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Full-Text Articles in Film and Media Studies

Icons As Ideology: A Media Construction, Judith (Judie) Cross Dec 2005

Icons As Ideology: A Media Construction, Judith (Judie) Cross

Judith (Judie) L Cross

Despite mass-produce images being predominantly two dimensional, readers usually perceive them three dimensionally. The direction, position and movement of visual elements, such as gaze, within image texts cue this perception, signifying particular relations within space-time. Readers often interpret these relations subconsciously, or at least without serious reflection on how particular image relations affect modality and meaning. Kress and van Leeuwen (1990, 1996) have initiated many readers of images into the significance of four directions in physical space, but the following paper focuses on the significance of the other two: background/foreground or in/out. I analyse a specific genre of visual text, …


Between The Sun And Japan: An Inter-National Ethics Of Cinema / 『太陽』と日本のあいだ 映画におけるインターナショナルな倫理, Aaron Gerow Dec 2005

Between The Sun And Japan: An Inter-National Ethics Of Cinema / 『太陽』と日本のあいだ 映画におけるインターナショナルな倫理, Aaron Gerow

Aaron Gerow

This article considers how Alexandr Sokurov’s film The Sun (Solntse, 2005) approaches the problem of representing the nation by foregrounding the issue of the ethics of representing a foreign country—in this case, the Shōwa emperor Hirohito. This becomes a cinematic problem because of the way the Japanese emperor, in films ranging from The Last Samurai to The Emperor, the Empress, and the Sino-Japanese War, has often been treated as an object or subject of the gaze. Focusing on the mismatched gazes in the film, this article finds the spectator floating between the two gazes or between the seer …