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What Do Women Want? The Feminist Pursuit Of Happiness, Hannah Ruth Ellen May 2019

What Do Women Want? The Feminist Pursuit Of Happiness, Hannah Ruth Ellen

Honors Theses

“What do Women Want?” My thesis asks whether women can genuinely seek freedom while also hoping for happiness. I look closely at how male theorists define happiness and liberty for themselves and for others, and in particular for feminized others. My two central chapters focus on theories of individual happiness, happiness sought through another or others, and the ways feminist thinkers reimagine happiness in relationship to women’s freedom. I apply feminist critiques to the concept of psychodynamic therapy as an anti-revolutionary tool designed to isolate and silence women into believing that coping with oppression is equivalent to genuine happiness. I …


American Popular Culture, Politics, And Comedy: How Saturday Nigh Live Delivers The "News", Jillian Callanan Jun 2016

American Popular Culture, Politics, And Comedy: How Saturday Nigh Live Delivers The "News", Jillian Callanan

Honors Theses

Saturday Night Live has delved into the realm of politics throughout its forty-one seasons as a means of generating humor through satirical and parodical representations of politicians. This thesis explores Saturday Night Live during election years in particular, when the show generates a great deal of its content from the surrounding political atmosphere to comment on the issues at hand in a way that most often contrasts the style of reporting done by traditional hard news programs. The increasing role of entertainment in news delivery sheds light on the blurred lines between news and entertainment news, and this thesis will …


A Critical Study Of The African-American Comedic Tradition, Allison Longo Jun 2016

A Critical Study Of The African-American Comedic Tradition, Allison Longo

Honors Theses

This thesis examines the changes in African-American comedy during the 1980s. In exploring the changes during this decade, specific attention is paid to Eddie Murphy, who achieved incredible success beginning with his 1980 entrance on Saturday Night Live. In a relatively short period of time, Murphy was able to ascend to a level of cultural significance that far dwarfed that reached by any of the African American comedians who had preceded him. Through a comprehensive presentation of the historical development of African American humor, the following thesis challenges the consensus critical assumption that Murphy both consciously forewent opportunities to be …


Who's Laughing Now? From Lovable Lucy To Top-Of-The-Rock Tina: How Women In Comedy Changed From 1950-2014, Caroline Hershey Jun 2014

Who's Laughing Now? From Lovable Lucy To Top-Of-The-Rock Tina: How Women In Comedy Changed From 1950-2014, Caroline Hershey

Honors Theses

This thesis discusses the evolutionary progression of women in comedy from the 1950s to the present day. By looking at the stand-out female comedians and entertainers from each generation, the change from Lucille Ball in I Love Lucy to Carol Burnett as host of The Carol Burnett Show, to Tina Fey and the multitalented new group of women in comedy. By examining the cultural and political climate of the time and how it influenced the unique style of comedy associated with each individual, a clear progression emerges. I would like to present my chapter on Tina Fey to highlight how …


Going To The Movies The Origins Of The American Cultural Experience, Phoebe Cooper Jun 2013

Going To The Movies The Origins Of The American Cultural Experience, Phoebe Cooper

Honors Theses

My thesis examines the cultural formation of the social experience of “going to the movies.” There is no doubt of a unique quality associated with going to the movies that holds a significant place in America’s cultural history. It is quite difficult to imagine life without movies. Their visually stimulating effects successfully captivate our minds and allow for a short period of solace from reality. Furthermore, there is something magical at work in the social tradition of going to the movies where the idea of sitting in a dark auditorium filled with strangers all sharing the same viewing experience. This …


Robots Are People Too: Posthumanism In Battlestar Galactica, Rebecca Seel Jun 2011

Robots Are People Too: Posthumanism In Battlestar Galactica, Rebecca Seel

Honors Theses

The science fiction television series Battlestar Galactica explores the differences between human and machine and the nature of identity. It expresses both our fascination with machines and our technophobia. In a society of explosive technological advances come technological anxieties. What will happen when we create life? As BSG posits, with autonomous machines come destruction and a new race of people who, not unlike us, are trying to define who they are. As the series progresses, an overarching question emerges: what is a "person"? Is personage determined by biology or by decision? Can machines have souls? This thesis approaches BSG through …