied qualities of poetry, framing and evoking a broader experience without defining it. By using the recognizable visual language of landscape, abstracted to the point …

Present, Elsewhere, Lauren Elizabeth Nelson

Senior Projects Spring 2020

As days elongate into immeasurable stretches, memory lurks closer to the surface of conscious thought. Vivid dreams overflow into waking hours, blurring the thin line between recollection and fantasy. From the area of my bedroom floor I record these memories, noting as I drift further from the present. Which moments demand my attention? Which challenge my perception of our current reality? Which bring me joy?

Present, Elsewhere is as much an exercise in grappling with our new parameters for living as it is a study in memory. In my drawings, as my title suggests, the figures are both present and …

Blaze, Meg Roussos

Electronic Theses and Dissertations

The photographer discusses her work in “BLAZE,” a Master of Fine Arts thesis exhibit held at the Tipton Gallery from September 16th through October 4th, 2019. The exhibition consists of 11 archival inkjet prints, two photographic artist books, a nine-channel video installation, representing the artist’s exploration of how to experience the landscape. Using non-traditional approaches to photographic imagery, experimental exhibition layout, the artist forms questions around themes of walking and landscape. The artist investigates sculptural land art installations represented through photographic documentation. A catalog of the exhibit is included at the end of this thesis.

Roussos examines formal and conceptual …

In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, Patrice M. Capobianchi

Theses and Dissertations

The following study investigates how Nancy Holt’s Sun Tunnels makes effective use of time and land to reprogram the modern viewer’s eye. By utilizing sculpture that is reminiscent of pre-historic observatories as an observational framing device against the landscape topography, the artwork succeeds in presenting a historic reconstruction of vision.

North Of Ourselves: Identity And Place In Jim Wayne Miller’S Poetry, Micah Mccrotty

Electronic Theses and Dissertations

Jim Wayne Miller’s poetry examines how human history and topography join to create place. His work often incorporates images of land and ecology; it deliberately questions the delineation between place and self. This thesis explores how Miller presents images of water to describe the relationship between inhabitants and their location, both with the positive image of the spring and the negative image of the flood. Additionally, this thesis examines how the Brier, Miller’s most prominent persona character, grieves his separation from home and ultimately finds healing and reunification of the self through his return to the hills. In his poetry, …

Words Are A Pipe, Kyle Michael Utter

Theses and Dissertations

A painter retraces the steps he took in making one of his paintings from beginning to end. Rather than explicitly ascribing a series of concerns or goals to his studio practice in general, he recounts the material choices he made over an 8 month period of making a specific painting of an interior landscape. The essay begins with a consideration of the written word and its potential shortcomings in describing the creative process. Warned of writing’s pitfalls, the reader proceeds onto a meandering path of written introspection as the painter reflects on his art-historical references, his sources of imagery, his …

Rewilding, Brian Sage

MFA in Visual Arts Theses

My current work is a continuation of the popular motif of urban decay influenced by artists, writers, scientists, and philosophers. It presents my belief that over the past two centuries our fast-paced, industrialized, technology-driven world has disconnected people from nature and from one another. While industrialization and technology have wrought numerous benefits, this disconnection has had devastating effects on the health and wellbeing of humans, as well as the health of the environment. My current work is an artistic interpretation inspired by the theme of the Rewilding movement. Rewilding is aimed at restoring and protecting natural processes and core wilderness …

The English Landscapes In The Seventeenth Century, Helen Parkinson

Electronic Thesis and Dissertation Repository

Relatively few critical studies have been written concerning the English landscape genre in the seventeenth century, not due to a lack of production or interest in the genre, but rather as a result of an anachronistic definition that is the product of eighteenth century artistic discourse. In contrast, I explore landscape as it was defined in contemporaneous seventeenth-century works and literature. Rather than a singular definition, I propose that the genre in the seventeenth century was marked by multiple iterations, each of which corresponded to shifting perceptions concerning the role of land in the culture, economy and politics of England. …

The Hour Of The Wolf, Emily Louise Beresford

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.

the hour of the wolf

In these photographs I try to capture the sense of time moving and changing. I am interested in the way that light can change the way we see something. We are made vulnerable by what light reveals.

The photographs are about a specific time of day as well as time passing over a year. The interweaving of faces and landscapes reveals this progression of time during the days, the seasons, and the years through which each person has lived.

With time, light moves across …

Through My Window, Haiyin Liang

Theses and Dissertations

I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments that display jewelry off the body in order to construct a picturesque landscape. The …

Agency Panic: A Reckoning Of Place, Brock M. Mickelsen

Graduate Student Theses, Dissertations, & Professional Papers

Agency Panic: A Reckoning of Place may be best described as a type of documentation of a conversation between the Gates of the Mountains Wilderness and myself, one where a mutual language is not spoken but one where some understanding can be reached none-the-less. By moving through the landscape without goals or intentions a physical exchange ensues, a push and pull, a call and response, intimacy is gained through tactile experience. Through the use of wet-plate collodion photography I am able to create imagery that engages directly with the place. Its vulnerability records a conversation between two acting powers, artist …

A Chair In The Woods, Victoria Dolloff

Theses and Dissertations

Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.

Es-Sen-Tial, Lyn A. Govette

Electronic Theses and Dissertations

This thesis is in support of the exhibition entitled ES-SEN-TIAL on display in Tipton Gallery located in Downtown Johnson City from February 27, 2017 to March 10, 2017.

The exhibition is a presentation in fiber medium of the human impact on the landscape, specifically using the extractive industry of coal mining as example. This is accomplished through the use of digital imagery printed on textiles, hand and machine embroidery, and surface design techniques of dyeing and layering. This body of work reflects the artist’s interest in art activism and the utilization of photography, fiber arts, ideas and techniques, as creative …

Invisible Forces, Sarah E. Mullin

Theses and Dissertations

I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrating light, deep space, and vast scale in an imagined image. These paintings combine an inner abstract dimension with landscape imagery to communicate to the viewer that we are a part of what we sense in nature.

Between Rock And Breeze, Lena Schmid

Theses and Dissertations

My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.

The Third Coast, Catherine Jane Davis

Theses and Dissertations

The Third Coast is a photographic exploration of the vernacular landscape of the US Gulf Coast. Stretching some 1,600 miles from the mouth of the Rio Grande in Texas to the Florida Everglades, America's southernmost shore is vast and complex. The region is a patchwork of both the natural and built environments, a tangled combination of history and geography, culture and ecology that reflects an intimate and ever-evolving relationship between man, land and sea. The Gulf Coast resists tidy hierarchies or easy classification. Rather, the rhythms of the region comprise its own syntax, a way in which seemingly dissimilar locations …

"Perhaps," She Said, "Looking Itself Could Be An Antidote.", Sarah Moore

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.