Fine Arts Commons^™

Introduction To Contemporary Art Across Political Divides, Alla Myzelev, Tijen Tunali

Art History

This book addresses the need for a more sustained knowledge and multidisciplinary understanding of what art and artists can do to create democratic spaces, forms and languages in a world devastated by multiple crises. The book’s main inquiry is whether contemporary art can or cannot cultivate an “agonistic” way of togetherness and facilitate difficult conversations through a multitude of contradictions, diverging views and conflicting visions. With Marxist, feminist and ecologist perspectives, the contributors analyze contemporary art worlds across the globe in relation to memory, conflict, trauma, transitional justice, social engagement, social resistance and activism.

In this volume artists, activists, art …

Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis

Belmont University Research Symposium (BURS)

The popular sentiment in curation among contemporary British art institutions has emphasized the attempt to reconcile with the divide between public art and art presented in institutions. The globalization of Britain in contemporary times has led to the wide dissemination of shows curated by British institutions. The location artwork is exhibited can change the reception and interaction with the work. Artists who use their work as a means of activism can benefit from the perception of a global audience. The question arises as to how impactful activism art can be when exhibited within the contemporary institution versus when it is …