Film and Media Studies Commons^™

W()Men, Natalia M. Keogan

Capstones

W()MEN is a short documentary that examines the horror movie genre and the way that it focuses on women’s bodies. It integrates talking head interviews, clips from over 50 horror films, and narration in order to critically examine how women’s bodies have been portrayed as monstrous within the genre.

nataliakeogan.com/thesis-film

Do It Yourself: Women And Lgbtq+ Musicians And Promoters In The Diy Midwest Music Scene, Morgan W. Matzen

Honors Thesis

In certain parts of the Midwest “DIY,” or the underground/alternative music scene, there is not enough representation of women, people of color and LGBTQ+ individuals in music, whether onstage as a band or musician, or in venue ownership and leadership. This study looks at where these diverse people are, and the setbacks they’ve faced along the way of becoming a musician, promoter or venue owner. Three emerging themes through this journalistic research include all-ages venues and music scenes as integral to getting people involved in music; a “DIY” attitude or ethos as a push for these musicians and promoters to …

Indominable, Kathleen A. Fox

CGU MFA Theses

INDOMINABLE, Kathleen A Fox

The reformation of the feminine portrait from that of idealistic sexual beauty into a portrait of strength, community, longevity, transformation, and inane human foundational essence of societal value. This collection of portraits illustrates the uniqueness that is often overlooked for the fast, idealistic and instantly read images of women hailed as beautiful. These women contain a space they have earned with their strength of character, spirit, and unwillingness to be moved from their places of significance. Created with an expressive abstractive edge to traditional portraiture, these female portraits refuse to be easily glossed over, for their …

Unveiling Identities: A Cultural Study Of The Portrayal Of Leading Women In Zhang Yimou Films, Patrick Mcguire

Dissertations

It is imperative to recognize the ongoing collaborations of filmmakers from different countries. Film director Zhang Yimou, cited in this work, has reached out beyond his Chinese borders in recruiting both cast and crew on many of his latest features. But the field of film studies appears to have limited their investigations of such cross-cultural analyses, in particular the subjective analysis of the female lead character in film. Subjective and culturally wired as such, researchers bring forth conscious observations from their socialized unconscious minds.

This textual analysis begins with a comparison of two Chinese films, particularly observing their similar female …

The Body (Re)Public: Women On/As The Landscape Of Modernity, From Zola’S Au Bonheur Des Dames To Varda’S Cléo De 5 À 7, Christine Gutman

Doctoral Dissertations

This dissertation explores the ways in which questions of gender, space and mobility intersect in a selection of fin-de-siècle French novels and 1960s French New Wave films in an effort to discern how the representational interplay of these three elements gives allegorical form to the sociopolitical anxieties of the times in which the works were produced. Using the Paris Commune of 1871 and the protests of May ’68 as anchoring points for the two periodizations underlying my inquiry, I examine how women in the novels of Emile Zola (Au Bonheur des Dames, Nana) and Villiers de L’Isle-Adam ( …

Gendered Subjectivity And Resistance: Brazilian Women’S Performance-For-Camera, 1973–1982, Gillian Sneed

Dissertations, Theses, and Capstone Projects

This dissertation considers the work of a group of women artists in Brazil during the period of the military dictatorship (1964–1985), working in the genre of “performance-for-camera” (i.e., performance for film and video, rather than for a live audience). The artists are Lygia Pape (1927–2004), Letícia Parente (1930–1991), Anna Bella Geiger (b. 1933), Sonia Andrade (b. 1935), Anna Maria Maiolino (b. 1942), and Regina Vater (b. 1943). Some of these women were friends and colleagues who collaborated with each other; all of them contributed significantly to the development of film and video art in Brazil. Their works share an impulse …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

Dead Men Walking: An Analysis Of Working-Class Masculinity In Post-2008 Hollywood Film, Ryan Schroeder

Electronic Thesis and Dissertation Repository

Working-class masculinity has lost its steam. Since 2008, a sub-genre of Hollywood films has emerged that depicts the current crisis, and imminent demise, of working-class masculinity in the United States. The 2008 financial crisis has had devastating effects on the American economy, and particularly the working-class, whose precarious economic position has only been exacerbated under neoliberalism. These effects have become the thematic focus of a fringe genre of films, which show how the destabilization of the American economy has incited greater instability in gender relations, and has had an acute impact on working-class men. This thesis proceeds by analyzing how …

Queering Black Greek-Lettered Fraternities, Masculinity And Manhood : A Queer Of Color Critique Of Institutionality In Higher Education., Antron Demel Mahoney

Electronic Theses and Dissertations

Drawing heavily on Roderick Ferguson’s (2012) theory of institutionality, this dissertation constructs a counter-historical genealogy of racialized gender in higher education and U.S. society through the formation of black Greek-lettered fraternities. Ferguson argues that with the insurgence of minority resistance globally and domestically during the mid-twentieth century, hegemonic power took a new form. Instead of rejecting minority difference, power’s new network attempted to work through and with minority difference in an effort to absorb and restrict these radical formations within state, capital and academy frameworks—producing narrow or one-dimensional minority subjectivities. Established at the turn of the twentieth century, black Greek-lettered …

Sex, Labor, And Digital Spaces: A Critical Discourse Analysis Of Gpguiadelas, A Brazilian Sex Worker Twitter Feed, Ailesha L. Ringer

Communication ETDs

This dissertation project is a critical discourse analysis of written and visual texts produced for GPGuiaDelas, a Brazilian sex worker Twitter feed. Drawing on digital labor studies, feminist studies on sex work, and Brazilian studies on race and gender, 176 Twitter conversations between sex workers and clients were analyzed in order to answer the following: (1) What are the dominant themes in the discourse about sex work constructed through microblogging on social media?; (2) What are the discursive practices of sex workers who use social media as a platform?; and (3) What theoretical insights emerge from the analysis of sex …

Everything Feels Like The Future But Us: The Posthuman Master-Slave Dynamic In Japanese Science Fiction Anime, Ryan Daly

Masters Theses

This thesis is an exploration of the relationships between humans and mechanized beings in Japanese science fiction anime. In it I will be discussing the following texts: Ergo Proxy (2006), Chobits (2002), Gunslinger Girl (2003/2004), and Mahoromatic (2001/2002). I argue that these relationships in these anime series take the form of master/slave relationships, with the humans as the masters and the mechanized beings as the slaves. In virtually every case, the mechanized beings are young females and the masters are older human males. I will argue that this dynamic serves to reinforce traditional power structures and gender dynamics in a …

Overstimulated - An Immersive, Multimedia Art Installation, Quinn Devlin

Honors Theses

This thesis provides the explanation, inspiration, research and progression of an immersive, multimedia art installation that emulates the idea of a “sexual dystopia.” It explores how our dichotomy of inadequate sex education and hypersexual, gender-based media is resulting in a dystopian sexual reality for women in particular. The work portrays a future world in which sexual and fertility technology is so advanced and accessible that real men and women no longer interact. As a result, women and objects become one in the same.

Female literary icons are over-sexualized to suggest that porn-culture is a by-product of a historical framework that …

Imaging Exploitation, Complexity, And Paradox In Subaltern Labor Photography, Mahnure Janis

Theses and Dissertations

Imaging Exploitation, Complexity, and Paradox in Subaltern Labor Photography is an expanded cinema performance examining 'cheap' labor in the fast fashion industry through a self-reflexive diasporic lens. The images and narration explores the garment factories in Bangladesh and contains ‘a photographer’s cognitive meta-data’, including ethical dilemmas while taking the images.

It's Me, Sarah, Fabiola Y. Andrade Chinchilla

University of New Orleans Theses and Dissertations

This paper describes the making of It’s Me, Sarah, a University of New Orleans thesis film. It explores the process of creating the film in three parts. Part one will examine the pre-production, including the writing and preparation for the shoot. Part two will detail the production, including the shooting affairs. Part three will cover the post-production process, which will include the editing. The document will then reference these three segments regarding the film’s theme and will conclude by evaluating whether the final film achieves its intended conception.

Final Master's Portfolio, Heather M. Stephenson

Master of Arts in English Plan II Graduate Projects

This collection examines hegemonic responses to shifting gender norms in a series of Anglo-American novels and films in the late 19th century through the late 20th century. Beginning in the Victorian era before progressing to the 1950s, 1960s, and the 1970s—with gestures to the Jacobean era and the contemporary period—each piece in this collection examines one or more text(s) as a vignette demonstrative of changing gender issues within their context. By situating each text within its historical and cultural milieu, this collection examines efforts, in different instances, to reassert long-standing gender norms throughout the ages. Not only does the collection …

Say Luv: Reimagining The Black Female Body, Jer'lisa Devezin

Art Theses and Dissertations

From hottentot venus to Cardi B, the influence of the white representation and the treatment of the black female body has shaped a culture of oppression amongst Black women, having surpassed the white community and trickled into the black community. In hip hop culture, reality television, and social media, black women are portrayed as angry and are stereotyped as ghetto and ignorant. On the music scene woman are always sexualized under the male gaze, however now that we are in the twerk era Cardi B is giving a new perspective to the representation of women in hip hop. By using …

Acting Hysterical: Analyzing The Construction, Diagnosis And Portrayal Of Historical And Modern Hysterical Women, Gillian Singer

Honors Theses

Hysterical women’s stories from the 19th and 20th centuries have all too often been ignored and furthermore, invalidated through the capitalization and spectacularization of hysterical women’s experiences. “Acting Hysterical: Analyzing the Construction, Diagnosis and Portrayal of Historical and Modern ‘Hysterical’ Women” aims to acknowledge hysterical women’s narratives by studying the visual documentation of hysterical women. Visual documentation of hysteria began with the photographing of Dr. Jean-Martin Charcot’s “hysterical” female patients and extends to modern cinematic representations from the last two decades of historical and modern hysterical women.

Medical Muses, a book based in years of research by Asti Hustvedt served …

What Do Women Want? The Feminist Pursuit Of Happiness, Hannah Ruth Ellen

Honors Theses

“What do Women Want?” My thesis asks whether women can genuinely seek freedom while also hoping for happiness. I look closely at how male theorists define happiness and liberty for themselves and for others, and in particular for feminized others. My two central chapters focus on theories of individual happiness, happiness sought through another or others, and the ways feminist thinkers reimagine happiness in relationship to women’s freedom. I apply feminist critiques to the concept of psychodynamic therapy as an anti-revolutionary tool designed to isolate and silence women into believing that coping with oppression is equivalent to genuine happiness. I …

Existentialmd.Com: Building Towards An Embodied Internet Aesthetic, Natasha Ochshorn

Dissertations, Theses, and Capstone Projects

ExistentialMD.com is a website that aims to treat the body as an emotional and social subject in an online space that is purposefully bodied and fleshy. The website contrasts original creative nonfiction essays with a formal structure that alludes to the medical website WebMD. Mimicking WebMD’s symptom checker, which asks users to locate their discomfort with increasing specificity before suggesting conditions they might be suffering from, ExistentialMD uses a similar structure to yield results that are more exploratory than diagnostic, and which envision the body as a site of experience and emotionality. Form and content combine to create an …

Women And Their Struggle To Be Considered Funny As Told Through The Study Of Female Standup Comics, Jean Kim

Dissertations, Theses, and Capstone Projects

In the history of comedy in America, women standup comics have taken a backseat to their male counterparts. Females have struggled against an inherent societal and male bias alleging that women cannot be funny. Even Sigmund Freud offered a medical explanation of this phenomenon in his 1905 book titled Jokes and their Relation to the Unconscious stating that it was physiologically impossible for women to be funny because of the way their brains were structured. In 2007, intellectual British journalist Christopher Hitchens reinforced this theory in a Vanity Fair article titled “Why Women Can’t Be Funny,” claiming that women did …

Subtle Asian Womxn, Long Tran

Global Honors Theses

My involvement with the Global Honors Program culminates with a senior capstone project for T GH 496 Experiential Learning in Global Honors. Over the course of spring quarter, I had the opportunity to produce a documentary film, under the supervision of my faculty advisor, Dr. David Coon, to fulfill the requirements to graduate with a minor in Global Engagement and earn the full distinction from the program. My film actively engages with the intersection of the historical representations of Asian womxn and their lived experiences with dating. As of Wednesday, May 1, 2019, I have been able to interview 14 …

Trans Stories, Trans Voices: How The Internet Empowers Transgender Creators To Have Agency In Trans Fiction, Pepper J. Heifner

Undergraduate Honors Theses

Although many advocates believe that the increased representation of transgender people in mainstream fiction will lead to more understanding for the transgender community, many transgender scholars (Page, Richards) are critical of representation that is created without any involvement of actual transgender people. Some fear that the more radical perspectives of trans lives are being erased and replaced with a homogenous idea of the kinds of trans people who are “acceptable” (cárdenas). To avoid this homogeneity, it is important to allow for a multiplicity of trans perspectives and empower transgender people to have agency over their own narratives.

The goal of …

İbne, Gey, Lubunya: A Queer Critique Of Lgbti+ Discourses In The New Cinema Of Turkey, Azmi Mert Erdem

Dissertations, Theses, and Capstone Projects

In my thesis, I examine the intersections between liberalism, neoliberal globalism, and LGBTI+ visibility and identity politics, through films that present “openly” non-normative sexualities through cis/transgender male, female, or non-binary characters in the new cinema of Turkey. First, I survey existing scholarship on how liberal capitalism impacts the formation of LGBTI+ subjectivities and identity politics. Furthermore, I trace how non-normative sexualities, practices, and discourses evolved along with socioeconomic and political shifts in the Turkish Republic following the Ottoman Empire. Accordingly, I review Turkey’s adoption of neoliberal ideologies in the 1980s and how these ideologies engage with its local, heterogenous gender …

Refusing White Privacy, Olivia Dunbar

Dissertations, Theses, and Capstone Projects

In “Refusing White Privacy” I look at theories in White Data and Surveillance Studies around what data is, how it is made to exist, and for whom, in order to intervene in the conceptualization of data as an inevitable residue of human life and relationship. Through this intervention, I show that the alleged crises of privacy ushered in by allegedly non-racial smart technologies (a preoccupation in WDSS) is underwritten by racializing technologies from the Antebellum era to the present.

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

The Power And Importance Of Women In Television And Film, Rachael Mackinnon

Honors Capstone Projects - All

Glazed, the pilot episode of a situation comedy series, is just beginning to explore what the world of television has in store for women in 2018. At a time like now where women across the nation are feeling the important effects of entering the Fourth Wave of feminism, there is no time like the present to celebrate the beautiful mind that is that of a woman.

For far too long, women in television have been just something to merely look at. More often than not, the crew would be comprised of mostly men: the strong-willed directors, the scandalous producers, …

Auditory Spaces And Sonic Narratives Of Gender: The Queer Phenomenology Of Sound In Girls Lost And Tangerine, Mira Vuorinen

Dissertations, Theses, and Capstone Projects

This thesis explores the phenomenological aspects of sound in the Swedish film Girls Lost (2015) and the American film Tangerine (2015), which are both stories of transgender identities. The thesis considers sound through its affective characteristics and materiality in the films; that sound has an agency in a story-telling and that sounds actively create the world and spaces the characters and the listener-viewer inhabit. By utilizing Sara Ahmed’s queer phenomenology as a theoretical lens and bringing it together with phenomenology of sound, the thesis focuses on what is in the background and usually left behind in film analysis of gender …

Rewriting Women: A Feminist Examination Of Lolita's And Pride And Prejudice's Costume And Revisionist Adaptations, Courtney A. Duchene Ms.

English Honors Papers

This project examines costume and revisionist media adaptations of Lolita and Pride and Prejudice to see how adapters have altered the texts in order to increase the agency of the female characters. It consists of four chapters: one on the 1962 and 1997 cinematic costume adaptations of Lolita; one on the 1995 BBC mini series and the 2005 film costume adaptations of Pride and Prejudice; one on the Pride and Prejudice revisionist adaptations, Bridget Jones’s Diary (2001) and the 2012-2013 Youtube series The Lizzie Bennet Diaries; and one on the revisionist film adaptations of Lolita, The Diary …

Rape Culture: Tools Of Oppression, William Wehrs

History Honors Papers

My project deals with rape culture and the tools of oppression. It looks at the history of rape culture from biblical times to the present. It then examines how schools indoctrinate people to participate in rape culture. It then moves to a backlash towards feminism from the 1970s to the present. The paper then connects said backlash to Men’s Activist Websites. Finally, my paper examines rape culture in the Media, such as the James Bond films or the video game, Super Seducer.

From Terrorism To Feminism: Live-Action Superhero Films As Reflections Of American Social Problems Post 9/11, Lindsey Poe

English MA Theses

Superheroes have always been used as tools of escapism. From their insurgence into popular culture in the 1930s, to their animation in television programs, and appearance in films in the late 1970s until now, superheroes have allowed audiences an avenue through which they could imagine an alternate, utopian reality. Through the analyses of modern superhero films, audiences are able to connect how the genre reflects larger social and political fears in the wake of such unexpected realities: fear of annihilation after the 9/11 attacks and existing in a potentially unsafe America following the election of Donald Trump. The superhero film …