Film and Media Studies Commons^™

Capital's Media: The Physical Conditions Of Circulation, Atle Mikkola Kjøsen

Electronic Thesis and Dissertation Repository

The question of what constitutes media has received little attention in Marxism and where it does, the concept is an empty abstraction. While Marxists have extensively theorized the concentration of mass media ownership, and analyzed mass media content as ideology or propaganda, critical discussions of what a medium is in the capitalist mode of production have been mostly lacking. That is to say, Marxism does not have a media ontology. Media is therefore a critical gap in Marx’s political economy. This dissertation seeks to fill this gap by asking what is a medium in the capitalist mode of production?, answering …

Law And Abuse: Representations Of Intimate Partner Homicide In Law Procedural Dramas, Jaime A. Campbell

Electronic Thesis and Dissertation Repository

In the early 1970s, feminists began to raise awareness about intimate partner violence (IPV), transforming it from a private family matter into a social problem. Popular media representations of IPV, which exposed the extent and severity of the problem, played a key role in this transition. Surprisingly, however, there has been very little research on media representations of IPV or intimate partner homicide (IPH). This thesis conducts a critical discourse analysis on recent media representations of abused women who kill their abusive partners in law procedural dramas, a genre of television that both commands a wide prime-time audience and impacts …

Les Passerelles De La Réécriture: Des Transpositions De "Soundjata" Aux Autoadaptations D'Ousmane Sembène, Elhadji Moustapha Diop

Electronic Thesis and Dissertation Repository

Le présent travail porte sur une série de questions liées au transfert de formes narratives et expressives, d’un médium à un autre, d’un texte ou contexte à un autre. On suit un parcours se déclinant en deux mouvements : parti d’une discussion des théories de l’adaptation, de la réécriture, et des recherches sur la littérature orale, on en arrive à l’étude des pratiques effectives de la transposition et de l’autoadaptation. La Première Partie, « Discussions Théoriques », est consacrée à la littérature critique sur l’adaptation, y compris ses récents prolongements postmodernes et postcoloniaux. Dans la Deuxième Partie, « Études …

On The Internet By Means Of Popular Music: The Cases Of Grimes And Childish Gambino, Kristopher R. K. Ohlendorf

Electronic Thesis and Dissertation Repository

What is the internet? It began as a military research experiment, but the internet has since become a sweeping cultural phenomenon. One of the most prevalent areas of the internet’s cultural dominance is in popular music, and this thesis addresses how the internet is being understood and discussed by popular music artists. I study the works of Grimes and Childish Gambino, two popular music artists who grew up alongside the internet’s rise to cultural dominance and explicitly address this experience as an integral component of their lives and works. I look specifically at discourse surrounding Grimes’ “post-internet” music and Childish …

The Copyright Board And Tribunals Process: Users In The Balance, Louis J. D'Alton

Electronic Thesis and Dissertation Repository

The wholesale adoption of copyright collective management as public policy tool has had an extraordinary impact on the information landscape. The unfettered expansion of collective rights organizations throughout the 20^th century has resulted in increased social costs and a burgeoning bureaucracy surrounding the collective use of rights.

This thesis considers the role of copyright tribunals within that process, and more importantly within a critical historical frame. While some work has been done with respect to copyright tribunals and their role in the policy process, none of it has considered the tribunals within a critical frame. This thesis considers those …

No Hay Sólo Un Idioma, No Hay Sólo Una Voz: A Revisionist History Of Chicana/Os And Latina/Os In Punk, Richard C. Davila

Electronic Thesis and Dissertation Repository

Through a media historical analysis of Chicana/o and Latina/o participation in punk scenes in cities such as Los Angeles and Chicago, this dissertation decenters whiteness as the taken-for-granted subject position within punk and problematizes existing scholarship that assigns a unified and coherent political ideology to Latina/o punks. This work follows Fiona I.B. Ngò and Elizabeth A. Stinson’s imperative to excavate punk’s past and present in order to “rewrit[e] the idea of margin and center” within punk historiography and scholarship, and extends Mimi Thi Nguyen’s arguments against the periodization of women of color feminisms in punk as “timely but also temporary …

Digital Refuse: Canadian Garbage, Commercial Content Moderation And The Global Circulation Of Social Media’S Waste, Sarah T. Roberts

Media Studies Publications

The story of a rogue Canadian garbage barge attempting to offload illegal garbage in the Philippines opens this article on techno-trash, in order to underline both the relationships between countries of the Global North with countries of the Global South in matters of waste, as well as to reframe discussions of techno-trash as one fundamentally tied to material things. The definition of techno-trash is then expanded, to cover digital detritus created through an entirely digital set of practices I term “Commercial Content Moderation.” The attempt to offload mounds of e-waste and the similar ways in which a great deal of …

Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts

Media Studies Publications

In this chapter from the forthcoming Intersectional Internet: Race, Sex, Class and Culture Online (Noble and Tynes, Eds., 2016), I introduce both the concept of commercial content moderation (CCM) work and workers, as well as the ways in which this unseen work affects how users experience the Internet of social media and user-generated content (UGC). I tie it to issues of race and gender by describing specific cases of viral videos that transgressed norms and by providing examples from my interviews with CCM workers. The interventions of CCM workers on behalf of the platforms for which they labor directly contradict …

Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts

Media Studies Publications

This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …

In/Visibility, Sarah T. Roberts

Media Studies Publications

In online life there is a normative supposition that the information- and image-rich environment of the web and other platforms should provide unfettered access to the circulation of all types of content. Less attention is paid to what is not seen, to the invisible—be it actual content that is rescinded, altered or removed, or the opaque decision-making processes that maintain its flow. In/visibility online is central to the intertwined functions/mechanisms of user experience and platform control, further operationalized under globalized, technologically driven capitalism. A digital labour phenomenon that is both responsible for it and relies upon it: is …

Display-Through-Foregrounding By Photojournalists As Self-Reflexivity In Photojournalism: Two Case Studies Of Accidental Peace Photojournalism, Saumava Mitra

FIMS Publications

This article explores media self-reflexivity as understood within Peace Journalism (PJ) in the case of photojournalists and photojournalism. Carrying forward the discussion started by Allan (2011) for research into ‘peace photography’ to be extended to ‘tacit, unspoken rules’ underlying photojournalistic images, the article shows, through two examples of mainstream news images, how photojournalists can and may break from diktats of ‘news values’ to advertently or inadvertently critique the myths of the very practice they function within. Such self-reflexive, synecdochic images which display media’s own role in covering conflict are examples from which PJ can take lessons for a new visual …

Heroes For The Helpless: A Critical Discourse Analysis Of Canadian National Print Media’S Coverage Of The Food Insecurity Crisis In Nunavut, Bradley Hiebert, Elaine Power

FIMS Publications

In northern Canada, the Inuit’s transition from a culturally traditional to a Western diet has been accompanied by chronic poverty and provoked high levels of food insecurity, resulting in numerous negative health outcomes. This study examines national coverage of Nunavut food insecurity as presented in two of Canada’s most widely read newspapers: The Globe and Mail (GM) and the National Post (NP). A critical discourse analysis (CDA) was employed to analyze 24 articles, 19 from GM and 5 from NP. Analysis suggests national print media propagates the Inuit’s position as The Other by selectively reporting on social issues such as …

Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott

FIMS Publications

Noting the resurgence of popular and academic interest in epics across disparate media, this essay proposes a theory of the epic genre that transcends particular media and cultures. It seeks to reconcile discussions of the epic in Aristotle, G.W.F. Hegel, Georg Lukács, Mikhail Bakhtin, Erich Auerbach, and Northrop Frye, arguing that traditional definitions of epic narrative are instead subsets of a greater generic structure. The epic is, following Gregory Nagy and Franco Moretti, among others, a literary “super-genre” that encompasses as many other kinds of narrative as possible. The essay explains how epic narrative, disembedded from earlier oral poetry, is …