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Full-Text Articles in Film and Media Studies
Infinity Wars: Post 9/11 Superhero Films And American Empire, Peter J. Bruno
Infinity Wars: Post 9/11 Superhero Films And American Empire, Peter J. Bruno
Dissertations, Theses, and Capstone Projects
In the last two decades, superhero films have accounted for some of the most popular and financially lucrative films of all time. This thesis analyzes some of the aesthetic and ideological dimensions of various superhero films following their post 9/11 boom. Beginning with America’s response to the events of 9/11 and a subsequent retreat into a Manichean world of good versus evil, I introduce the term “empirical reality” in order to account for the ways daily American life is shielded from the worst effects of U.S. foreign policy. On screen this manifests by perpetuating the myth of the “clean war” …
İbne, Gey, Lubunya: A Queer Critique Of Lgbti+ Discourses In The New Cinema Of Turkey, Azmi Mert Erdem
İbne, Gey, Lubunya: A Queer Critique Of Lgbti+ Discourses In The New Cinema Of Turkey, Azmi Mert Erdem
Dissertations, Theses, and Capstone Projects
In my thesis, I examine the intersections between liberalism, neoliberal globalism, and LGBTI+ visibility and identity politics, through films that present “openly” non-normative sexualities through cis/transgender male, female, or non-binary characters in the new cinema of Turkey. First, I survey existing scholarship on how liberal capitalism impacts the formation of LGBTI+ subjectivities and identity politics. Furthermore, I trace how non-normative sexualities, practices, and discourses evolved along with socioeconomic and political shifts in the Turkish Republic following the Ottoman Empire. Accordingly, I review Turkey’s adoption of neoliberal ideologies in the 1980s and how these ideologies engage with its local, heterogenous gender …
Rituals Of Remaindered Life In The Films Of Kidlat Tahimik, Alison R. Boldero
Rituals Of Remaindered Life In The Films Of Kidlat Tahimik, Alison R. Boldero
Dissertations, Theses, and Capstone Projects
Kidlat Tahimik, who achieved international renown during the Marcos regime for his film Perfumed Nightmare (Mababangong Bangungot, 1976), is relatively unknown outside of international film circles. Considered a pioneer of Third Cinema in the Philippines, a radical film movement from Latin America that has since inspired similar movements globally, Tahimik challenged cultural hegemony in a postcolonial, post-World War II Philippines through the production of imperfect films. This paper looks to three of Tahimik's films - Perfumed Nightmare, Turumba (1983), and Why is Yellow the Middle of the Rainbow? (Bakit Dilaw Ang Kulay ng Bahaghari, 1994) …