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Articles 1 - 6 of 6
Full-Text Articles in Film and Media Studies
Shared Resources (Contractual Obligations), Jordan Lord
Shared Resources (Contractual Obligations), Jordan Lord
Theses and Dissertations
Shared Resources (Contractual Obligations) is a feature-length documentary that seeks to understand how various kinds of debt––emotional, historical, moral, social and financial––are entangled in my family. After my dad was fired from his job as a debt collector, my parents declared Chapter 13 bankruptcy––a 5-year debt repayment plan. The film follows my parents over the course of their bankruptcy, joining observational footage of their day-to-day lives with essayistic voiceover narration, my parents’ reactions to an early edit of the film, my family members’ and my own audio descriptions of what is visible in the film, and open captions of the …
Imaging Exploitation, Complexity, And Paradox In Subaltern Labor Photography, Mahnure Janis
Imaging Exploitation, Complexity, And Paradox In Subaltern Labor Photography, Mahnure Janis
Theses and Dissertations
Imaging Exploitation, Complexity, and Paradox in Subaltern Labor Photography is an expanded cinema performance examining 'cheap' labor in the fast fashion industry through a self-reflexive diasporic lens. The images and narration explores the garment factories in Bangladesh and contains ‘a photographer’s cognitive meta-data’, including ethical dilemmas while taking the images.
Needle And Thread, Caitlin Carvalho
Needle And Thread, Caitlin Carvalho
Theses and Dissertations
Needle and Thread is an expanded cinema performance that involves the projection of 16mm film, archival footage, video, 35mm slide projection, soundscape and liquid light projection. It explores the fibers of connection, the thread that ties together my matriarchy, utilizing the language of cinema to piece together the memories.
Humans Aren't Boxes, Art Isn't Finite, Brianne Alta Humphreys
Humans Aren't Boxes, Art Isn't Finite, Brianne Alta Humphreys
Theses and Dissertations
I am bored. All around me are systems that perpetuate repetitive, reductive, and mundane modes of living. In an attempt to counter a culture obsessed with singular ways of existence and bite-sized perfection, I utilize moving mediums of video and performance to dive head first into a vast array of sloppy sincerity. The crisp, white-washed, analytical, and restrictive is loudly replaced with the empirical, haphazard, and instinctual. My intention is to create and encourage raw, performative-based work that is as multifaceted as unbridled life itself. This alive and physical practice hosts a conglomeration of sweat, memories, heartbreaks, hymn singing, line …
Parallel Narrative: Short-Video Social Media Platforms’ Influences On Contemporary Narrative, Ruiqi Zhang
Parallel Narrative: Short-Video Social Media Platforms’ Influences On Contemporary Narrative, Ruiqi Zhang
Theses and Dissertations
Through the study of Kwai, a popular short-video social media platform in China, this thesis investigates the social issues, media class divides and aesthetics specific to Kwai culture. It further proposes a strategy of artistic practice - parallel narrative - an experiment in video art production and editing techniques that explores new possibilities of narrative in video art. Integrating theoretical research on Post-Internet art and object-oriented ontology, this thesis reveals people’s ability to digest multisource information and shows how mobile technologies and open-source materials contribute to the formation of parallel narratives.
(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner
(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner
Theses and Dissertations
(and i can’t stress this enough) in my mouth: Extradiegetic Affect as Material is a non-linear exploration into the structures of feeling that exist in relation to cinema in its role as a technology for generating subjectivity. In the development of this research, a proposal of cinema’s likeness to the ecological circulation of microplastics is drawn in order to illustrate cinema’s materiality and nearly invisible ubiquity. The notion of extradiegetic affect is outlined as a post-cinematic condition in which lived experience becomes secondary to cinematic representation and which, simultaneously, becomes directly shaped by engaging with these representations.