Film and Media Studies Commons^™

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …

Fractured Selves, Gearoid Dolan

Theses and Dissertations

Fractured Selves is a self-portrait that examines the histories and points of conflation and diversion of my four public personas. In the style of a Zoom meeting, they chat with a host against animated backgrounds. Interactivity creates non-linear consuming of the content and user directed navigation through four timelines

The Invisible Professional: Visual Culture Of Successful Black Women, Sophonie Gaspard

All HCAS Student Capstones, Theses, and Dissertations

Black women in the United States have been arguably the most underrepresented, stereotyped, and hypersexualized groups in society; their contributions in the workplace often reduced in significance. Similarly, the perceived values of the white majority have historically dictated the images of minorities in the media. In their research on visual culture, Keifer-Boyd, Amburgy & Knight (2007) suggest that those with social, political, and economic power define how groups without power are represented and stereotyped, illuminating the privileges of having visible positive portrayals. As contemporary American society shifts towards greater inclusion and participation from black women, the media is encouraged to …

Night Of The Witch: Alternative Spirituality, Identity And Media, Andreana Tarleton

LSU Master's Theses

This thesis works to understand the relationships witches and conjurors have with the film and television depictions of them. Employing the method of film critique, I argue that the witch stands as a cultural symbol in the US of women and femmes with power, and that their stories serve as lessons to these populations about what it means to be an acceptable woman or femme, while simultaneously creating and perpetuating stereotypes of magic practitioners. Then, using the combination of hashtag ethnography, in-person and video interviewing and internet surveys, I argue that #witchblr and #witchesofcolor, as well as the space of …

Shopping For Vibrators With My Abuela… #Space #Representation And #Latinidad In @Janethevirgin, Maria Guarino

Masters Theses

Jane the Virgin debuted on the CW in 2014 at a time when anti-immigrant, particularly anti-Mexican and anti-Latinx, sentiment in the U.S. felt very prevalent. This TV show was the latest to offer representations of Latin@s at the forefront and advanced a distinct political stance on immigration by calling for #immigrationreform. The series has not only been a ratings hit amongst the Latinx community, but has garnered wide acclaim from other races, ethnicities, and gender identities across the United States. This thesis explores the representation of the character of Alba (Ivonne Coll), through an investigation of the various physical and …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

Les Réalisatrices Et Le « Regard Masculin » Dans Le Cinéma Francophone, Arianna Kosakowski

Honors Theses

This thesis focuses on how the male gaze is confronted in French and Francophone cinema, particularly in the films of the female directors Celine Sciamma, Euzhan Palcy and Claire Denis. The male gaze is a look in cinema in which women are regarded generally as sexual objects. The male gaze renders women mostly relevant only to fulfill male sexual desires, and thus as weak or background characters with little to contribute to moving the narrative action along. All six films by the female directors analyzed in this thesis, however--Bande de filles and Tomboy (Sciamma), Rue case-nègres and A Dry …

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

The Emergence Of The Feminist Fatale In American Film Noir, Anne Dennon

All Master's Theses

The femme fatale, a quasi-eternal figure of female transgression and retributory violence, has gradually entered popular culture’s symbolic lexicon as representative of mainstream feminism and postmodern femininity. Tracing the development of the femme fatale into a feminist pop culture icon necessitates establishing her sociopolitical status in the late modern era through her presence in Victorian sensational literature. The femme’s translation from the Victorian context to the American mediascape presages her evolving presence in three cinematic eras: classic film noir, neo-conservative retro noir, and millennial neo-noir. Feminist film criticism tends to identify the femme fatale as a protofeminist, a productive transgressor …

Part Of This World: A Personal Exploration Of Media And Queer Identity, Emilee Harrison

Dissertations, Masters Theses, Capstones, and Culminating Projects

This paper is a mix of research and personal narrative exploring the impact of television, film, and online media on identity formation. I look specifically at my own identity as a queer person and how it has been shaped by what I have seen and experienced as a young queer and as an educator. Topics discussed include homophobia in the classroom and workplace, the impact of social media on youth development and identity formation, and our changing culture as queer visibility increases. This piece is primarily a personal reflection that runs from early childhood to adulthood. It addresses social interactions …

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …

Acting The Part: How Audience Problematizes Butlerian Performativity In The Films Of Darren Aronofsky Kathryn Bigelow And Lars Van Trier, Ryan Semerad

Honors Theses

Feminist and gender studies critics laud Judith Butler’s theory of the performative construction of identity because of its capacity to liberate gender from the biological essentialism entailed by previous identity theories. In this thesis, I show how six twenty-first century films demonstrate the importance and problematic nature of ‘audience’ in the performative construction of identity. Each film employs a dialectic model between their protagonists and the reception they receive from diegetic audiences within the film to describe performativity. Black Swan (2010) and The Wrestler (2008) demonstrate how performative identities require an audience to legitimize them. Antichrist (2009) and The Hurt …

Shaping Identity: Male And Female Interactions In Cinema, Jonette Lauren Lagamba

USF Tampa Graduate Theses and Dissertations

ABSTRACT

Since the inception of cinema, women have been portrayed with the typical identities of emotionally and physically weak characters; this portrayal led to their subsequent dependence on men. Men were usually the protagonists and/or the heroes, following their archetypal journey. Thus, women's position in early cinema was to exemplify what men were not, placing the former in the diminutive position of the Other. One may conclude that men were often defined by what women lacked, and the women were defined by their relationships with these heroic men. As time progressed in the history of cinema, women's images retained part …