A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen

Theses and Dissertations

This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.

The Uncanny Desire In American Animation And Film., Kristen Hankins

Electronic Theses and Dissertations

Although surrealism was short lived, the impact on popular culture is ongoing. Analyzing this impact is quite interesting because it set a standard for American animation and film. In this thesis, Freud’s theories of psychoanalysis and the uncanny are investigated through the lens of the camera in American cinema and animation. This thesis looks at cartoons and films that were made after Breton’s surrealist manifestos were published. This thesis aims to show the viewer the lasting impact that Breton had on American popular culture. This thesis is divided into three chapters with an introduction and conclusion. Chapter one discusses Fleischer …

The Mvohc Project, Brooke Day

All Theses

ABSTRACT

A Mvohc is a Morphic Vessel of Human Consciousness. The Mvohc Project traverses' theories of spatial identity in tandem with creative world-building as a method for examining the intricacies of the human condition and reimagining reality. My creations are designed to promote autonomy over the contemporary world's ever-evolving societal complexities to empower individuals, foster imagination and communication, and create space for positive change. This body of work incorporates fleshy biomorphic sculptures inspired by science fiction, deep-sea marine life, and the human body. The abject creatures are partnered with constructed audio-scapes that encompass the frenzy of an overarching internal monologue, …

Age, Ty Barnes

Graduate Theses and Dissertations

Age is a body of work that uses open ended, multi-directional narrative, economical craft, body positioning, and disorder to create situations for curiosity to take hold and rekindle a sense of naivety. Intentionally pedestrian material choice and playful, curious methodology work in tandem with the visual language of play to create a world building opportunity for the participating viewer. The objects are anchors or starting points with spaces in between for flexible narratives and imagined and reimagined worlds with no prescribed beginning or end point.

The exhibition and written thesis represent a conglomeration of connected-by-association ideas, a Rube Goldberg machine …

The Systemic Punches: Displacement Experience Of Vulnerable Immigrants, Eric Andre

Graduate Theses and Dissertations

"The Systemic Punches: Displacement Experience of Vulnerable Immigrants" focuses on the impact of systems of state control such as immigration laws, policies, and practices that have been institutionalized and that have marginalized immigrants. In my thesis, I pay specific attention to inhuman acts of exclusion and discrimination resulting from the systemic barriers perpetuated by xenophobic and nationalist ideologies.

From this standpoint, my thesis exhibition employs interactive space, which includes visual art (drawing, sculpture ceramics), projection, video, and sound, as a means to explore the effects of the exclusive and discriminatory immigration policies and practices. Furthermore, it is designed to explore …

The Stylistic Development Of Jean Despujols (1886-1965), Kelly M. Ward

LSU Master's Theses

This thesis is the first comprehensive scholarly analysis of the life and most extant works by Jean Despujols. The French and later naturalized American painter, writer, poet, philosopher, deep-thinker, and mystic was best known for his Neoclassical and academic style. This thesis briefly discusses the artist’s beginnings as a young painter at the School of Fine Arts in Bordeaux and in Paris, his sketches in the trenches of the First World War, his time at the Villa Medicis after winning the distinguished Rome Prize, and his paintings and thoughts as a philosopher and political writer throughout his life. An outstanding …

Art And Empathy: Self Discovery In A Dark Forest, Younser Lee

Graduate School of Art Theses

According to the National Institute of Mental Health, 40 million people report feelings of depression, anxiety, and stress as the world moves at an increasingly rapid pace and faces unprecedented challenges. However, many ignore these negative thoughts and fail to acknowledge them as a serious issue. My art, which shares my own experiences, creates safe, cathartic places for viewers to think about their own emotional experiences. Crucial to this process is my use of daily objects and the creation of individualized, participatory, and multisensory experiences.

My art relates to daily life and the negative emotions that we experience daily. I …

Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey

Theses and Dissertations

Feather fans in sixteenth-century portraiture not only allowed the female sitter to express her own claims to wealth, status, and power but also acted as a visual indicator of changes that were occurring on the global stage. Both fans and sitters will be evaluated through ideas of gender and class.

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

Some (Im)Material Girls, Living In (Im)Material Worlds, With Seeds, Stars, And Shit, Matthew Weiderspon

Theses and Dissertations

This writing situates material and gestural vocabularies cultivated in my artwork in relation to my lived experience; primarily my rural upbringing in Colorado. Scattered floor dispersals, calling sounds, and bodily movements desire reconsiderations of hope in precarity through a disorientation of place, association, scale, and language.

Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar

Theses and Dissertations

The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture.

Made Of Water, Covered In Mud, Nicole Norman

Graduate Theses and Dissertations

My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …

What's Going On Here, Joanna R. Pike

Graduate Theses and Dissertations

This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …

Do You Want To Be Tender?, Leah Grant

Graduate Theses and Dissertations

In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.

Optimistic And A Little Flawed, Christian Schultz

Graduate Theses and Dissertations

The accompanying exhibition to this paper, Optimistic and Flawed is a body of drawings and objects that explores the liminal space between playful and intended actions. Inspired by the landscape of the yard and the actions that take place within, the goalless play of a child and the laborious maintenance of an adult. The value of play exists within labor and labor exists within play. The drawings observe this through the theoretical framework of telic and paratelic motivational states as they relate to drawing. Abstracted yards and landscapes provide a space for the labor of the hand. A history of …

Unmentionables, Madeleine F. Grotewiel

Graduate School of Art Theses

This text explores the capacity for shamed bodily materiality to narrate the complexity of healing from sexual trauma while rape culture persists. Because rape is discussed so little in public, sexual healing often takes place under a meaty layer of shame, placed on the survivor’s body. Their truth is frequently interpreted as too much/gross/ugly/unspeakable for the public, and it is simultaneously not enough to be discussed/accepted/pursued as an actual issue. This uncomfortable teeter-totter comes from the patriarchal boundaries drawn between what is privately or publicly acceptable. There are plenty of depictions of sexual violence in popular culture and the canon …

The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons

Undergraduate Honors Theses

Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.

Much of my analysis focuses on the ways Truitt makes her intentions visible through form, …

God Is Gay, Ordando Prieto, Ordando Prieto

Electronic Theses, Projects, and Dissertations

The major life of The Christ are well known among Christians and have been depicted throughout art history and contemporary media.

The juxtaposition using gay pornography is meant to question the ideologies of homosexuality. The choice life events and fetishes are to juxtapose terminology and show possible sexual innuendos.

These seven works of art are mixed media paintings; made up using works from art history, gay pornography, photographs I have taken, and drawing and painting by myself. The exhibition is an alternative perspective of the major components of Christian Messiah, Jesus Christ. These events include: The Nativity, The Baptism, The …

Shifting Sands., Rachid Tagoulla

Electronic Theses and Dissertations

Shifting Sands is a re-exploration of the presentation of North Africans in colonial postcards, an examination of identity, and a critique of the modern Western museum. Since the inception of photography, colonizers used this medium- especially in the form of postcards- to categorize and exoticize Eastern peoples in order to more easily subjugate them. Shifting Sands is a series of reconstructed colonial postcards which challenges colonial-era stereotypes of North African peoples. The colonial gaze, represented by the camera lens, is subverted through a lensless image-making process in which sand is used to remove the subject from the colonial gaze and …

The Passing Show, Kathryn Fanelli

Masters Theses

The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.

Ivan Puni's Berlin Period: 1920-1924, Elena Kakuriev

Theses and Dissertations

This thesis is dedicated to the work of the Russian Avant-Garde artist Ivan Albertovich Puni (1892-1956): an artist, a theorist and writer, an organizer of exhibition, a teacher of art, and above all, an innovator. This thesis presents an account of the artist's Berlin period (1920-1924), which has so far lacked scholarly attention.

The thesis begins with a close analysis of Puni's Russian period (1914-1919). In this time span,

Ivan Puni demonstrated his ability to adopt a wide gamut of diverse artistic styles. Puni first elaborated works akin to Cubist constructions. However, starting from 1915, the artist became a major …

The Power And Attraction Of Transgression: John Martin's Depiction Of Lucifer, Kseniia Krivileva

Dissertations and Theses

No abstract provided.

The Museum As A Mirror: Reinterpreting And Delinking American Landscape Art From Colonial Narratives, Blythe C. Romano

Honors Theses

Art museums have recently been looking at their existing collections with heightened scrutiny, revisiting their decision to display colonial works uncritically in their gallery spaces, and reconsidering the idea that there is such a thing as a unified art historical canon. These conversations regarding reinterpretation are necessary for all museums that choose to display art with problematic histories, as this information is owed to visitors -- especially within the settler colonial context. The Colby College Museum of Art in Waterville, Maine is one site where such collection and gallery “reinterpretation” has begun to be implemented and discussed. For example, in …

Distorted Icons In Contemporary Art: An Examination Into How We Know What We Know And Why, Alessandra Ruggiero

MA Projects

The purpose of this exhibition, Distorted Icons in Contemporary Art: An Examination into How We Know What We Know and Why, is to explore the nature of icons, specifically contemporary renditions of modern or traditional icons. Colloquially, icons are a symbol of something well-known or an image that is easily recognizable. Traditionally, icons refer to religious figures, most commonly devotional paintings in Roman Catholic and Orthodox Greek churches and are used as a means of prayer to represent peace, piety and faith. However, what constitutes an icon in Western contemporary culture has changed significantly. Devotional images have been replaced by …

The Hidden Secrets Of Historical Artistry, Jennifer B. Musser

Honors Undergraduate Theses

When I began developing the video game concept for my thesis, I realized that I was one of the kids that grew up in a society where video games took prevalence over historical artistry. I, however, was unaware of the hidden secrets that resided in the art and how much they contribute to the video games I enjoy playing today. This thesis aims to provide the younger generations with an engaging and stimulating way to experience historical artistry, more specifically the Italian Renaissance, without having to consult a history book. I aim to provide enough detail on multiple aspects of …

Antiquities And The Art Market: Forever Divided Or Will Ancient Art Find Its Place In An Evolving Contemporary Art Market?, Yvette Abiuso

MA Theses

This paper argues that the market of ancient art will rise because of three positive trends: dealers, auctions, and galleries offering both antiquities and contemporary art together to potential collectors; the improving and added transparency of provenance research techniques; and millennial art collectors who have brought a new perspective to the art market. This study will explore if the combination of ancient art and contemporary art in gallery settings has increased sales. It will ask how much has “crossover collecting” affected the art market by exploring the techniques used by modern galleries to implement both genres in art fairs and …

The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine

MA Theses

The first half of 2021, NFT crypto art captured both the public’s attention and the art market due to the escalation of sales prices and the auction houses acceptance of cryptocurrencies. As an artform, digital art is not new. It began in the 1960s and 1970s with roots as early as the 1940s. During this evolution the lines between technology and art have intersected, often become blurred and in many cases have merged into new artforms. Even when scholars trace the origins of digital art to present day it is difficult to tell if scientists are influencing artists or artists …

The Cottages That Almost Were Not Saved: A Preservation Perspective On Three Newport Mansions, Julia Boron

MA Theses

The Gilded Age in America was a time of swift and extreme economic expansion which caused America’s leading industrial families to become extraordinarily wealthy. Because the introduction of personal income tax had not yet been established, people pocketed every dollar they earned, and the people of the Gilded Age lived and spent lavishly. Having multiple homes was a status symbol, and the wealthy elite flocked to Newport, Rhode Island during the summers building elaborate mansions and sparing no expense. A myriad of economic factors around 1913 greatly changed the general view on wealth and spending. The majority of the summer …

More Than Just Middlemen: The Legacy And Influence Of Art Dealers Joseph Duveen, Peggy Guggenheim And Leo Castelli On Shaping Art Collections, Valencia Tong

MA Theses

The purpose of this study is to examine whether art gallerists are replaceable in the current climate in which the plea for removing the middlemen has been growing. The speed and ease of art transactions through digital platforms provide an alternative to the relationship-based in-person elements of the art world. Before the pandemic, the art market was seen as notoriously opaque, and gallerists have been stereotyped as middlemen who take high commission from art sales. However, art gallerists have played an important role throughout art history, not only buying and selling works of art like traders, but also shaping the …

Appealingly Unpeeled: The Layered Lemons In Dutch Golden Age And Contemporary Art, Amanda Barr

Graduate Student Theses, Dissertations, & Professional Papers

In seventeenth-century Dutch painting, the lemon holds a prominent visual, economical, socio-cultural, and moral position. This trend would then be repeated in contemporary art, beginning in roughly the 1970s. This thesis, in two parts, will explore the significance of the prevalence of the lemon and their recurrent presence in both Dutch Golden Age art and modern and contemporary artwork. This multivalent approach will look at lemons as not only a visual representation of fruit, but a symbol of larger concepts such as globalization, commercialism, colonialism, sexuality, religion, linguistics, mythology, and pop culture.