Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Publication
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Film and Media Studies
Afroam: A Virtual Film Production Group, Bill Taylor Jr.
Afroam: A Virtual Film Production Group, Bill Taylor Jr.
Antioch University Full-Text Dissertations & Theses
Because of the gatekeeping practices of the Hollywood film industry, and the high cost of both filmmaking and distribution in general, Afro-American filmmakers have struggled to produce films with “global reach.” This study visits the possibility of Afro-American filmmakers using alternative technologies and infrastructures to produce high-quality films, thereby bypassing the high cost and exclusionary practices of Hollywood studios. Using new 21st-century digital technology, this study involved the creation of a small geographically dispersed virtual film production team. The study’s foundational framework was a constructivist qualitative research paradigm, using Action Research, and supported by 24 months of triangulated data from …
The Underrepresentation Of African Americans And The Role Of Casting Directors, Chantal Suhling
The Underrepresentation Of African Americans And The Role Of Casting Directors, Chantal Suhling
Undergraduate Research
Films are cultural products, which reflect the existing ideologies in a culture. In the American culture the two dominant ideologies are white normativity and patriarchy. With the Oscars right around the corner, the world is anticipating this year's nominees and winners. Hopes are high that this year the Academy Award for best actor will go to someone who is diverse. If films are reconstructions of culture, then can we really expect to see change at the Oscars? Through thorough qualitative research and interviews with industry professionals, a detailed picture of the role of casting directors in the casting process for …
Tainted Glory: Truth And Fiction In Contemporary Hollywood, Patricia A. Turner
Tainted Glory: Truth And Fiction In Contemporary Hollywood, Patricia A. Turner
Trotter Review
In the earliest days of cinema, the image of the African American on screen matched the off-screen image. When a 12-minute version of Uncle Tom's Cabin (1903) was filmed, "Tom" shows were the most popular stage shows, the Stowe novel was still a top-seller, and the notion that white southerners were the real victims of the peculiar institution was gaining increasing acceptance in academic circles. When D.W. Griffith's epic and revolutionary Birth of a Nation (1915) depicted a set of stock African-American movie characters — the subservient overweight domestic servant; the indifferent, coquettish mulatto; the savage, sexually driven buck; and …