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Full-Text Articles in Fine Arts
Volume 55, Number 11 (November 1937), James Francis Cooke
Volume 55, Number 11 (November 1937), James Francis Cooke
The Etude Magazine: 1883-1957
Justice for Genius
This is Walter Damrosch Speaking: The Eminent Conductor Give His Opinions Upon Opera, American and Otherwise (interview with Walter Damrosch)
Typewriter and the Piano
Learning Lines and Spaces
Tuneful Tweddle
Claude Debussy's American Born Teacher: His Contribution to Modern Music
How I Increased My Enrollment
Bringing the Symphony Orhcestra to Moving Picture Patrons
Gospel of Relaxation
Universality of the Piano: The Indispensable Instrument and its Place in Art
Repetition in Musical Composition: Its Important Function in the Tonal Art
Pilgrimages with Franz Liszt, in Rome, Budapest, and Weimar, 1881 to 1884, Reminiscences of His Pupil
Mystic Dances …
Volume 51, Number 10 (October 1933), James Francis Cooke
Volume 51, Number 10 (October 1933), James Francis Cooke
The Etude Magazine: 1883-1957
Music and Modern Life (interview with Herriot, M. Ëdouard
Aid to Relaxation
Best Method is Eclectic (interview with Leopold Godowsky)
Carloads of Pianos
Golden Anniversary Greetings
Rhythm and Accent
Tannhäuser: A Romantic Opera in Three Acts—Arranged as a Reading for Music Clubs
What is Wrong with the Piano?
Points in Pedaling
Singing School to School Symphony
Since Singing is So Goode a Thing
Expressive Piano Playing
Impressing the Accent
Personal Observations of Rimsky-Korsakoff
Plenty of Pupils
Glance Behind the Scenes of Radio Land
Chopin's Valse in E Minor (Posthumous): A Master Lesson
Musical Small Coal Man
Making the Bass Beautiful …
Volume 46, Number 03 (March 1928), James Francis Cooke
Volume 46, Number 03 (March 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Double Notes for Strengthening the Fingers
Ear-Training the Child on His Own Pieces
Wagnerian Estimate of Mozart
Gilded Angel
Bad Company for a Gentleman's Sons
Baif Club
Taking up Music in Later Life (interview with John Erskine)
Training of a Virtuoso (interview with Moritz Rosenthal)
Not Quantity but Quality
Art and Music
We Have 'Phones!
Impression of Max Bruch's Tone-Poem, Kol Nidrei
Good Instrument for the Beginner
Franz Schubert—An Etching
New Lights on Scale Playing
Fairies in Music
Great Masters as Students of Music: Edward Grieg (1843-1907)
Why a Boy Should Study Music
Fun in Reading Notes
How Rimsky-Korsakoff Taught: …
Volume 38, Number 11 (November 1920), James Francis Cooke
Volume 38, Number 11 (November 1920), James Francis Cooke
The Etude Magazine: 1883-1957
From Liszt to Leschetizky: Forty Years with Great Pianists
Unmusical Fugue
Chart for Remembering Key Signatures
Music and the Home
Practical Exercises in Modern Phrasing
Tonal Perception
Don't Be Fooled by Applause
How Can I Study the Art of Instrumentation?
Preparedness: The Secret of Speed
Getting Results in Pianoforte Study: Some Modern Ways of Reaching the Goal Through New Artistic Means
Musical Misnomers
Lessons We Dread
Early Hours for Practice
Passing on the Credit
Some Tricky Musical Signs, Ties, Slurs and Accidentals
Planning Practice to Get Best Results
Why are Sharps Harder than Flats
Effective Finger Exercises
Fingers versus Brains …
Volume 36, Number 10 (October 1918), James Francis Cooke
Volume 36, Number 10 (October 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Spain the Eldorado of Music
Thomas à Becket
Beethoven and Hero Worship
Music Interest of the American Man of To-Morrow
Help in Interpretation
How Can I Make My Practice More Intelligent?
Musical Thermometer
Imperial Opera
Rhythmless Pupils
Stems, Tails and Hooks: A Lesson in Exact Notation
Cultivating a Perfect Staccato Touch
Value of Visiting Lessons
High Lights in the Life of Grieg: Interesting Phases in the Career of the Great Norwegian Master
Thumb and Its Agility
Accompanied Trill
How to Read at Sight and Memorize at the Same Time
Finishing Steps
Second Nature in Music
Interesting Suggestion for Advanced Pupils …
Volume 31, Number 06 (June 1913), James Francis Cooke
Volume 31, Number 06 (June 1913), James Francis Cooke
The Etude Magazine: 1883-1957
Plan of Scale Practice
Solving the Missed Lesson Problem: A Symposium Upon a Matter of Vital Importance to All Music Teachers
Importance of the First Impression
How I Made My Summer Vacation Profitable: A Timely Symposium from Busy Representative Teachers
Tolstoy's Great Love for Music
Are Great Pianists Always Nervous?
Making the Pupils' Recital Attractive: A New Idea for Progressive Music Workers
New Idea in Teaching the Touch
Instruments of the Orchestra
Balfe's Musicianship
How to Secure a Beautiful Tone at the Keyboard
Temperamental Playing
Developing an Instinctive Sense of Tone
Wisdom of Robert Schumann
Ten Working Rules
Old-Time Advances …
Volume 27, Number 10 (October 1909), James Francis Cooke
Volume 27, Number 10 (October 1909), James Francis Cooke
The Etude Magazine: 1883-1957
Their Obstaclesnd How They Overcame Them: Difficulties That Have Beset the Paths of the Foremost Masters and the Way in Which They Fought and Triumphed
How Music Began
Nervousness—How and When to Prevent It
Analysis of Beethoven Sonata, Opus 14, No. 2, First Movement
Inspiration of Bach's Piano Music
Mendelssohn's Compositions
Grieg at the Keyboard
How to Conduct Pupils' Musicales: Some Practical Hints Regarding the Students' Recital Gleaned from Practical Experience
How the Staccato Touch Broadens Technic
Schumann on Liszt's Playing
Peculiarities of Hungarian Music
Correcting Mistakes at the Lesson
Determining the Lesson Price
Volume 25, Number 06 (June 1907), Winton J. Baltzell
Volume 25, Number 06 (June 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Johannes Brahms: The Classical Spirit in Music
Some Sayings of Brahms
Estimate of Brahms' Work
Brahms as a Practical Joker
How Liszt Taught
Chorus in the Small Town, with Some Side-Lights on Its Influence on American Music
Edvard Grieg: The Scandinavian Spirit in Music
Jacques the Dreamer: The Story of a Musician, with a Moral in It
Charles Camille Saint-Saëns: A Representative of French Music
Story of the Minuet
History Questions for Music Students
Importance of Finger Training
Cornelius Gurlitt
Monument to Stephen Heller
Volume 20, Number 07 (July 1902), Winton J. Baltzell
Volume 20, Number 07 (July 1902), Winton J. Baltzell
The Etude Magazine: 1883-1957
Edward Macdowell on the Relations of Music and Poetry
Inter-Relation of Touch and Tone Effect
Aphorisms by Theodore Gouvy
Borodine's Account of Liszt's Playing
Feeling of Rhythm
Pedagogic Gleanings Selectec by Heinrich Germer
Education of the Listener
Octave Playing and Its Technicr
Analysis of Grieg's Berceuse, Op.28, No. 1