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Articles 1 - 11 of 11
Full-Text Articles in Fine Arts
Volume 19, Number 11 (November 1901), Winton J. Baltzell
Volume 19, Number 11 (November 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Musician Abroad: Some French and Scottish Characteristics
Death of Frederic Archer
Texts for Musical Setting
Higher Duty of Teaching
Conservatory or Studio?
Object of Practice
Exact Thinking in Music-Study
Teacher's Influence: Its Effect on the Community
Advantages of Concert Going
Should We Use Classical or Popular Music?
Why the Piano is Unpopular
Pupils' Recitals as an Aid to Character Building
Prices According to Size
Volume 19, Number 10 (October 1901), Winton J. Baltzell
Volume 19, Number 10 (October 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Useless Difficulties
Mechanical Accessories in Piano-Forte-Teaching
Our Pupils as Social Acquaintances
Waste in Musical Education
Orchestral Manner in Piano-Playing
Know the Meaning of Musical Terms
Blunder of Ambitious Students
McKinley
Interludes in Various Keys
Art of Learning to Study
First Studies in Music Biography
What Justifies the Choice of Music as a Profession?
English Women in the Orchestra
Women as Orchestral Players: An American Point of View
Volume 19, Number 09 (September 1901), Winton J. Baltzell
Volume 19, Number 09 (September 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Selected List of Works by Women Composers
Concerning the Actual Decay of the Art of Song
Woman's Share in the Musical Civilization of the Public
Woman's Sphere in Music-Teaching
Woman's Contribution to Musical Literature
Advantages Women Have Over Men for Entering a Professional Career
Women as Composers in the Future
Woman's Contribution to Musical Scholarship
Some Ideals in Musical Education
Ideal Matinee Musicale and Its Management
Madame Lillian Nordica: Woman in Music
Women as Concert-Organists
Women as Organists
Women as Choir-Director
Women as Organ-Students
Necessity of Harmony and Counterpoint to Women Who are Organists
Woman's Position in the Violin-World
Volume 19, Number 08 (August 1901), Winton J. Baltzell
Volume 19, Number 08 (August 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Irritability of the Music Teacher
Musical Misfits
Tact and Self-Control
Suggested Classics for the Teaching Repertoire
Exploitation of the Prodigy
Art of Living: For the Musician
Our National Failing
Play in All Keys
Choice of a Teacher
Persistence and Work
Prevalent Fallacies
Music as Mental Discipline
Music for Music's Sake
Musical Ideals for the Twentieth Century
Volume 19, Number 07 (July 1901), Winton J. Baltzell
Volume 19, Number 07 (July 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Summer Study or Summer Rest
Hartwell-Jones (Hamilton Gray)
What Fashion Does for Music
Between Seasons
Summer and Post-Graduate Work for Teachers
Children's Classes as Suitable for Summer Work
Summer Musical Classes for Juveniles
New Light on Summer Study
Development of Music in the South During the Past Twenty Years
Study Abroad No Guarantee of Success at Home
Thorough Practice on Old Pieces
Some Peculiar Teachers
Artistic Temperament
Some Definitions of Music
If I Were a Young Music Teacher
Long Hair and Pianism: A True Story
Mr. Pol Plançon: The Study of the French Song
Volume 19, Number 06 (June 1901), Winton J. Baltzell
Volume 19, Number 06 (June 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Music as a Culture-Study
Paradoxes in Piano-Practice
Modest Music-Teacher
How Shall We Study?
Future of Music in America
Liszt's Sight-Reading
Practice Versus Rehearsal
Differences in the Fingers
How to Be a Success
Creating an Interest in Technic
Art for Art's Sake: A Study of the Music Profession
Musical Moss-Backs
Madame Schumann-Heink: The Study of the German Song
Volume 19, Number 05 (May 1901), Winton J. Baltzell
Volume 19, Number 05 (May 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
When Should Expression be Taught?
Touch and Tone
Raising the Standard of Musical Culture
Verdi's Advice
Emulation as a Factor in the Private Teacher's Work
Acquiring the Method of a Teacher Quickly
Liberation
Choosing a Music Teacher
Study in Concentration
Loose Use of the Term Technic
Composer's Individuality
Success Maxims
Teaching in Schools
Advice to Young Teachers
Cost of a Technic and How to Reduce It
Unconscious Combativeness
Teachers, Old and Young
Fingering and Its Evolution
Harmonics on the Piano
Art of Listening
Mr. David Bispham on the Study of the English Song
Two Classes of Music Lovers
Volume 19, Number 04 (April 1901), Winton J. Baltzell
Volume 19, Number 04 (April 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Piano Orchestra
Brief Rules on Child-Teaching in Music
Something to Know
Old Pieces
Music the Language of Expression
Unity of Purpose
Memorizing
Artistic Purpose
Place of Ridicule in Teaching
Personal Relation of Teacher and Pupil
Selection of a Teaching Field
Feel What You Play
Perserverance as Taught by the Lives of the Masters
Different Ways of Knowing a Piece by Heart
Pianists and Composers Who Have Made History
Piano-Cases
Height of the Piano-Chair
Tonality
Formation of Habits of Study
Make a Companion of a Book
Sticking at It
Old Industries
For the Older Student
University Education for a Musician
Volume 19, Number 03 (March 1901), Winton J. Baltzell
Volume 19, Number 03 (March 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Musical Socieites in Smaller Towns
Rules for Young Composers
How I Teach Piano
As to Tradition in Music
Industry of Genius
False Alarm
Qualities of a Superior Pianist
Making the Most of It
Self-Control
Fable for Graduates
Ear-Training
How to Manage a Teacher
Way to Make the American People Musical
Successful Teacher
Purposeful Doing
Ludwig Schytte
Technical Practice
Pseudonyms of Musicians
Genuine Enthusiasm in Teaching
Some Elements in a Musical Education
Habit in its Relation to Student Life
Old Industries
Law of Student Life
Faults of American Students
Volume 19, Number 02 (February 1901), Winton J. Baltzell
Volume 19, Number 02 (February 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Death of Verdi
Right Methods of Study
Keeping Close to the Art of Music
What Makes a Successful Student!
First Lessons in Music Biography
Selling Strength
Sir J. Frederick Bridge
Musical Sermon on a Modern Text
Musical Method the Means of Genuine Time-Saving in the Pianist's Art
How Art Pays
How to Overcome Common Faults in Piano Playing
Theoretic Side of a Musical Education
What Modern Education Means
Collateral Education Necessary to Modern Musicianship, Part 2
Small Things
Comparative Piano-Methods, Part 2
Some Curious Definitions, Not Authentic
Plain Talks on Matters Musical, Part 2
What Makes the Artist
Outlook into …
Volume 19, Number 01 (January 1901), Winton J. Baltzell
Volume 19, Number 01 (January 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Music in the Twentieth Century
Melody Writing, Part 2
How I Teach Piano
Musical Diagnosis
On Teaching Counterpoint
For Would-Be Critics
Professional Standard in Piano-Teaching
Four Attributes of a Good Teacher
Silent Sight-Reading
Experiences and Observations from the Class-Room, Part 7
Music and Money
Plain Talks on Matters Musical, Part 1
Revolt of the Pianoforte
Comparative Piano-Methods
Before the Concert: A Story of Artist Life
Collateral Education Necessary to Modern Musicianship
Manuscripts of the Music-Masters
Some Points of Success, Part 2