Film and Media Studies Commons^™

From Vatican Radio To Inter Mirifica And Beyond - 20th Century Popes On [Im]Media.Pdf, Jon Radwan, Dennis Mahon

CHDCM Publications

[Im]mediacy, a meaningful encounter or contact where there is no space between participants, is a central concept in understanding how 20th century Popes have learned to communicate. The 20th century was characterized by extensive growth of mass media technologies. Modern papal approaches to communication developed from an instrumental to an [im]mediate contact orientation. Where media were originally seen as important tools for sending messages, John Paul II made interpersonal contact the focal point of papal communication via his nearly continuous world tour. The tour itself is mass mediated for the world to see, and each pastoral event is an immediate …

Homebound: Sts-M1301 A Study On Television Writing In The Science Fiction Genre, Matthew Crouch

Senior Honors Theses

This project is a scene-by-scene outline of an original television pilot script in the science fiction genre. The outline is based on research conducted in both the television and science fiction fields, providing the project with a firm foundation in television screenwriting structure as well as insights into the characteristics of the science fiction genre. Additional research was carried out on the topic of developing realistic, engaging characters for the screen. This project serves to broaden the writer’s portfolio upon graduation while giving him a chance to study the world of television, which contains numerous differences from the field of …

The Justice System Is Criminal, Raven Delfina Otero-Symphony

2020 Award Winners

No abstract provided.

Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

Or a conjuncture of three moments in the dialectic of television as technical apparatus and cultural practice. In this course, we will read George Orwell’s 1984, view Michael Radford’s filmic adaptation of the novel, and consider a number of critical texts in order to think the psychological and social implications of television as an instrument of control, manipulation, and knowledge production. What, we ask, are the implications, in both 1984 and concrete experience, of light-speed communication capabilities for sense perception, consciousness, language, and awareness? In its dissemination of images and information, how does television impede and/or facilitate politics …