Open Access. Powered by Scholars. Published by Universities.®
- Institution
Articles 1 - 4 of 4
Full-Text Articles in Film and Media Studies
Argo: Cia Influence And American Jingoism, Andrea De Oliveira
Argo: Cia Influence And American Jingoism, Andrea De Oliveira
The Yale Undergraduate Research Journal
“Argo: CIA Influence and American Jingoism” focuses on the ways in which CIA involvement in the production and publicity of Ben Affleck’s Argo (2012) yielded a biased representation of the Iranian public. Throughout the film, Affleck pictures Iranians as aggressive and deindividualized, spreading the trope of the Middle Eastern fanatic to viewers worldwide. While villainizing the Iranian public, Argo undermines a fraught history of United States intervention in Iran. Although Affleck takes several liberties in cinematizing the Iranian Hostage Crisis, Argo masquerades as a historical authority, peppered with markers of authenticity such as newsreel footage. I argue that the film …
Rose-Colored Genocide: Hollywood, Harmonizing Narratives, And The Cinematic Legacy Of Anne Frank’S Diary In The United States, Nora Nunn
Genocide Studies and Prevention: An International Journal
Drawing from literary and cultural studies, this paper situates U.S. adaptations of Anne Frank’s diary in the 1950s within a lineage of other films about historical genocide, including Schindler’s List, Hotel Rwanda, and The Killing Fields. Analysis of these narrative adaptations matters because it helps us better understand the danger of what critic Dominick LaCapra calls “harmonizing narratives,” or stories that provide the viewer with an “unwarranted sense of spiritual uplift” (14). Tracing the metamorphosis of Frank’s own diary from play to film adaptation, this article builds on existing scholarship to focus on how, in the wake …
“Un-American” Hollywood: Politics And Film In The Blacklist Era, Natalie Jarosz
“Un-American” Hollywood: Politics And Film In The Blacklist Era, Natalie Jarosz
Armstrong Undergraduate Journal of History
This is a review of “Un-American” Hollywood: Politics and Film in the Blacklist Era, a 2007 volume edited by Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield. It argues that the American Left was involved with creating films of true significance in the Hollywood system, in the context of post-war House Un-American Activities Committee (HUAC) blacklisting. There is also an examination of the Popular Front between liberals and communists before post-war tensions drew them further apart. There is a chapter about the “new” and “old” waves of the left in the context of 1960s and 1970s American cinema. …
Superhero Films: A Fascist National Complex Or Exemplars Of Moral Virtue?, Chris Yogerst
Superhero Films: A Fascist National Complex Or Exemplars Of Moral Virtue?, Chris Yogerst
Journal of Religion & Film
This paper deals with the "why" regarding our collective desire for superhero narratives. My goal is to build on the many definitions of a superhero and find a framework that we as scholars can use to evaluate how superhero films present inspirational moral virtue and not zealous nationalism of any kind. In the process I want to address the problems with some of the scholarly work done on the connection to superheroes and heroism both historically and immediately after 9/11, particularly those who have argued that American superheroism is a fascist myth, and show how the recent evolution of the …