Film and Media Studies Commons^™

Whatever Happened To The Movie Theme Song?, Luka Vasic

Capstones

Film music is as important as it’s ever been and a good theme song can absorb you into the world of a movie. Despite this, our idea of the theme song has changed a lot, and the kinds of themes that have traditionally been memorable parts of classic cinema have now lost their importance and role in modern filmmaking.

http://lukavasic.com/capstone/

5 Or 6 Amphibians: An Animated Short Film, Nicholas Lockwood

Honors Theses

My art project, “5 or 6 Amphibians”, explores a feeling I have had at Union - that of being split between too many things. It is six minutes of rotoscoped animation, presented on an array of nine screens. It is the culmination of my interest in time-based art, especially film and animation, as well as construction and technical knowledge.

Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics, Russell Hendrickson

Senior Theses

The theory of virtue ethics implies that filmmakers have a moral obligation to explore political themes within superhero films. My thesis is comprised of four main sections. I begin by discussing the general theory of virtue ethics and what moral obligations are placed upon someone who subscribes to this moral theory. From there, I establish my argument for why film can be used as a tool of moral education, and I outline a framework for how artists can work to cultivate virtue in themselves through the use of Arnold Berleant’s Artists and Morality: Toward an Ethics of Art as a …

It's Me, Sarah, Fabiola Y. Andrade Chinchilla

University of New Orleans Theses and Dissertations

This paper describes the making of It’s Me, Sarah, a University of New Orleans thesis film. It explores the process of creating the film in three parts. Part one will examine the pre-production, including the writing and preparation for the shoot. Part two will detail the production, including the shooting affairs. Part three will cover the post-production process, which will include the editing. The document will then reference these three segments regarding the film’s theme and will conclude by evaluating whether the final film achieves its intended conception.

Timelocked: A Thesis, Emmett J. Crockett Iii

University of New Orleans Theses and Dissertations

Abstract

The goal of this paper is to provide insight into the development and execution of the short film, Timelocked. I will focus on the complete process of the film’s creation, from the first inspiration of the idea through its planning, its production and, finally, its use beyond submission to my thesis committee for consideration. The most significant challenge for this project was remaining true to the story’s genre, tone, and theme throughout each iteration of its development. Therefore, the structure of the paper will serve to describe the entire process with respect to the preservation of these three …

Past The Darkness, Kathleen M. Vieira

University of New Orleans Theses and Dissertations

This paper will discuss the making of my thesis film, Past the Darkness. I will describe the entire process including story conception, film production, and post-production stages. I will also evaluate the merits, flaws, and outcome of this project.

Inflicted Viewing: Examining Moral Masochism, Empathy, And The Frustration Of Trauma Cinema, Kira Smith

Film and Media Studies (MA) Theses

The contemporary turn of psychoanalytic film analysis has opened a new mode of understanding cinematic language. However, rejecting classical psychoanalysis would be premature. This thesis will place the two in conjunction, specifically through Sigmund Freud’s conceptualization of moral masochism and Wilfred Bion’s theory of thinking. Through four films: Una, The Tale, The Tribe, and Son of Saul I explore the affective nature of films that depict trauma and why one would gravitate towards such upsetting material. The spectator who seeks to be frustrated is not looking to harm oneself but to process this frustration in order to expand their …

To Listen: Semiotics, Deaf Representation, And A Silent Voice, Kristen Stedman

Senior Capstone Theses

A Silent Voice, a Japanese film released in 2016, serves as an example of how deaf communities in media can be more accurately portrayed.

Semiotics, the study of how we assign and derive meaning from language, images, and cultural phenomenon, often overlaps with film analysis and representational studies. These three fields are inherently interrelated in the power of film in conveying messages about an issue, location, or group to a wide audience. Too often, inaccurate portrayals of minority groups in film lead these groups to be simplified culturally, fostering misunderstanding and conflict between groups. Just one group that is …

Needle And Thread, Caitlin Carvalho

Theses and Dissertations

Needle and Thread is an expanded cinema performance that involves the projection of 16mm film, archival footage, video, 35mm slide projection, soundscape and liquid light projection. It explores the fibers of connection, the thread that ties together my matriarchy, utilizing the language of cinema to piece together the memories.

Without A Scratch, Samantha Farinella

Theses and Dissertations

Without a Scratch is a short form personal essay film that explores the themes of fear, loss, love, hope and renewal as it relates to my brain tumor diagnosis spanning from the initial symptoms through my recovery.

Duik Bassel In Usage In After Effects And An Animated Short Film, Kennedy L. Galpin

Undergraduate Honors Theses

This thesis was made with the goal of creating a 2D short film in the end, with mainly using a program that is not normally used for character animation: Adobe After Effects. With the usage of an originally French plugin called DuIK Bassel (v16.0.9), I was able to create a model in Adobe Photoshop and then put it into After Effects. When the files were imported, the plugin would then assist in the rigging process, wherein I would be able to create the character’s rig and make the 2D model within the program. This document discusses the entire creation of …

İbne, Gey, Lubunya: A Queer Critique Of Lgbti+ Discourses In The New Cinema Of Turkey, Azmi Mert Erdem

Dissertations, Theses, and Capstone Projects

In my thesis, I examine the intersections between liberalism, neoliberal globalism, and LGBTI+ visibility and identity politics, through films that present “openly” non-normative sexualities through cis/transgender male, female, or non-binary characters in the new cinema of Turkey. First, I survey existing scholarship on how liberal capitalism impacts the formation of LGBTI+ subjectivities and identity politics. Furthermore, I trace how non-normative sexualities, practices, and discourses evolved along with socioeconomic and political shifts in the Turkish Republic following the Ottoman Empire. Accordingly, I review Turkey’s adoption of neoliberal ideologies in the 1980s and how these ideologies engage with its local, heterogenous gender …

Acting Hysterical: Analyzing The Construction, Diagnosis And Portrayal Of Historical And Modern Hysterical Women, Gillian Singer

Honors Theses

Hysterical women’s stories from the 19th and 20th centuries have all too often been ignored and furthermore, invalidated through the capitalization and spectacularization of hysterical women’s experiences. “Acting Hysterical: Analyzing the Construction, Diagnosis and Portrayal of Historical and Modern ‘Hysterical’ Women” aims to acknowledge hysterical women’s narratives by studying the visual documentation of hysterical women. Visual documentation of hysteria began with the photographing of Dr. Jean-Martin Charcot’s “hysterical” female patients and extends to modern cinematic representations from the last two decades of historical and modern hysterical women.

Medical Muses, a book based in years of research by Asti Hustvedt served …

Production Design In The Film And Television Space: An Analysis, Kaitlyn N. Ryan, Charles Howard

Honors Thesis

Due to the differences between film and television production, the methodologies for doing production design in film and television are necessarily different, as both can fall victim to a number of disparate constraints and limitations that affect the art department. However, a large part of the difference also comes down to the individual designer, as well as the intentions of the film or TV show. To further explain this conclusion, I will give a brief overview of the history and general methodology of production design as a whole. I will then dive into my research on the subject, which includes …

Hispanic Stereotypes In Contemporary Film, Emily M. Pressler

Honors College Theses

Stereotypes are present even in the most popular films. Groups of people are often misrepresented in a way that is entertaining, but not necessarily truthful, causing viewers to have a narrow, often incorrect, view of a particular culture or people. This research serves as an analysis of selected contemporary American films that feature a Hispanic character or cultural element. My aim is twofold: first, to shed light on the stereotypes surrounding Hispanics and the excessive appearance of these stereotypical representations in popular U.S. films, and second, to promote open-mindedness by educating others on the cultural diversity of Spanish speakers, especially …

Anti-Fascist Aesthetics From Weimar To Moma: Siegfried Kracauer & The Promise Of Abstraction For Critical Theory, Maxximilian Seijo

USF Tampa Graduate Theses and Dissertations

This thesis re-examines the life's work of German-American critical theorist, Siegfried Kracauer, to recover abstraction from tacit historical associations with modern fascism. Evoked in critical theory more generally, the abstraction-to-fascism-teleology imagines 20th century fascism as the dialectical fulfillment of modern alienation. Rooting such alienation in the flawed Liberal and Marxist conceptions of monetary relations, critical theorists conduct their aesthetic analyses via ambivalent condemnations of abstraction’s assumed primordial alienation. In the thesis, I critique the abstraction-to-fascism-teleology through an affirmation of neochartalist political economy’s conception of money’s essential publicness and abundance. Drawing from this abstract legal mediation, I trace Kracauer’s various condemnations …

Black Feminist Articulations Of Race & Gender Within The Horror Film Genre, Katherine M. Ortiz

Honors Undergraduate Theses

The intent of this paper is to explore a black feminist perspective within the film horror genre. A black feminist perspective investigates how black women are portrayed within cinematic horror. It serves as a method to further articulate the particularities of race & gender within cinema. If we leave the cinematic space without a structural model of intervention, then we are left with film that remains unchallenged for ostracizing black women. The paper argues that black women become articulated through themes of motherhood, death, and sexuality.

(Gardesh) گردش, Peymaan Motevalli-Aliabadi

Senior Projects Spring 2019

Senior Project submitted to The Division of Arts of Bard College.

Muse, Bettina L. Campomanes

Senior Projects Spring 2019

Senior Project submitted to The Division of Arts of Bard College.

Artist’s Satement:

Bettina Campomanes is a Filmmaker and Music Producer specializing in online content creation and short form narrative film. Her films and music videos have garnered viral success and have earned multiple festival selections for categories such as best student director, best short, and best music video. As an electronic producer, she performs under the stage name “Valiant Vermin” and continues to mix or produce for other musical acts.

Muse is a short film about a writer who is unable to live in the present when his authorial …

A Mellow Night For Memories, Angelo Ilya Raphael Chammah

Senior Projects Fall 2019

Senior Project submitted to The Division of Arts of Bard College.

Damn Spot: Navigating Emotional Trauma In The Body, Emma M. Elliott

Scripps Senior Theses

I researched the history of emotional trauma and its portrayal in modern media and Shakespearean plays and created a film based on my personal experience with the topic. This film utilizes Shakespearean song and monologue from Hamlet and Macbeth to narrate the inner journey of a girl working through emotional trauma. We follow her as she feels the impact of her trauma in her body and as she tries to hide it from her friends and maintain a normal facade. This film does contain a fictionalized portrayal of an anxiety attack, so viewer discretion is advised. This project does not …

Cultivating Transmedia Storytelling: Real World Perceptions Derived From Popular Media, Tabitha Lynn Cassidy

Wayne State University Dissertations

With continued interest in media convergence, transmedia storytelling is as prevalent to communication studies as ever. However, research into the effects of transmedia storytelling remains scarce. Looking at the difference between heavy and light viewers, cultivation theory purports that those who more frequently view violent programming on television are more likely to think the world is a violent place. As of writing, such effects have not yet been extended to transmedia storytelling. This dissertation fills in those gaps in research by examining the cultivation effects of transmedia storytelling usage on participants. First, the main themes or messages of content within …

Constructing Memory In The Wake Of Tragedy: An Analysis Of Film As A Tool Of Collective Memory In The Aftermath Of The Dictatorships In Argentina And Chile, Megan C. Schneider

CMC Senior Theses

Acting as an audiovisual vector of catharsis, film has proved an innovative and effective tool in the process of reconstructing collective memory in the aftermath of traumatic events. This thesis focuses on the emergence of filmmakers and their movies in the post-dictatorial periods in Argentina and Chile as both nations sought to confront their violent pasts. A general overview of the process of memory construction is included to provide background for the subsequent analysis of film as a vector of collective memory following trauma. An examination and comparison of various films produced for both domestic and international audiences detail each …

Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta

Scripps Senior Theses

This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally.

The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals …

Depictions Of Genetic Research In Film Across Film Genres, Jennifer Lund

Undergraduate Honors Theses

When people do not have personal experience to draw on, the experiences of characters in film can serve in the mind as a substitute. This research sought to determine what kind of impression films depicting genetics research leave on the audience. These genres were romance (Code 46, 2004), horror (Splice, 2009), thriller (Children of Men, 2006), and drama (Gattaca, 1997). Scenes from the films were analyzed to determine their likely effect on the audience perception of genetics. The researcher hypothesized that the drama and romance films would portray genetics research as neutral, but the science …