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Film and Media Studies Commons

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Full-Text Articles in Film and Media Studies

Painting And Fear: The Creation Of Death's Visage, Mark A. Felbinger Jan 2023

Painting And Fear: The Creation Of Death's Visage, Mark A. Felbinger

Graduate Thesis and Dissertation 2023-2024

Death's Visage is a feature film that was created from an idea developed due to a personal relationship with an artist, who was a professional illustrator and painter. The film follows a young woman who becomes entrapped in a demonic sphere and time zone where her fear is the demon's gratification. She questions the events that are unfolding, which creates herpsychological turmoil, while taking place in the family home that is in an older established middle-class neighborhood.

Death's Visage was a micro-budgeted film produced for $20,778. The capital needed for this film meets the University of Central Florida Feature Film …


Black Feminist Articulations Of Race & Gender Within The Horror Film Genre, Katherine M. Ortiz Jan 2019

Black Feminist Articulations Of Race & Gender Within The Horror Film Genre, Katherine M. Ortiz

Honors Undergraduate Theses

The intent of this paper is to explore a black feminist perspective within the film horror genre. A black feminist perspective investigates how black women are portrayed within cinematic horror. It serves as a method to further articulate the particularities of race & gender within cinema. If we leave the cinematic space without a structural model of intervention, then we are left with film that remains unchallenged for ostracizing black women. The paper argues that black women become articulated through themes of motherhood, death, and sexuality.


Interior: A Micro-Budget Horror Feature, Zachary Beckler Jan 2014

Interior: A Micro-Budget Horror Feature, Zachary Beckler

Electronic Theses and Dissertations

INTERIOR is a feature-length film written, directed, and produced by Zachary Beckler as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The project aims to challenge existing conventions of the horror film on multiple levels - aesthetic, narrative, technical, and industrial - while also examining growing importance of workflow throughout all aspects of production. These challenges were both facilitated and necessitated by the limited resources available to the production team and the academic context of the production. This thesis is a record of the film, from concept …