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Full-Text Articles in Film and Media Studies
African American Youth-Identity, Invisible Powers & Hypnotic Blaxploitation-Themed Film Tropes: From Superfly & Drug Culture To Black Panther & Wakanda, Daniel Mitchell
African American Youth-Identity, Invisible Powers & Hypnotic Blaxploitation-Themed Film Tropes: From Superfly & Drug Culture To Black Panther & Wakanda, Daniel Mitchell
Screenwriting and Film Studies Theses (MA/MFA)
This thesis project explores the most influential effect of the blaxploitation era. It is during a time shortly after the Civil Rights and Black Power Movements, where black youth are still enduring identity issues. The point of departure for central discussion of this work revolves around the mesmerizing Hollywood blaxploitation film, Superfly. It arrived on the big screen in 1972. The hit movie and its soundtrack seemingly hypnotized countless young African American youth in urban areas to become drug dealers and users. This coincided with Nixon’s War on Drugs collusion with government agencies, and the secret COINTELPRO operation. They …
Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright
Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright
MSU Graduate Theses
Hollywood and Theatre have been partners in producing entertainment for over 100 years. The relationship was fruitful for both parties, but Hollywood moguls and playwrights battled over ownership of the work and crafting of its creative nucleus, story and character. Theatre was the dominant entertainment right before the rise of motion pictures. Once Hollywood’s talkies closed the curtain on silent films, playwrights had a high creative worth to movie makers. In the cinema, story and dialogue were essential for its survival and growth. Playwrights were courted by the Hollywood studio heads but were not offered equal partnership as they were …
Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga
Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga
Media and Communication Studies Honors Papers
Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. In 1999, a character struggles …
Second-Billed But Not Second-Rate: A Reappraisal Of Three Character Actors From Hollywood’S Golden Age, Candace M. Graham
Second-Billed But Not Second-Rate: A Reappraisal Of Three Character Actors From Hollywood’S Golden Age, Candace M. Graham
Theses & Dissertations
Seventy-six years ago Hollywood experienced something never before nor since seen. The year, 1939, was Hollywood’s “Dream Year” for production of some of the most memorable films of all time. Today, the term used to describe films of this success level is blockbuster. Film scholars and fans call them classics. It was the culmination of films of Hollywood’s Golden Age starring every one of Hollywood’s A-Listers of this Golden Age of film, from Don Ameche to Loretta Young. However, lost in this maze of the top-billed or leading actors were the character actors who were also known as supporting cast …