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Full-Text Articles in Film and Media Studies
Maniobres De Resistència Personal, Antoni Pizà
Maniobres De Resistència Personal, Antoni Pizà
Publications and Research
Quan jo tenia nous anys, els meus pares em van enviar a estudiar a la capital. Havia de quedar en règim d'internat de dilluns a divendres, dia que mon pare venia del poble a recollir-me, normalment cap a les cinc del capvespre, si fa no fa.
On Variety: The Avant-Garde Between Pornography And Narrative, Kevin L. Ferguson
On Variety: The Avant-Garde Between Pornography And Narrative, Kevin L. Ferguson
Publications and Research
This article analyzes Bette Gordon’s first feature film Variety (1983), reassessing how experimental novelist Kathy Acker’s contributions to the screenplay awkwardly positioned the film within contemporary cultural debates over pornography and the future of avant-garde filmmaking. While centered on an erotic thriller narrative concerning a woman’s entrée into the scuzzy world of New York City porno theaters, Gordon and Acker also take up in the film a series of three related representational problems for the 1980s: feminist approaches to pornography, narrative in an avant-garde tradition, and the role of speech and writing in film.
Digital Surrealism: Visualizing Walt Disney Animation Studios, Kevin L. Ferguson
Digital Surrealism: Visualizing Walt Disney Animation Studios, Kevin L. Ferguson
Publications and Research
There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. As an alternative, cinema and media studies should pursue a mostly-ignored "digital surrealism" that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-five feature-length films …
Panting In The Dark: The Ambivalence Of Air In Cinema, Kevin L. Ferguson
Panting In The Dark: The Ambivalence Of Air In Cinema, Kevin L. Ferguson
Publications and Research
No abstract provided.
The Cinema Of Control: On Diabetic Excess And Illness In Film, Kevin L. Ferguson
The Cinema Of Control: On Diabetic Excess And Illness In Film, Kevin L. Ferguson
Publications and Research
While not rare, films that do represent diabetes must work around the disease’s banal invisibility,and images of diabetics in film are thus especially susceptible to metaphor and exaggeration.This essay is the first to outline a diabetic filmography, discussing medical and cinematic strategies for visualizing the disease as well as how the illness informs family plots and heroic characters in horror films. Doing so, it participates in a larger discussion of the manner in which film images of ill or disabled groups sustain notions of “normalcy” by both representing and denying otherness.
Out Of The Blue: Re-Evaluating Electra-Glide In Blue, William Blick
Out Of The Blue: Re-Evaluating Electra-Glide In Blue, William Blick
Publications and Research
The 1970s was a time of moral ambiguity for the cinema. The cult- favorite, Electra Glide in Blue demonstrates the polarization of ideologies in America at the time. In this film, there are several conflicting views of the Vietnam War, "Hippies", drugs, conservatism, communes, and the mistrust of authority that made up a zeitgeist of the time. This short article defines the film as a examination of the ambiguity of the 1970s.