Film and Media Studies Commons^™

Narratives Of Canadian Identity At The Ultimate Fighting Championship, Jared V. Walters

Electronic Thesis and Dissertation Repository

The purpose of this dissertation was to examine the use of representations and symbols of Canadian identity within the event coverage produced by the Ultimate Fighting Championship Corporation, in the context of its two key events, Ultimate Fighting Championship, and Fight Night, produced in Canada. To establish the historical context in which the sport developed in Canada, a narrative historiography of the political and legal struggles that led to the legalization and increasing popularity of Mixed Martial Arts, and the UFCC’s version of the sport, in particular. This first major part of the dissertation is contained in Study 1. The …

Critiquing The New Autonomy Of Immaterial Labour: An Analysis Of Work In The Artificial Intelligence Industry, James Steinhoff

Electronic Thesis and Dissertation Repository

Karl Marx theorized capitalism as a relation between labour, capital and machines. For Marx, capital, the process of self-augmenting value appropriated from human labour, is inherently driven by competition to replace labour in production with machines. Marx goes as far as to describe machines as capital’s “most powerful weapon” for suppressing working class revolt. Marx, however, could not have predicted the computing machines – such as artificial intelligence – which now form the basis for an increasingly cybernetic capital. Since Marx’s time, many Marxist thinkers have sought to apply or update his approach to the cybernetic era. The influential post-operaismo …

The Amphibian, Melioristic Agenda For Dividuals: Tropological Oscillations Versus Tropological Settlements, Donatas Sinkunas

Electronic Thesis and Dissertation Repository

Some people often identify themselves too strongly with one particular belief system. Others, throughout their lives, travel from one belief system to another without necessarily weaving their experiences and gained bodies of knowledge in a complementary manner. This thesis discusses different frequencies and principles of this sort of settlements or oscillations. I argue that it is impossible to believe in perfectly purist ideologies that would not deviate from their putative, pre-established, holistic inner order. Through multiple literary, cinematic, and philosophical examples it is shown that people are of dividual (not individual) nature. That is to say, potentially we contain multiple …

Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan

Electronic Thesis and Dissertation Repository

Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …

Terrorism And Its Legal Aftermath: The Limits On Freedom Of Expression In Canada’S Anti-Terrorism Act & National Security Act, Percy Sherwood

FIMS Publications

This analysis aims to demonstrate how s. 83.221 in Bill C-51 is likely to violate freedom of expression guaranteed under the Charter. The first section employs the two-step Irwin Toy analysis to show that the speech offense infringes upon s. 2(b) of the Charter. The second section uses the Oakes test to determine whether the breach of freedom of expression is a reasonable limit. On whether the speech offense can be justified under s. 1 of the Charter as a reasonable limit, the legislation fails at the third and fourth step of the Oakes test. Section three of this paper …

Dead Men Walking: An Analysis Of Working-Class Masculinity In Post-2008 Hollywood Film, Ryan Schroeder

Electronic Thesis and Dissertation Repository

Working-class masculinity has lost its steam. Since 2008, a sub-genre of Hollywood films has emerged that depicts the current crisis, and imminent demise, of working-class masculinity in the United States. The 2008 financial crisis has had devastating effects on the American economy, and particularly the working-class, whose precarious economic position has only been exacerbated under neoliberalism. These effects have become the thematic focus of a fringe genre of films, which show how the destabilization of the American economy has incited greater instability in gender relations, and has had an acute impact on working-class men. This thesis proceeds by analyzing how …

Indigenous Representation In Cinema, Nathaniel Ninham

2019 Cohort

Indigenous people are underrepresented offscreen on film-sets, and misrepresented onscreen. This has always been true in cinema and progress towards proper representation has been incredibly slow.

This has effects both on Indigenous people, and how the rest of society views them. It limits career opportunities for Indigenous filmmakers, restricts Indigenous role models on film, and reinforces cultural misunderstandings in society.

Indigenous Representation In Cinema, Nathaniel Ninham

Head and Heart Posters 2019

Indigenous people are underrepresented offscreen on film-sets, and misrepresented onscreen. This has always been true in cinema and progress towards proper representation has been incredibly slow.

This has effects both on Indigenous people, and how the rest of society views them. It limits career opportunities for Indigenous filmmakers, restricts Indigenous role models on film, and reinforces cultural misunderstandings in society.

Indigenous Representation In Cinema, Nathaniel Ninham

Learning with your Head & Heart

Indigenous people are underrepresented offscreen on film-sets, and misrepresented onscreen. This has always been true in cinema and progress towards proper representation has been incredibly slow.

This has effects both on Indigenous people, and how the rest of society views them. It limits career opportunities for Indigenous filmmakers, restricts Indigenous role models on film, and reinforces cultural misunderstandings in society.

The Fear And Biopolitical Control Of The ‘Terrorist Other’, Percy Percy Sherwood

Western Research Forum

“I think Islam hates us,” Donald Trump said as a presidential candidate in a CNN interview in March 2016, conflating the religion with ‘radical Islamic terrorism.’ Trump’s statement exemplifies the prevailing fabricated enemy and resulting Islamophobia in the context of the ‘global war on terror.’ Since 9/11, powerful actors are using abstractions, ideologies, and narratives—that are usually defined along racial lines—to conjure up a fear so permeable that it serves to legitimize massive levels of violence in the name of self-righteousness. How do the racist abstractions, ideologies, and narratives that are associated with Islam and Muslims produce fear and insecurity …

Trauma, Creativity, And Bearing Witness Through Art: Marian Kołodziej's Labyrinth, Alyssa Logie

Electronic Thesis and Dissertation Repository

The mid-2000s brought rise to significant shifts in the field of trauma studies, most notably the suggestion that a survivor’s trauma can have meaning when it is shared with others through creative representation and storytelling. Despite these critical changes in the field, there is a dearth of research outside of clinical art therapy that examines the role of creativity in the processes of working through past traumas for survivors, and in the processes of bearing witness to the trauma of others.

In an effort to address these issues, I use a framework of relational psychoanalysis and feminist philosophy to explore …

'Calling Out From Some Old Familiar Shrine': Living Archivism And Age Performativity In Bob Dylan's Late Period, Matthew Lipson

Electronic Thesis and Dissertation Repository

The release of Bob Dylan’s 30^th studio album in 1997, Time Out of Mind, marked an unlikely and triumphant return to critical acclaim following years of personal and creative decline. From this point onward, Dylan would maintain a quality of output comparable to his 1960s catalogue and unprecedented among artists in the twilight of their career. The proceeding albums, from “Love and Theft” (2001) to Triplicate (2017) would present Dylan as a living archive of traditional American genres – an intersection through which rock and roll, blues, bluegrass, and vocal jazz would pass. The notion of Dylan as …

Web.Isod.Es Cel, Aman Kular

SASAH 4th Year Capstone and Other Projects: Presentations

For her CEL, Aman interned at WEB.ISOD.ES in London, Ontario, working on producing a documentary discussing the recent implementation of Basic Income by the Conservative Provincial government. Aman learned valuable research skills and communications skills while working on this project and was excited to work in politics.

Musical Artists As Entrepreneurs: Assessing Popular Artists’ Brand Partnerships, Social Media Usage, And Performance Of Identity Politics, Amara Pope

FIMULAW

Today’s popular music artists have the potential power to shape hegemonic ideologies of identity categories across multiple media and industries. This position of power is unique to modern musical artists due to recent changes in the music industry’s business model and the introduction of social media. Record sales have diminished. Labels and artists have adapted in new and creative ways with a heavier reliance on brand partnerships. I wish to fill a gap in the literature that explores how brand partnerships may affect modern musical artists’ performances of identity politics through three case studies: Drake, Post Malone, and Cardi B.

Resistant Vulnerability In The Marvel Cinematic Universe's Captain America, Kristen Allison

Electronic Thesis and Dissertation Repository

Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha …