Film and Media Studies Commons^™

First Comes Love, Then Comes Disparage: How The Production Code Impacted Women’S Roles In Romantic Comedies, Emma Hoback

Honors Projects

Through the analysis of twelve films, I looked to see how the creation and dissolving of the Motion Picture Production Code impacted women’s representation on screen. I looked at six films from the pre-Code era of film (1930-1934) and six films from the newly defined post-Code period (1968-1972). In this paper, I break down the Production Code itself and conduct genre research. The romantic comedy sub-genre was selected for this project. The romantic comedy creates a space for women to have leading roles and have comedy make fun of or reinforce gendered stereotypes. This paper looks at how women went …

"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin

Honors Projects

The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …

Embodiment And Gendered Subjectivity In Ukrainian Women’S Film, Poetry, And Prose During Perestroika (1985-1991), Sandra J. Russell

Doctoral Dissertations

In this dissertation, I look to Ukrainian women’s literary and filmic contributions in the final Soviet years of perestroika to recontextualize and reconsider feminist and gendered epistemologies in Eastern Europe. I view the last Soviet Ukrainian filmmakers, writers, and artists as groundbreaking in their conceptualization a new, more “liberal” vision of nation, especially through their increasingly open and subversive critiques of the Soviet state. I locate perestroika as a powerful moment in Ukraine’s histories of resistance to the weaponization of colonialist and imperialist mythologies, past and present. For women in particular, the stakes of this shifting articulation of nation became …

Freestyle's Forsaken, Sage D. Rivera

Theses and Dissertations

Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.

She Speaks Spanglish, A Podcast Series, Kate Fernanda Becerra

Humanities and Cultural Studies | Senior Theses

This is a podcast series about the immigrant experience in the United States. The series discusses immigration with a focus on women, at different stages of life and their involvement with the daunting transition into a different country and culture. The show will focus on one family, their close friends, and communities. It will also explore feminist themes through the lived experience of the people interviewed. Those who were interviewed have ties to central Mexico (Zacatecas, Jalisco, Michoacan) and Northern California. The Podcast host shares this experience and does one episode based entirely on her perspective as a daughter of …

“I Save Me”: Gender, Agency, And Power In Better Call Saul, Stephanie Kocer

All Graduate Theses, Dissertations, and Other Capstone Projects

Historically, women on television have been portrayed in wife and mother roles, making them a foil to their husbands, but never the main focal point of the show. These characters stay on the sidelines, without being given truly original storylines where they are allowed to drive their own narratives. During the first season of Better Call Saul, Kim Wexler is a supporting character, without any storylines that aren’t linked to Jimmy McGill. Jimmy often treats Kim as a damsel in distress. He thinks it’s his job to save her, and usually from the chaos that he’s created. In this thesis …

Media’S Portrayal Of Women And Its Impact On Body Image And Self-Esteem, Hannah Bareis

Marketing Undergraduate Honors Theses

This project addresses the portrayal of women in media and its damaging effects on body image and self-esteem. It raises two critical questions: What negative impact is media creating on women? What can be done to combat these destructive effects?

According to a study done by Common Sense Media, "American teens use an average of 9 hours of media daily, not including for school and homework" (Common Sense Media, 2015). This data, along with many others, shows the severity of media exposure to teens. This has brought a valuable discussion to the table. How has this impacted female body image, …

Acting Hysterical: Analyzing The Construction, Diagnosis And Portrayal Of Historical And Modern Hysterical Women, Gillian Singer

Honors Theses

Hysterical women’s stories from the 19th and 20th centuries have all too often been ignored and furthermore, invalidated through the capitalization and spectacularization of hysterical women’s experiences. “Acting Hysterical: Analyzing the Construction, Diagnosis and Portrayal of Historical and Modern ‘Hysterical’ Women” aims to acknowledge hysterical women’s narratives by studying the visual documentation of hysterical women. Visual documentation of hysteria began with the photographing of Dr. Jean-Martin Charcot’s “hysterical” female patients and extends to modern cinematic representations from the last two decades of historical and modern hysterical women.

Medical Muses, a book based in years of research by Asti Hustvedt served …

Women, Blood, And Dreams: Gender, Dream Spaces, And Monstrosities In A Nightmare On Elm Street And Bloodborne, Amber Appleby

Theses and Dissertations from 2018

Video games exploded in popularity in the 80s and have been a staple in many people’s lives since. Because video games are popular and different, critics tend to ignore them beyond simple analysis like the sexist portrayal of women. Video games, like films, can be read and analyzed using different methods of theory. This is evident in the similarities in Wes Craven’s A Nightmare on Elm Street and FromSoftware’s Bloodborne. Both media feature overtly gendered imagery and spaces, the monstrousness of women, the blurring of dreams and reality, and Gothic elements that tie them together. Though Bloodborne also manages to …

Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin

Doctoral Dissertations

This dissertation studies the representation of madness in the literary works of three twentieth-century authors, namely, João Guimarães Rosa (from Brazil), Silvina Ocampo (from Argentina), and Luis Martín-Santos (from Spain). The first chapter argues that madness in Ocampo’s “El castigo”, Rosa’s “Buriti”, and Martín-Santos, Tiempo de silencio, reveals a series of conflicts between tradition and modernity, rather than the alleged symptoms of an individual suffering from a mental illness. After comparing the three works, it is evident that the decisions of their characters reproduce certain values idealized by authoritarian cultures. The second chapter discusses Rosa’s “Substância”, Ocampo’s “La casa …

L' Obscurite' Manifestee (A Manifested Obscurity), Roswald Morales

Honors Theses

There are three directors that have revolutionized the world of French cinema by bringing to the forefront topics that make its audiences uncomfortable. Abdellatif Kechiche, director of the film Black Venus (2010), Ousmane Sembène, director of the film Black Girl (1966), and Céline Sciamma, director of the film Girlhood (2014) have become renowned for discussing the portrayal of black women in French society. This is a topic at hand that reveals the devastating truth behind French society in regarding black women during various eras. Black Venus narrates the life of an African woman during the slavery period in Europe. Black …

Heard Or Dreamed About, Priya Nadkarni

Masters Theses

ABSTRACT

HEARD OR DREAMED ABOUT

MAY 2014

PRIYA NADKARNI, B.F.A. RUTGERS UNIVERSITY

M.F.A. UNIVERSITY OF MASSACHUSETTS AMHERST

Directed by: Professor Shona Macdonald

Who's Laughing Now? From Lovable Lucy To Top-Of-The-Rock Tina: How Women In Comedy Changed From 1950-2014, Caroline Hershey

Honors Theses

This thesis discusses the evolutionary progression of women in comedy from the 1950s to the present day. By looking at the stand-out female comedians and entertainers from each generation, the change from Lucille Ball in I Love Lucy to Carol Burnett as host of The Carol Burnett Show, to Tina Fey and the multitalented new group of women in comedy. By examining the cultural and political climate of the time and how it influenced the unique style of comedy associated with each individual, a clear progression emerges. I would like to present my chapter on Tina Fey to highlight how …

A Leg Up For Women? Stereotypes Of Female Sexuality In American Culture Through An Analysis Of Iconic Film Stills Of Women’S Legs, Lauren E. Smith

Senior Theses and Projects

No abstract provided.

Women And Video Games: Pigeonholing The Past, Allison Perry

Scripps Senior Theses

Academic work dealing with the overlap between video games and female representation is limited in both volume and proper research. Most texts agree on three supposed flaws with video games: they alienate female participants, there are no games for female players, and female players cannot relate to female characters. This thesis sheds light on these points, not only citing specific counter-examples, but also showing how many of these issues reflect on a larger societal problems.

Shaping Identity: Male And Female Interactions In Cinema, Jonette Lauren Lagamba

USF Tampa Graduate Theses and Dissertations

ABSTRACT

Since the inception of cinema, women have been portrayed with the typical identities of emotionally and physically weak characters; this portrayal led to their subsequent dependence on men. Men were usually the protagonists and/or the heroes, following their archetypal journey. Thus, women's position in early cinema was to exemplify what men were not, placing the former in the diminutive position of the Other. One may conclude that men were often defined by what women lacked, and the women were defined by their relationships with these heroic men. As time progressed in the history of cinema, women's images retained part …

"Only A Girl Like This Can Know What's Happened To You" : Traumatic Subjects In Contemporary American Narratives, Allison Virginia Craig

Legacy Theses & Dissertations (2009 - 2024)

This project is primarily concerned with the difficulty of representing traumatic experience and the problem of seeing violence and exploitation as natural and inevitable functions of social life. It argues that texts attempting to expose exploitive hierarchies and structural injustices often risk having their stories subsumed and commodified by the profuseness and proliferation of countervailing messages about individual choice and personal freedom. This struggle is highlighted through historicizing five contemporary American narratives--Margaret Atwood's Bodily Harm, the films Boys Don't Cry and Monster, Toni Morrison's Beloved, and Linda Hogan's Solar Storms--with and against critical concerns and popular texts. Furthermore, by employing …