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Articles 1 - 5 of 5
Full-Text Articles in Film and Media Studies
Masculinity In American Movie-Musical Films, Christopher Sparks
Masculinity In American Movie-Musical Films, Christopher Sparks
Spring Showcase for Research and Creative Inquiry
My presentation explores the relation between American masculinity and film musicals. I demonstrate how the dominance of the musical at the box office in the middle of the 20th century reflects historical events and technological change. Drawing on both scholarly and popular criticism, I show how the images of masculinity that Americans once encountered on the silver screen have transformed as musicals became marginal to popular culture in the United States. My research considers both classic 20th century musicals, such as Wizard of Oz (1939) and 42nd Street (1933), and more recent experiments with the genre, including …
Collaborative Constructions: Designing High School History Curriculum With The Lost & Found Game Series, Owen Gottlieb, Shawn Clybor
Collaborative Constructions: Designing High School History Curriculum With The Lost & Found Game Series, Owen Gottlieb, Shawn Clybor
Articles
This chapter addresses design research and iterative curriculum design for the Lost & Found games series. The Lost & Found card-to-mobile series is set in Fustat (Old Cairo) in the twelfth century and focuses on religious laws of the period. The first two games focus on Moses Maimonides’ Mishneh Torah, a key Jewish law code. A new expansion module which was in development at the time of the fieldwork described in this article that introduces Islamic laws of the period, and a mobile prototype of the initial strategy game has been developed with support National Endowment for the Humanities. The …
Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer
Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer
CLCWeb: Comparative Literature and Culture
In her comparative study “Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon,” Reema Binghadeer considers the work of the African American poet Yusef Komunyakaa (b. 1941) and the (Arab) Iraqi poet Sinan Antoon (b. 1967) through the lens of trauma theory of some notable theorists including; Freud, Cathy Caruth, Jean Laplanche, Roger Luckhurst, and Shoshana Felman—have negotiated in this field. The article explores the literary manifestations of trauma in two distinct historical periods and geographical settings to show the specificities of each prototype and how the historical-cultural significance and textual meanings of trauma have intertwined …
Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright
Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright
Journal of Religion & Film
Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …
Celluloid Subversion: A Queer Reading Of 1980s Teen Slasher Cinema, Yates Diaz
Celluloid Subversion: A Queer Reading Of 1980s Teen Slasher Cinema, Yates Diaz
FIU Electronic Theses and Dissertations
“Celluloid Subversion” examines the slasher film genre, specifically how it came to prominence in the early 1980s at the dawn of Ronald Reagan and the New Right’s takeover of American political and social life. With its violence against women and individuals who engage in allegedly immoral acts, the genre is commonly perceived as a cinematic representation of patriarchal values writ large on screen. However, its propensity for challenging gender norms and its adherence to tropes such as that of the Final Girl – where a woman survives the killer’s carnage before defeating him – imbue it with subversively queer qualities …