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Film and Media Studies Commons™

Open Access. Powered by Scholars. Published by Universities.®

2019

Cinema

Journal

Articles 1 - 4 of 4

Full-Text Articles in Film and Media Studies

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham Nov 2019

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham

Studies in 20th & 21st Century Literature

Review of Christina Gerhardt and Sara Saljoughi, editors. 1968 and Global Cinema. Wayne State UP, 2018. 422 pp.

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Finding Fīlmfārsī: Reevaluations Of Pre-Revolutionary Iranian Cinema, William E. B. Sherman Oct 2019

Finding Fīlmfārsī: Reevaluations Of Pre-Revolutionary Iranian Cinema, William E. B. Sherman

Journal of Religion & Film

This article reviews two books: Pedram Partovi's Popular Iranian Cinema before the Revolution: Family and Nation in Filmfārsī, and Golbar Rekabtalaei, Iranian Cosmopolitanism: A Cinematic History.

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Alessandro Rocco. Gabriel García Márquez And The Cinema. Tamesis, 2014., Silvio Gaggi Jun 2019

Alessandro Rocco. Gabriel García Márquez And The Cinema. Tamesis, 2014., Silvio Gaggi

Studies in 20th & 21st Century Literature

Review of Alessandro Rocco. Gabriel García Márquez and the Cinema. Tamesis, 2014

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Seeing (As) The Eroticized And Exoticized Other In Spanish Im/Migration Cinema: A Critical Look At The (De)Criminalization Of Migrants And Impunity Of Hegemonic Perpetrators, Maureen Tobin Stanley Jun 2019

Seeing (As) The Eroticized And Exoticized Other In Spanish Im/Migration Cinema: A Critical Look At The (De)Criminalization Of Migrants And Impunity Of Hegemonic Perpetrators, Maureen Tobin Stanley

Studies in 20th & 21st Century Literature

This article examines cinematic perspective in six Spanish im/migration films to show that by resituating the identification from an alignment with that of a hegemonic character (who accepts the systematic bias that confers impunity to perpetrators) to identification with a criminalized migrant subject, these films 1) denounce systemic intersectionality that confers impunity to perpetrators and criminalizes the racialized and/or feminized other and 2) aim at fostering empathy in the hegemonically identified viewer. Parameters for the selection of the six films are: immigration to Spain, African (whether geographic or ethnic) origins, eroticization of the migrant, objectification/(ab)use/commodification/victimization of the Other, criminalization of …

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